Category: Reviews

How far can struggles against tyranny go without becoming tyrannical? C.M. Kornbluth’s The Syndic, a 1986 Prometheus Hall of Fame winner

To make clear why each Prometheus winner deserves recognition as notable pro-freedom and/or anti-authoritarian works, the Libertarian Futurist Society is publishing an Appreciation series of all award-winners. Here is our Appreciation of C.M. Kornbluth’s The Syndic, one of two 1986 Prometheus Hall of Fame inductees for Best Classic Fiction.

By William H. Stoddard

C.M. Kornbluth’s novel The Syndic was an early winner of the Hall of Fame Award, in 1986.

Originally published in 1953, it was an example both of what Isaac Asimov called “social science fiction,” envisioning a change in technology or human behavior and working out its cultural implications, and of “thought variant” fiction, seeking to explore provocative ideas.

Such ideas were supposed to stir up discussion by going against conventional beliefs, in the style Robert Heinlein envisioned in Space Cadet as a required seminar in “Doubt”:

The seminar leader would chuck out some proposition that attacked a value usually attacked as axiomatic. From there on anything could be said.

Kornbluth picked a really provocative premise: A future North America ruled by organized crime, with the government driven into exile, creating a freer and happier society than that of his own time. This led to a story with a lot of action, but one where social speculation was never far from sight.

Continue reading How far can struggles against tyranny go without becoming tyrannical? C.M. Kornbluth’s The Syndic, a 1986 Prometheus Hall of Fame winner

Entrepreneurship and a swashbuckling merchant-hero: Poul Anderson’s Trader to the Stars, a 1985 Prometheus Hall of Fame winner

The Libertarian Futurist Society is publishing an Appreciation series of Prometheus award-winners that makes clear why each winner deserves recognition as notable pro-freedom and/or anti-authoritarian in theme. Here is our Appreciation of Poul Anderson’s Trader to the Stars, a 1985 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg
    Trader to the Stars, part of Anderson’s interstellar and libertarian-themed Future History series written over four decades, offers three loosely interconnected and longer stories about the free-trade-oriented Polesotechnic League operating during a Terran Empire.

Blending adventure, mystery and sf with some swashbuckling heroism and vivid descriptions often evoking Norse sagas, this 1964 book centers on Nicholas van Rijn, a resourceful and clever Danish merchant-hero (Anderson was Danish-American).

Anderson, always a realist about humanity with a sensibility of a melancholy romantic, portrays both humans and aliens as self-interested, striving to make a buck and satisfy their various needs amid an imperfect world of struggling and flawed peoples – in short, a future just like today.

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Non-violence, Gandhian resistance and MYOB: Eric Frank Russell’s The Great Explosion, a 1985 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ diverse four-decade history and make clear why each winner deserves recognition as pro-freedom, anti-authoritarian or dystopian sf/fantasy, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners. Here is our Appreciation of Eric Frank Russell’s The Great Explosion, a 1985 Prometheus Hall of Fame co-winner for Best Classic Fiction.

By Michael Grossberg

The power of peaceful behavior and non-violent resistance is explored in The Great Explosion.

British author Eric Frank Russell’s satirical 1962 novel, which incorporates in its final third section his classic golden-age-sf 1951 short story “…And Then There Were None,” is set in an expansive interstellar future in which millions have used a faster-than-light transport system to escape an increasingly bureaucratic and statist Earth and have settled countless planets.

When ships with soldiers and bureaucrats and pompous officials from a still-statist and aggressively imperialist Earth arrive four centuries to visit and take over three of the planets, they find a penal colony with a corrupt and despotic government on the first, health and fitness fanatic nudists on the second and no signs of human life on the third planet, colonized by a religious group.

But they face their biggest mystery – and largest challenge – on a final fourth planet, filled with people who calls themselves Gands (after Gandhi) and whose agrarian culture and economy have embraced a classless libertarian anarchy based on passive resistance to unjust authority.

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Book-burning, history, memory and literacy: An Appreciation of Ray Bradbury’s Fahrenheit 451, a 1984 co-winner of the Prometheus Hall of Fame

To make clear why each Prometheus winner deserves recognition as notable pro-freedom and/or anti-authoritarian and dystopian sf/fantasy, the Libertarian Futurist Society has published Appreciations of all award-winners. Here is our Appreciation of Ray Bradbury’s Fahrenheit 451, a 1984 Prometheus Hall of Fame co-winner for Best Classic Fiction.


By Michael Grossberg

One of the most widely admired classics of science fiction is Fahrenheit 451. Ray Bradbury’s poignant 1953 novel makes an eloquent case (both libertarian and classical liberal) against censorship and book-burning as a blow not only to basic individual rights but as a devastating wound to history, memory and civilization itself.

Bradbury’s best-known novel offers an exemplary cautionary fable about an illiberal future society in which books are outlawed and burned to destroy them and any remnant of literacy, memory, deep culture and independent thinking.

Those who still love and read books become criminals, hunted down by “firemen” and at high risk of having their homes invaded, their books and houses burned and their lives destroyed by the omnipresent State.

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Big Brother, doublethink, thoughtcrime & memory holes: George Orwell’s Nineteen Eighty-Four, a 1984 Prometheus Hall of Fame winner for Best Classic Fiction

To make clear why each Prometheus winner deserves recognition as notable pro-freedom and/or anti-authoritarian sf/fantasy, the Libertarian Futurist Society is publishing Appreciations of all award-winners. Here is an Appreciation of George Orwell’s Nineteen Eighty-Four, a co-winner of the 1984 Prometheus Hall of Fame award for Best Classic Fiction.

By Michael Grossberg

“Big Brother is Watching” is just one phrase that’s become widely known from Nineteen Eighty-Four, George Orwell’s cautionary 1948 novel about a future totalitarian society in which almost everyone is caught up in the power-worshiping cult of the charismatic ruler.

Few works of fiction have connected so deeply to popular culture that they introduce even one catchphrase or line of dialogue that still resonates today, but Orwell’s cautionary tale generated several that even in the 21st century haven’t yet been flushed down the “memory hole” of popular culture.

Among the neologisms that continue to be quoted widely and resonate through American and world culture: Thought Police, Newspeak, “proles,” “thoughtcrime,” “doublethink,” Room 101, Two Minutes Hate, and “unperson.”

Continue reading Big Brother, doublethink, thoughtcrime & memory holes: George Orwell’s Nineteen Eighty-Four, a 1984 Prometheus Hall of Fame winner for Best Classic Fiction

Rational anarchism & TANSTAAFL: An Appreciation of Robert Heinlein’s The Moon is a Harsh Mistress, a 1983 Prometheus Hall of Fame co-winner for Best Classic Fiction

Here is our Appreciation of The Moon is a Harsh Mistress, Robert Heinlein’s 1966 Hugo-winning novel and a bestseller that popularized the libertarian slogan TANSTAAFL (“There Ain’t No Such Thing as a Free Lunch”) as a rallying cry in a story imagining an American-Revolution-style revolt for liberty on the moon.

By William H. Stoddard

Science fiction writers have been exploring ideas that we now call “libertarian” since before the genre was named. Rudyard Kipling, E.E. Smith, Robert Heinlein, C.M. Kornbluth, Eric Frank Russell, Poul Anderson, Edgar Pangborn, and others presented such ideas – along with other, unlibertarian ideas such as Smith’s portrayal of a literal War on Drugs.

But it was Heinlein’s The Moon Is a Harsh Mistress that established libertarian science fiction as a distinct genre. Nothing could have been more fitting than its being one of the first two books elected to the Libertarian Futurist Society’s Prometheus Hall of Fame for Best Classic Fiction.

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Action, passion, humor, mystery, sf, the evils of evasion & the liberating power of facing reality: Ayn Rand’s Atlas Shrugged, a 1983 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Atlas Shrugged, one of the first two works inducted into the Prometheus Hall of Fame.

By Michael Grossberg

Ayn Rand’s magnum opus, a millions-selling bestseller that has remained in print since its original 1957 publication, offers the combined satisfactions of mystery, science fiction, romance and suspense thriller.

Yet Atlas Shrugged, in setting up and solving its intricate and interrelated mysteries, also resonates as an innovative, unconventional and philosophical novel about the power of ideas, for good and bad. Its fierce and noble focus is on the distinctive role played by free minds, free markets and free women and men in sustaining society and genuine life-affirming progress based on cooperation, not coercion.

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Rationality, a mysterious new motor and civilization collapse: Ayn Rand’s Atlas Shrugged, the first co-winner of the Prometheus Hall of Fame in 1983

The Libertarian Futurist Society is publishing review-essays to make clear why each Prometheus Award winner deserves recognition as notable pro-freedom sf/fantasy. Here is our appreciation of the first Hall of Fame co-winner: Ayn Rand’s Atlas Shrugged, inducted in 1983 along with Robert Heinlein’s The Moon is a Harsh Mistress:

By William H. Stoddard

If any novelist was central to the emergence of the libertarian movement, it was Ayn Rand.

She wasn’t simply an adherent of ideas such as strict adherence to the Constitution or economic freedom, which were common among adherents of the “old right” at the time. She was also the source of such distinctive formulations as the concept of being a “radical for capitalism” (rather than a conservative) and the principle of noninitiation of force, which have been defining elements in libertarianism for half a century. And those ideas first came to widespread attention in her last and largest novel, Atlas Shrugged.

Was Atlas Shrugged “science fiction”? It certainly was received as such; it was reviewed in Astounding Science Fiction not once, but twice, by P. Schuyler Miller (who saw little value in it) and by John W. Campbell, the editor of Astounding (who praised it—particularly for its insight into the cultural and psychological mechanisms that make political repression work).

It influenced some science fiction writers; in The Moon Is a Harsh Mistress, for example, the self-aware computer Mycroft is described as the “John Galt”of the Lunar revolution. It’s filled with marvelous inventions; not just the central ones, Rearden Metal and John Galt’s motor, but half a dozen ingenious minor devices, any one of which might have been the basis for a story in Astounding – and the Xylophone, a weapon of mass destruction based on new principles of energy transmission that plays a crucial role at the novel’s climax. And if Rand doesn’t go into detail on the scientific principles behind these inventions, or into the unexpected side effects of their use, a lot of science fiction doesn’t either.

Continue reading Rationality, a mysterious new motor and civilization collapse: Ayn Rand’s Atlas Shrugged, the first co-winner of the Prometheus Hall of Fame in 1983

Anarcho-capitalism on the Moon, intelligent nonhumans and libertarian sf: Travis Corcoran’s The Powers of the Earth & Causes of Separation, the 2018 and 2019 Prometheus Award winners for Best Novel

The Libertarian Futurist Society’s Appreciation series aims to make  clear why each Prometheus winner deserved recognition as pro-freedom or anti-authoritarian sf/fantasy. Here is William H. Stoddard’s combined Appreciation of Travis Corcoran’s The Powers of the Earth and Causes of Separation, the 2018 and 2019 Prometheus Award winners for Best Novel:

By William H. Stoddard

In 2017, Travis Corcoran funded the publication of two books through Kickstarter, and released the first, Powers of the Earth, which won the Prometheus Award for Best Novel. In 2018, he released the second, Causes of Separation. The two volumes are described as the first half of a planned four-volume series, Aristillus (named for a lunar crater), but they actually make up an integrated and self-contained story: Had they both appeared the same year, they could have been nominated as a single work.

It’s long been the policy of the Libertarian Futurist Society to give awards to “the work, not the author”: A book can win Best Novel even if its author doesn’t self-identify as a libertarian, so long as its theme is pro-liberty. A corollary of this is that “pro-liberty” doesn’t mean adhering tightly to a specific interpretation of libertarianism.

If a novel illuminates the meaning of individual rights and a free society, or suggests a way to establish them, or explores the functioning of such a society, or warns against the evils of authoritarianism, or critiques or deconstructs an ideology opposed to liberty – then it can be considered for a Prometheus award. Nonetheless, books whose vision is wholeheartedly libertarian are welcome discoveries, and the Aristillus novels were such a discovery.

Continue reading Anarcho-capitalism on the Moon, intelligent nonhumans and libertarian sf: Travis Corcoran’s The Powers of the Earth & Causes of Separation, the 2018 and 2019 Prometheus Award winners for Best Novel

Chili peppers, drugs, desire and dictatorship: Johanna Sinisalo’s The Core of the Sun, the 2017 Prometheus Award Best Novel winner

The Libertarian Futurist Society’s Appreciation series aims to make clear why each Prometheus winner deserves recognition as notable pro-freedom sf/fantasy. Here’s our Appreciation for Johanna Sinisalo’s The Core of the Sun, the 2017 Best Novel winner:

By Michael Grossberg

The Core of the Sun, by well-known Finnish writer Johanna Sinisalo, is both feminist and libertarian in its evocative themes.

In the quirky and imaginative 2016 novel, translated by Lola Rogers from the Finnish language and published by Grove Press/Black Cat, Sinisalo vividly imagines a dystopian alternate history of Finland in which a patriarchal and authoritarian government enforces a social system, a War-on-Drugs Prohibition of individualistic pleasure and a eugenics program that breeds and virtually enslaves compliant women.

Set in 21st century Finland after a century of male-dominated government breeding and cultural reinforcement of its women to be slower-witted and more childlike, the fast-paced story unfolds in short chapters with epistolary and personal interludes that evoke a struggle of women within an alternate-reality Finnish culture somewhat evocative of The Stepford Wives (a cautionary feminist novel by Ira Levin, the Prometheus Hall of Fame winner for his dystopian novel This Perfect Day.)

Social stability and public health, along with a War-on-Drugs Prohibition, are strongly enforced and favored over social change, creativity, personal expression, self-fulfillment, curiosity and diversity – the latter, of course, all part of the constellation of values and attitudes that we know flourish much more under a classical liberal/libertarian polity.

Continue reading Chili peppers, drugs, desire and dictatorship: Johanna Sinisalo’s The Core of the Sun, the 2017 Prometheus Award Best Novel winner