British publisher backtracks, “saves” Roald Dahl’s uncut classics (but don’t breathe sighs of relief just yet)

By Michael Grossberg

Good news for lovers of liberty, culture and artistic integrity: Matilda, The Witches, Charlie and the Chocolate Factory and Roald Dahl’s other children’s classics will continue to be published and reprinted in their original uncensored forms.

That sudden and welcome reversal (see our previous blog post) is thanks to a remarkably wide range of principled and thoughtful responses from across the political spectrum objecting to the plans by the late great Dahl’s cowardly and conformist British publisher to bowdlerize his bestselling children’s classics in doctored reprints.

Continue reading British publisher backtracks, “saves” Roald Dahl’s uncut classics (but don’t breathe sighs of relief just yet)

A probing work of “social sf” and libertarian praxis: An appreciation of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner

By Michael Grossberg

Many people have viewed science fiction as all about futuristic technology – starships, robots, interstellar travel, space habitats, vast mega-engineering feats, etc.

Yet, some of the best so-called “sf” of the past century has been what is sometimes called “social science fiction.”

Such works may incorporate various speculative forms of advanced technology, especially to work out how such technology affects people and changes culture.

Yet the most interesting aspects of such “social sf” is how it illuminates the various socio-political, economic and cultural implications of new ideas, different attitudes or fundamental changes in how a society’s norms, laws and system of government work.

In the rare and exemplary case of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner, the dramatic and fascinating focus is on what happens to a society when its government is abolished – but other governments continue to threaten its freedom and independence.

Continue reading A probing work of “social sf” and libertarian praxis: An appreciation of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner