By Michael Grossberg
Libertarian futurists dream of unleashing the potential of every person to flourish, cooperate, innovate, progress, profit and pursue their happiness in peace and freedom – both here on earth, and perhaps eventually, beyond.
Yet, the politicization of society and increasingly, of our culture and arts, threatens that goal – and in the long run, undermines civility and could destroy civilization itself if this disturbing trend approaches authoritarian extremes.
In a thought-provoking article “Enslaving Art to Politics,” published recently in American Purpose magazine, writer Daniel Ross Goodman argues persuasively against the “politicization of literature.”
His essay should interest Libertarian Futurist Society members, even when Goodman makes some points about particular works and artists that we might respectfully disagree with.
“The best novelists, like all great artists, are not narrow-minded agenda-driven partisans but adventurers in the unbounded universe of the human imagination, who, through their fictions, help us better perceive vital truths about ourselves and our reality,” Goodman wrote in late September in the online magazine.
To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition, the Libertarian Futurist Society began publishing in 2019 a series of Appreciations of each winner for Best Novel – and is now focusing on the Prometheus Hall of Fame for Best Classic Fiction, the second annual awards category launched in 1983.
Following last week’s Appreciation by William H. Stoddard, here’s a second Appreciation of Ayn Rand’s Atlas Shrugged, one of the first two 1983 Prometheus Hall of Fame winners:
By Michael Grossberg
Ayn Rand’s magnum opus, a millions-selling bestseller that has remained in print since its original 1957 publication, offers the combined satisfactions of mystery, science fiction, romance and suspense thriller.
Yet Atlas Shrugged, in setting up and solving its intricate and interrelated mysteries, also resonates as an innovative, unconventional and philosophical novel about the power of ideas, for good and bad. Its fierce and noble focus is on the distinctive role played by free minds, free markets and free women and men in sustaining society and genuine life-affirming progress based on cooperation, not coercion.