Reason highlights fresh aspects of Tolkien’s anti-statism reflected in new TV series “The Rings of Power”

After watching just the first few episodes, fans of “The Lord of the Rings” may still be making up their minds whether the Amazon-Prime prequel “The Rings of Power” is a worthy successor to the three LOTR films and most important, whether it does justice to J.R.R. Tolkien and his powerful anti-authoritarian themes.

A bust of JRR Tolkien. File photo

But Reason magazine has weighed in with an insightful column that offers a nuanced answer to the question of how faithful is the epic new series to “Tolkien’s Anti-Statism.”

The answer, fans of the Prometheus Hall of Fame-winning trilogy will be happy and relieved to hear, is mostly yes.

Like the LFS members who voted to induct Tolkien’s fantasy trilogy into the Prometheus Hall of Fame in 2009, Reason columnist Christian Britscchgi seems well aware of the ways in which The Lord of the Rings celebrates “freedom against arbitrary government interference.”

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Free trade, private property, civil liberties, classical liberalism and modern libertarianism: An Appreciation of Neal Stephenson’s The System of the World, the 2005 Prometheus Best Novel winner

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and to make clear what libertarian futurists saw in each of our past winners that made them deserve recognition as pro-freedom sf/fantasy, we’re continuing in 2020 to present a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.

Here’s the latest Appreciation for Neal Stephenson’s The System of the World, the 2005 Prometheus Best Novel winner:

By William H. Stoddard

The development in the late 1600s and early 1700s of the modern world’s classical liberal institutions, which paved the way for modern libertarianism, is explored in Neal Stephenson’s epic 2004 novel, the climax of the author’s ambitious Baroque Cycle trilogy (preceded by Quicksilver and The Confusion), which has been hailed by Entertainment Weekly as “the definitive historical-sci-fi-epic-pirate-comedy-punk love story.”

In the complex, multi-threaded plot of The System of the World, Stephenson traces the distant ancestors of many key characters from his earlier novel Cryptonomicon through encounters with major figures in the science and politics of the era, among whom Sir Isaac Newton and Gottfried Leibniz are key figures. In effect, this is a secret history of the origins of experimental natural science, the British monetary system, and the antislavery movement, among other elements of modernity.


The Baroque Cycle – which touches upon the development in the 1700s of such classical-liberal institutions as the rule of law, limited government, due process, civil liberties, free trade, private property, and separation of church and state – can be read as a straightforwardly historical novel drawing on such sources as the French Annales school of historiography — if a wildly inventive one that fully lives up to the label “baroque.”

Continue reading Free trade, private property, civil liberties, classical liberalism and modern libertarianism: An Appreciation of Neal Stephenson’s The System of the World, the 2005 Prometheus Best Novel winner