Why is government, by its nature, a distinctive threat to freedom?
LFS co-founder Michael Grossberg strived to answer that question in his speech introducing the Best Novel category of the 43rd annual Prometheus Awards ceremony.
BY MICHAEL GROSSBERG
The Prometheus Awards, one of the oldest fan-based sf/fantasy awards after the Hugos and Nebulas, are unique in recognizing speculative fiction that dramatizes the sadly perennial conflict between liberty and power.
As a journalist and arts critic for five decades, I can testify to the importance of awards in raising the visibility of valuable and rewarding works that might otherwise be overlooked.
By Michael Grossberg
Libertarian futurists dream of unleashing the potential of every person to flourish, cooperate, innovate, progress, profit and pursue their happiness in peace and freedom – both here on earth, and perhaps eventually, beyond.
Yet, the politicization of society and increasingly, of our culture and arts, threatens that goal – and in the long run, undermines civility and could destroy civilization itself if this disturbing trend approaches authoritarian extremes.
In a thought-provoking article “Enslaving Art to Politics,” published recently in American Purpose magazine, writer Daniel Ross Goodman argues persuasively against the “politicization of literature.”
His essay should interest Libertarian Futurist Society members, even when Goodman makes some points about particular works and artists that we might respectfully disagree with.
“The best novelists, like all great artists, are not narrow-minded agenda-driven partisans but adventurers in the unbounded universe of the human imagination, who, through their fictions, help us better perceive vital truths about ourselves and our reality,” Goodman wrote in late September in the online magazine.