Prometheus Award winner Jerry Pournelle (1933-2017)

Jerry Pournelle at NASFiC in 2005. Public domain photo by G.E. Rule. 

If you follow science fiction news, you likely have heard by now about the death of Jerry Pournelle, who died Sept. 8, age 84.

Pournelle was arguably best known for his collaborations with Larry Niven, which earned Hugo nominations for The Mote in God’s EyeInferno, Lucifer’s Hammer and Footfall. He won the Prometheus Award in 1992 for Fallen Angels, a collaboration with Larry Niven and Michael Flynn, and the Prometheus Hall of Fame Award in 2001 for The Survival of Freedom, an anthology he co-edited with John F. Carr.

You can read a tribute to Pournelle from Sarah Hoyt, herself a Prometheus Award winner (for her novel Darkship Thieves.)

There is also a useful Wikipedia entry. 

See also the Science Fiction Encylopedia article.

Sinisalo wins Prometheus Award for The Core of the Sun

Prometheus Award ceremony to be held Aug. 11 at Worldcon Helsinki, Finland

The Libertarian Futurist Society has chosen The Core of the Sun, by Johanna Sinisalo, as the 2017 winner in the Best Novel category of the 37th annual Prometheus Awards.

LFS members also voted to induct Robert Heinlein’s story “Coventry” (first published in 1940 in Astounding Science Fiction) into the Prometheus Hall of Fame for best classic fiction.

In a separate awards process, the LFS also recently selected the first chapter of Freefall, a Webcomic by Mark Stanley, to receive a Special Prometheus Award in 2017.

Continue reading Sinisalo wins Prometheus Award for The Core of the Sun

Review: The Core of the Sun, by Johanna Sinisalo

By Chris Hibbert

book coverJohanna Sinisalo’s The Core of the Sun is a finalist for the Prometheus Award this year.   It has enough SF elements to qualify as standard near-future fiction, and provides biting social commentary. In feel, it reminds me a lot of Margaret Atwood’s The Handmaid’s Tale, but I liked this better in several ways.

The story takes place in a future Finland that has managed to selectively breed its women so that they’re either docile sex dolls and mothers (“eloi”), or sterile, powerless but competent workers (“morlocks”). They’ve also outlawed psycho-active drugs from alcohol to heroin, and somehow included capsaicin (hot peppers) on that list. The protagonist, Vanna, is a morlock who was raised as an eloi, which allows her to pass in polite company. She’s also hooked on hot peppers, and has started dealing in whole, dried, and preserved peppers in order to afford her next fix.

Compared with Handmaid’s Tale, the viewpoint character is a more active agent, with more freedom to act for her own interests and to undermine the system; her allies against the state are more fully bought into the fight; and the state she fights has taken more reprehensible steps, though it seems to have less thorough control of its subjugated females.

The story is told with a mix of present-tense action and recollections by Vanna of how she got to her present situation, mostly written as letters to her long-lost eloi sister, Manna. The two were raised away from the city by their eccentric aunt, which gave Vanna the opportunity to act naturally most of the time, and mimic her sister when visitors were around. This gave her the tools to pass as eloi when she grew up.

After the aunt dies, Manna finds a husband Vanna suspects to be after the family farm, since neither Manna nor Vanna (passing as an eloi) can legally hold title to it. Vanna finds a man to partner with who values her for her unusual intellect and her ability to act independently (a useful tool for his black-market activities).

Vanna pursues the secrets behind her sister’s disappearance until events force her to escape with her partner. I found the prose (and occasional poetry) to be delightful and very evocative. The characters were convincing, and Vanna’s struggle to be her own person in the face of societal expectations was heartbreaking.

(Chris Hibbert is treasurer and past board president of the Libertarian Futurist Society. He works as a software engineer in Silicon Valley.)

Watch the videos of past Prometheus Awards ceremonies, Libertarian Futurist Society panel discussions with noted sf authors and leading libertarian writers, and other LFS programs on the Prometheus Blog’s Video page.

* Prometheus winners: For the list of Prometheus winners, finalists and nominees – for the annual Best Novel and Best Classic Fiction (Hall of Fame) categories and occasional Special Awards – visit the enhanced Prometheus Awards page on the LFS website, which now includes convenient links to the full set of published appreciation-reviews of past winners.

* Read “The Libertarian History of Science Fiction,” an essay in the international magazine Quillette that favorably highlights the Prometheus Awards, the Libertarian Futurist Society and the significant element of libertarian sf/fantasy in the evolution of the modern genre.

Join us! To help sustain the Prometheus Awards, join the Libertarian Futurist Society (LFS), a non-profit all-volunteer association of freedom-loving sf/fantasy fans.

Libertarian futurists believe that culture matters! We understand that the arts and literature can be vital, and in some ways even more powerful than politics in the long run, by sparking innovation, better ideas, positive social change, and mutual respect for each other’s rights and differences.

Through recognizing the literature of liberty and the many different but complementary visions of a free future via the Prometheus Awards, the LFS hopes to help spread better visions of the future that help humanity overcome tyranny, slavery and war and achieve universal liberty and human rights and a better world (perhaps eventually, worlds) for all.