Free enterprise in space: An Appreciation of Victor Koman’s Kings of the High Frontier, the 1997 Prometheus Best Novel winner

The Libertarian Futurist Society’s Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on freedom. Here’s our Appreciation for Victor Koman’s Kings of the High Frontier, the 1997 Best Novel winner.

By Michael Grossberg

Victor Koman’s 1997 novel dramatizes the dream of getting into space with an libertarian twist: The massive effort is achieved through the voluntary social cooperation of mutual trade and mutual aid through private enterprise.

Set in a subtly alternate reality, the story imagines a profit-enhanced competition to reach the stars, which anticipated the X Prize that saw Burt Rutan’s SpaceShipOne reach space in 2004.

Kings of the High Frontier highlights the shortsighted bureaucratic and political efforts of a government-run program like NASA, with its consequences in corruption, wasteful mismanagement and stagnation.

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Ethics, liberty, scientific innovation and abortion: An Appreciation of Victor Koman’s Solomon’s Knife, the 1990 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our  Appreciation for Victor Koman’s Solomon’s Knife, the 1990 Prometheus winner for Best Novel:

By Michael Grossberg

Victor Koman’s Solomon’s Knife imaginatively extends the typically partisan and predictable debate over abortion into new territory.

His provocative 1989 novel imagines a plausible future in which a controversial new surgical procedure is devised that could help women with unwanted pregnancies and women who want children but can’t become pregnant.

At the heroic center of the libertarian-themed medical thriller, which takes its title from the biblical story of King Solomon that tests two women over a baby, is a surgeon who risks her career to do the clandestine new type of surgery to help a beautiful woman seeking a routine abortion.

Continue reading Ethics, liberty, scientific innovation and abortion: An Appreciation of Victor Koman’s Solomon’s Knife, the 1990 Prometheus Best Novel winner

God, atheism, a dying assassin in an SF noir fantasy: An Appreciation of Victor Koman’s The Jehovah Contract, the 1988 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our  Appreciation for Victor Koman’s The Jehovah Contract.

By Michael Grossberg

Victor Koman’s audacious 1987 thriller-noir-fantasy The Jehovah Contract centers on dying atheistic assassin Del Ammo – masquerading as a private detective, and living in the ruins of a terrorist-bombed skyscraper – who’s given a contract to kill God.

Yes, God!

Clever philosophical speculations by Koman, a veteran libertarian, accent his suspenseful and prescient story, set in a near-future Los Angeles, as the assassin finds a way to excise the concept of God from the minds of humanity and enable a more laissez-faire “Creatrix” to return to power.
Continue reading God, atheism, a dying assassin in an SF noir fantasy: An Appreciation of Victor Koman’s The Jehovah Contract, the 1988 Prometheus Best Novel winner