The Libertarian Futurist Society, Prometheus Awards, LFS writers hailed in Quillette article about the persistence of libertarian sf as a key strand in mainstream science fiction

By Michael Grossberg

Libertarian science fiction has always been a seminal strand in the ever-evolving genre of science fiction and fantasy – and in significant and honorable ways, that socially conscious and liberty-loving subgenre continues as a force today, even amid regressive and reactionary forces flirting with the perennial temptations of statism, authoritarianism and centralized, institutionalized coercion on the Left and Right.

Libertarian futurists – within and outside the Libertarian Futurist Society (not to mention other organizations within the far broader libertarian movement, from Reason and Liberty magazines to the Cato Institute)  – have understood that for a long time.

Yet, it’s salutary and newsworthy when our understanding of the broader intellectual and artistic currents that have helped shape the four-decade-plus history and diversity of the Prometheus Awards is shared and appreciated by an international, cosmopolitan publication outside the libertarian movement.

The cover illustration of the Quillette article on Libertarian Science Fiction Photo: a Quillette illustration, copied here to help people find the article on their website

Such a relatively rare occasion has materialized this month (June 2020) with a fair-minded, open-minded, rich and rewarding essay on “The Libertarian History of Science Fiction” published in Quillette, an influential web-magazine that embraces what modern libertarians might generally recognize as classically liberal principles.

According to its mission statement, Quillette offers “a platform for free thought. We respect ideas, even dangerous ones. We also believe that free expression and the free exchange of ideas help human societies flourish and progress.”

Indeed, LFS members might say as much, using virtually the same words, to uphold important Bill of Rights aspects of our libertarian vision of a fully free future in which people strive to respect other people’s rights and live together through the voluntary cooperation and enterprise of a free society and a free market while steadfastly abjuring violence, the initiation of force or fraud and the institutionalized coercion of the unchecked State.

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God, atheism, a dying assassin in an SF noir fantasy: An Appreciation of Victor Koman’s The Jehovah Contract, the 1988 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our  Appreciation for Victor Koman’s The Jehovah Contract.

By Michael Grossberg

Victor Koman’s audacious 1987 thriller-noir-fantasy The Jehovah Contract centers on dying atheistic assassin Del Ammo – masquerading as a private detective, and living in the ruins of a terrorist-bombed skyscraper – who’s given a contract to kill God.

Yes, God!

Clever philosophical speculations by Koman, a veteran libertarian, accent his suspenseful and prescient story, set in a near-future Los Angeles, as the assassin finds a way to excise the concept of God from the minds of humanity and enable a more laissez-faire “Creatrix” to return to power.
Continue reading God, atheism, a dying assassin in an SF noir fantasy: An Appreciation of Victor Koman’s The Jehovah Contract, the 1988 Prometheus Best Novel winner