When life gets you down, there’s nothing better for renewing your spirit or gaining perspective than having a good sense of humor.
Receiving recognition in the Prometheus Awards usually sparks a more serious response blending pride and gratitude.
But funny is funny – and anyway, if your novel is already satirical, then why not respond in that spirit with both pride and humor to such recognition?
To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as anti-authoritarian or pro-freedom, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.
Here is an Appreciation for Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner for Best Classic Fiction.
By Michael Grossberg
The government’s Handicapper General enforces new constitutional amendments mandating that no one can be stupider, uglier, weaker, slower – or in any way better – than anyone else.
To enforce this authoritarian and radical egalitarian edict, perfectly capable people are forced to accept and wear various disabling devices that handicap their capabilities and basic humanity.
Leave it to the great American novelist Kurt Vonnegut Jr. to come up with such a classic cautionary fable about a dystopian future in the United States in which coercive egalitarianism – a close cousin of progressivism – is taken to such radical and inhuman extremes in a perverse authoritarian revolt against personal excellence.
To highlight the Prometheus Awards’ four-decade history, the Libertarian Futurist Society is publishing Appreciations of all past award-winners that make clear why each winner deserves recognition as pro-freedom and/or anti-authoritarian in theme.
Here’s an Appreciation of Robert Anton Wilson and Robert Shea’s Illuminatus! trilogy, a 1986 Prometheus Hall of Fame inductee for Best Classic Fiction.
By Tom Jackson
I recently came across convincing evidence that Alice Walker, the famous American novelist and author of The Color Purple, believes that we are ruled by a “lizard Illuminati.”
An article at Vox.com helpfully explained that Walker is a fan of David Icke, and “Icke is best known for arguing that the world is run by a secret cabal of alien lizard people, many of whom are Jewish.”
Which brings me to Illuminatus!, and my attempt to explain a rather unusual literary work, one that won the Prometheus Hall of Fame Award in 1986, in a tie with Cyril Kornbluth’s The Syndic.
To highlight the Prometheus Awards’ diverse four-decade history and make clear why each winner deserves recognition as pro-freedom, anti-authoritarian or dystopian sf/fantasy, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.
Here is an Appreciation of Eric Frank Russell’s The Great Explosion, a 1985 Prometheus Hall of Fame co-winner for Best Classic Fiction.
By Michael Grossberg
The power of peaceful behavior and non-violent resistance is explored in The Great Explosion.
British author Eric Frank Russell’s satirical 1962 novel, which incorporates in its final third section his classic golden-age-sf 1951 short story “…And Then There Were None,” is set in an expansive interstellar future in which millions have used a faster-than-light transport system to escape an increasingly bureaucratic and statist Earth and have settled countless planets.
When ships with soldiers and bureaucrats and pompous officials from a still-statist and aggressively imperialist Earth arrive four centuries to visit and take over three of the planets, they find a penal colony with a corrupt and despotic government on the first, health and fitness fanatic nudists on the second and no signs of human life on the third planet, colonized by a religious group.
But they face their biggest mystery – and largest challenge – on a final fourth planet, filled with people who calls themselves Gands (after Gandhi) and whose agrarian culture and economy have embraced a classless libertarian anarchy based on passive resistance to unjust authority.
