Remembering Tolkien – and his cautionary theme about the lure of power – as Rings of Power series debuts opposite House of Dragons

“Power tends to corrupt; and absolute power corrupts absolutely.”
Lord Acton    (1834-1902)

“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings

Few Prometheus Award winners incorporate an anti-authoritarian theme with more haunting power than J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction.

With Amazon Prime recently unveiling its mega-budgeted and long-awaited prequel to Lord of the Rings, this is an apt moment to recall that theme – summed up so well in Lord Acton’s famous dictum and symbolized so archetypically by Tolkien in his “One Ring to rule them all.”

That’s especially timely when Rings of Power offers such a vivid contrast to House of the Dragon, the other super-expensive prequel to another landmark television-adapted fantasy, but one with a much different and more cynical view of power.

Continue reading Remembering Tolkien – and his cautionary theme about the lure of power – as Rings of Power series debuts opposite House of Dragons

Appreciation series update: Review-essays of Special Prometheus Award fiction winners now available, linked

Three anthologies.
Two films.
Two graphic novels.
A related novella and filk song.
Plus, a webcomic about a sentient robot and his pals.

If you’ve ever wondered why the Libertarian Futurist Society’s Special Prometheus Awards have recognized all of the above, then wonder no longer.

You can check it out on the LFS website’s Prometheus Awards page, which now has convenient links to Appreciation review-essays about all 10 works that have won recognition since the occasional Special Awards category of was established in 1998.

Continue reading Appreciation series update: Review-essays of Special Prometheus Award fiction winners now available, linked

Seize What’s Held Dear: Karl Gallagher’s Best Novel finalist explores cultural clash of customs, battle for freedom against novel interstellar tyranny

Note: This is the latest Prometheus-blog review of our 2022 Best Novel finalists, following previously posted reviews of Kazuo Ishiguro’s Klara and the Sun and Lionel Shriver’s Should We Stay Or Should We Go.

By William H. Stoddard

In Seize What’s Held Dear, the third volume of Karl Gallagher’s The Fall of the Censor series, the action returns to Corwynt, a planet controlled by the Censorate that the Fieran protagonists visited in the first volume. Much of the story develops in parallel tracks following the situation on the planet’s surface and the continuing struggle in space.

The primary conflict grows out of the Censorate’s basic rule that access to information is to be restricted as much as possible. In a fashion similar to China’s Qin Dynasty, access to historical works is prohibited, and their mere possession is a capital crime.

The result is a totalitarian society of a novel sort, different from those in classic dystopias. Fiera, the planet that opposes the Censorate after a hyperspatial route between them has reopened, has no such prohibition — and for that very reason the Censorate cannot tolerate its survival. Fiera doesn’t offer a model for a libertarian society, but it’s comparatively free and is struggling to preserve that freedom.

Continue reading Seize What’s Held Dear: Karl Gallagher’s Best Novel finalist explores cultural clash of customs, battle for freedom against novel interstellar tyranny

Author update: Wil McCarthy writing sequels to Best Novel finalist Rich Man’s Sky

Rich Man’s Sky, one of five 2022 Best Novel finalists currently competing for the Prometheus Award, will have a sequel.

Actually, two!

Continue reading Author update: Wil McCarthy writing sequels to Best Novel finalist Rich Man’s Sky

Author update: Karl K. Gallagher continues writing his Fall of the Censor series

Author Karl K. Gallagher, a frequent Prometheus Awards nominee and Best Novel finalist, is keeping busy and catching up with an ambitious writing schedule – including a new novel just published: Captain Trader Helmsman Spy.

This is the fourth novel in the Fall of the Censor series for the Texas-based writer, currently a 2022 Best Novel finalist for two different novels (the second and third) in that series.

Captain Trader Helmsman Spy, published  May 9, 2022 by Kelt Haven Press, focuses on an exploratory mission to gather more information about the authoritarian Censorate in the ongoing series about a complex interstellar conflict between two long-separated but newly connected sets of human-colonized solar systems – one relatively free and peaceful, blending diverse cultures through mutual trade, and the other near-totalitarian in its murderous control of many planets and Orwellian cancellation of history and culture.

Continue reading Author update: Karl K. Gallagher continues writing his Fall of the Censor series

Meet the author: Karl K. Gallagher, a double Best Novel finalist for Between Home and Ruin and Seize What’s Held Dear

For only the third time in the 43-year history of the Prometheus Awards, one author has been recognized twice within one year as a Best Novel finalist.

Author Karl K. Gallagher (Creative Commons license)

That’s Karl K. Gallagher, whose 2022 finalists include Between Home and Ruin and Seize What’s Held Dear, respectively the second and third novels in his Fall of the Censor series.

Continue reading Meet the author: Karl K. Gallagher, a double Best Novel finalist for Between Home and Ruin and Seize What’s Held Dear

Christian libertarian novelist C.S. Lewis, a current Prometheus Hall of Fame finalist, receives attention in leading sf magazine

By Michael Grossberg

Tor.com, a leading online sf magazine, has published an intriguing article about bestselling writer C.S. Lewis. That’s welcome news to Lewis’ fans, including sf readers and Libertarian Futurist Society members.

The positive attention comes as LFS members are considering the 2022 Prometheus Hall of Fame finalists – which include That Hideous Strength, the third and final novel of Lewis’ Space Trilogy.

(For the record, the three other Hall of Fame 2022 finalists are Robert Heinlein’s novel Citizen of the Galaxy, Barry B. Longyear’s collection of stories in Circus World, and the Rush song “The Trees.”)

Continue reading Christian libertarian novelist C.S. Lewis, a current Prometheus Hall of Fame finalist, receives attention in leading sf magazine

Review: Lionel Shriver’s alternate-reality novel Should We Stay or Should We Go highlights how government paternalism, NHS bureaucracy, runaway inflation and other statist disasters make end-of-life decisions worse

Here’s a review of Lionel Shriver’s Should We Stay Or Should We Go, which became a Prometheus Best Novel finalist:

By Michael Grossberg
Life, aging and death are difficult enough for most people to deal with, even when we strive to think and plan ahead and make the best choices we can about our senior years – including the possibilities of assisted living and even euthanasia.

Exploring those increasingly vital and common 21st-century issues in her kaleidoscopic 2021 novel Should We Stay or Should We Go, shrewd contrarian British novelist Lionel Shriver underscores how much worse the outcomes can be when oppressive laws, obtrusive welfare-state bureaucracy, socialized health care, forced medication, involuntary hospitalization, virtual imprisonment, anti-suicide laws, other bad government policies, abuses of power and even today’s dangerous trends of exploding federal debt and rising monetary inflation can damage lives further while undermining our ability to make our own decisions about end-of-life matters.

Continue reading Review: Lionel Shriver’s alternate-reality novel Should We Stay or Should We Go highlights how government paternalism, NHS bureaucracy, runaway inflation and other statist disasters make end-of-life decisions worse

Robot rights, practical autonomy and character-driven comedy: An appreciation of Mark Stanley’s webcomic Freefall, the 2017 Special Prometheus Awardwinner

With this review-essay of the 2017 Special Prometheus Award winner, we complete the Appreciation series of past Prometheus winners, launched in 2019 with the Best Novel category, continued in 2020 with the Hall of Fame category and concluded* in 2022 with this final appreciation of our Special Prometheus Award-winners.

By William H. Stoddard

As the Libertarian Futurist Society began giving awards to works other than novels, one of the questions we faced was how to decide if a series was eligible.

It obviously wasn’t appropriate to give an award to an open-ended series, or to one that hadn’t been completed yet (though we might recognize a single volume, story, or episode). We were prepared to recognize a series that had been completed, such as Patrick McGoohan’s The Prisoner. We also decided that we were prepared to recognize a bounded part of a series, such as one season of a television show. This decision proved applicable in 2017, when after nearly 20 years of publication, Mark Stanley announced that the first chapter of his webcomic Freefall had been completed with installment 2834.

Libertarian fiction’s philosophical or ideological content makes a lot of it serious, or even didactic, with characters discussing politics and economics in long speeches. Freefall, 2017 winner of a Special Prometheus Award, proved to be a happy exception.

Continue reading Robot rights, practical autonomy and character-driven comedy: An appreciation of Mark Stanley’s webcomic Freefall, the 2017 Special Prometheus Awardwinner

Robots, rights & moral panics: Jonathan Luna and Sarah Vaughn’s graphic novel Alex + Ada, the 2016 Special Prometheus Award winner

The Libertarian Futurist Society’s Appreciation series continues with review-essays about  fiction that has won Special Prometheus Awards. Here’s an appreciation of the graphic novel Alex + Ada, the 2016 Special Prometheus Award winner.

By William H. Stoddard

Libertarians describing their legal and political goals often use the original wording of the Declaration of Independence, referring to rights to life, liberty, and property. The order is important: on one hand, property rights grow out of the liberty to use and appropriate material objects without interference from others; on the other, liberty rights implement the right to life, seen not as a passive state of endurance but as an active process of self-creation and self-sustenance.

A central question for libertarian thought is which beings have rights to life and liberty? Libertarians influenced by Ayn Rand’s idea that freedom is a requirement for rational beings tend to think that every rational being has rights: rather than applying only to human beings, they would extend to such science fictional entities as aliens, enhanced animals —and robots.

In Alex + Ada, a graphic novel in three volumes (published in 2013-2015 by Image Comics), artist Jonathan Luna and writer Sarah Vaughn explore the question of robot rights, not through abstract philosophical analysis, or through a story of political conflict, but in an intensely personal narrative.

Continue reading Robots, rights & moral panics: Jonathan Luna and Sarah Vaughn’s graphic novel Alex + Ada, the 2016 Special Prometheus Award winner