“(In sf fandom), the Prometheus is now considered third place after the Hugo and Nebula.” — author-songwriter Leslie Fish
Here is the first part of the Prometheus Blog interview with Leslie Fish, the Prometheus-winning author and songwriter.
Fish, interviewed by journalist and blog editor Michael Grossberg, won a 2014 Special Prometheus Award for her novella “Tower of Horses” and related filk-song “The Horseman’s Daughter.”
LFS: You’ve said a lot of your stories and songs contain libertarian themes. What attracts you to such themes and what kinds of stories do you find best reflect those themes?
Fish: It’s more a case of the ideas being part of me and therefore coloring all my work. I’ve noticed the nostalgic medievalism of most published Fantasy stories, and the socialistic assumptions of a lot of Science Fiction, and it tends to annoy me, so I tend to write songs and stories that push in the opposite direction. I’m surprised by how much of my own work is reactive, in this way.
“Tower of Horses,” Leslie Fish’s rich Darkover novella, may be one of the most libertarian stories ever recognized with a Prometheus Award.
With its very believable and human characters, suspenseful plot and resonant coming-of-age and temptations-of-power themes, Fish’s novella is certainly one of the most satisfying, and emotionally involving.
Together with Fish’s epic folk-song “The Horsetamer’s Daughter,” the novella received a Special Prometheus Award in 2014 – the first time within the history of the awards that a song was recognized, and the first time that a paired song and novella have received a joint award.