Review: Salman Rushdie’s Victory City affirms the virtues of liberty, trade and tolerance in a mythological historical fantasy about the cycles of civilization

By Michael Grossberg

Salman Rushdie, the courageous author acclaimed worldwide for both his fiction and personal courage in affirming libertarian values from artistic freedom and freedom of speech/press to the right of dissent, has written a wise and haunting novel in Victory City.


Rushdie’s historical fantasy – a Best Novel nominee for the next Prometheus Award – makes a poignant and powerful case for liberty as a key ingredient in the constellation of value and virtues that support human flourishing and the never-to-be-taken-for-granted rise of civilization.

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Remembering Tolkien – and his cautionary theme about the lure of power – as Rings of Power series debuts opposite House of Dragons

“Power tends to corrupt; and absolute power corrupts absolutely.”
Lord Acton    (1834-1902)

“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings

Few Prometheus Award winners incorporate an anti-authoritarian theme with more haunting power than J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction.

With Amazon Prime recently unveiling its mega-budgeted and long-awaited prequel to Lord of the Rings, this is an apt moment to recall that theme – summed up so well in Lord Acton’s famous dictum and symbolized so archetypically by Tolkien in his “One Ring to rule them all.”

That’s especially timely when Rings of Power offers such a vivid contrast to House of the Dragon, the other super-expensive prequel to another landmark television-adapted fantasy, but one with a much different and more cynical view of power.

Continue reading Remembering Tolkien – and his cautionary theme about the lure of power – as Rings of Power series debuts opposite House of Dragons

Nerds, jocks and sf fans: LFS/Reason panelists explore why some people embrace libertarian ideas (and why some don’t)

Contrary to some perceptions, science fiction fans – and paradoxically, both nerds and jocks – are more likely to come to appreciate the benefits of freedom and voluntary cooperation and more often begin to see the dangerous defects in authoritarian systems of the Left or Right.

That insight was one of the richer and more unexpected subjects explored by prominent panelists during a recent Libertarian Futurist Society panel discussion.

With Reason magazine as the media sponsor, the online panel followed the 2021 Prometheus Awards ceremony, in which Barry B. Longyear and F. Paul Wilson won awards.

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There and back again: Robert Heinlein’s Methuselah’s Children, the 1997 Prometheus Hall of Fame winner

As part of the Libertarian Futurist Society series making clear why each Prometheus winner deserves recognition as a pro-freedom work, here’s our Appreciation of Robert Heinlein’s Methuselah’s Children, inducted in 1997 into the Prometheus Hall of Fame for Best Classic Fiction.

By Anders Monsen

Robert A. Heinlein stands as an unrivaled Titan of libertarian science fiction. His influence runs deep, from the many of the writers recognized by the Libertarian Futurist Society’s Prometheus and Prometheus Hall of Fame awards, to the LFS members who’ve awarded Heinlein’s works multiple times, as well as this writer.

I still remember when I encountered for the first time such novels as The Puppet Masters, The Moon is a Harsh Mistress, Red Planet, Podkayne of Mars, as well as short stories like “Coventry,” “The Unpleasant Profession of Jonathan Hoag,” “The Man Who Sold the Moon,” and “Waldo,” to name just a few.

Methuselah’s Children, inducted by the LFS in 1997 into the Prometheus Hall of Fame, is a short novel by today’s standards, yet it manages to squeeze multiple plots and ideas into just over 150 pages.

Continue reading There and back again: Robert Heinlein’s Methuselah’s Children, the 1997 Prometheus Hall of Fame winner