As part of the Libertarian Futurist Society series making clear why each Prometheus winner deserves recognition as a pro-freedom work of fantastical fiction, here’s our Appreciation of Robert Heinlein’s Methuselah’s Children, inducted in 1997 into the Prometheus Hall of Fame for Best Classic Fiction.
Robert A. Heinlein stands as an unrivaled Titan of libertarian science fiction. His influence runs deep, from the many of the writers recognized by the Libertarian Futurist Society’s Prometheus and Prometheus Hall of Fame awards, to the LFS members who’ve awarded Heinlein’s works multiple times, as well as this writer.
I still remember when I encountered for the first time such novels as The Puppet Masters, The Moon is a Harsh Mistress, Red Planet, Podkayne of Mars, as well as short stories like “Coventry,” “The Unpleasant Profession of Jonathan Hoag,” “The Man Who Sold the Moon,” and “Waldo,” to name just a few.
Methuselah’s Children, inducted by the LFS in 1997 into the Prometheus Hall of Fame, is a short novel by today’s standards, yet it manages to squeeze multiple plots and ideas into just over 150 pages.
As part of the Libertarian Futurist Society Appreciation series of past award-winners, here is our Appreciation for Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner:
Many of Robert Heinlein’s novels featuring children have been lumped together and called “juvies” (or juveniles), as if they are children’s books. But, just like many Disney or Pixar animated movies, there are aspects of these works that go over the heads of a younger audience, whether those teens read the books as they first were published in the 1940s or 1950s, or whether they’re read today.
Red Planet, first published in 1949, is significant in terms of Heinlein’s bibliography, both as being one of the earliest juvies, and also because it introduces elements of Martian mythology that later appeared in Stranger in a Strange Land .
Ostensibly an adventure story centered around two boys on the run from an oppressive schoolmaster and conniving colony governor on Mars, Red Planet has two other themes or threads that elevate the novel beyond an adventure story. And make no mistake, this is written as an adventure story, with trials and tribulations that propel the action, for both the young and adult characters.
Robert Heinlein’s Stranger in a Strange Land wasn’t just a best seller, and the book that made publishers take science fiction seriously as a commercial proposition; it was a major influence on the hippie movement, the counterculture more generally, and neo-pagan and New Age thought.
Given all this, it seemed paradoxical to some readers that Heinlein was also the author of Starship Troopers,with its praise of military service and especially, as Heinlein said, of the “poor bloody infantry” — the foot-soldiers who stood between their native planets and the desolation of war. Heinlein himself saw no such paradox; he said, in fact, that the two books reflected the same ethical and political ideas.
What did these two seemingly disparate works have in common? At the deepest level, the answer is “a sort of libertarianism”: not advocacy of the free market, or of specific constitutional arrangements, or of constitutional goverment as such (though such ideas appear in Heinlein’s other works), but a basic ethical principle.
Here is our Appreciation of The Moon is a Harsh Mistress, Robert Heinlein’s 1966 Hugo-winning novel and a bestseller that popularized the libertarian slogan TANSTAAFL (“There Ain’t No Such Thing as a Free Lunch”) as a rallying cry in a story imagining an American-Revolution-style revolt for liberty on the moon.
Science fiction writers have been exploring ideas that we now call “libertarian” since before the genre was named. Rudyard Kipling, E.E. Smith, Robert Heinlein, C.M. Kornbluth, Eric Frank Russell, Poul Anderson, Edgar Pangborn, and others presented such ideas – along with other, unlibertarian ideas such as Smith’s portrayal of a literal War on Drugs.
But it was Heinlein’s The Moon Is a Harsh Mistress that established libertarian science fiction as a distinct genre. Nothing could have been more fitting than its being one of the first two books elected to the Libertarian Futurist Society’s Prometheus Hall of Fame for Best Classic Fiction.
Libertarian science fiction has always been a seminal strand in the ever-evolving genre of science fiction and fantasy – and in significant and honorable ways, that socially conscious and liberty-loving subgenre continues as a force today, even amid regressive and reactionary forces flirting with the perennial temptations of statism, authoritarianism and centralized, institutionalized coercion on the Left and Right.
Libertarian futurists – within and outside the Libertarian Futurist Society (not to mention other organizations within the far broader libertarian movement, from Reason and Libertymagazines to the Cato Institute) – have understood that for a long time.
Yet, it’s salutary and newsworthy when our understanding of the broader intellectual and artistic currents that have helped shape the four-decade-plus history and diversity of the Prometheus Awards is shared and appreciated by an international, cosmopolitan publication outside the libertarian movement.
The cover illustration of the Quillette article on Libertarian Science Fiction Photo: a Quillette illustration, copied here to help people find the article on their website
Such a relatively rare occasion has materialized this month (June 2020) with a fair-minded, open-minded, rich and rewarding essay on “The Libertarian History of Science Fiction” published in Quillette, an influential web-magazine that embraces what modern libertarians might generally recognize as classically liberal principles.
According to its mission statement, Quillette offers “a platform for free thought. We respect ideas, even dangerous ones. We also believe that free expression and the free exchange of ideas help human societies flourish and progress.”
Indeed, LFS members might say as much, using virtually the same words, to uphold important Bill of Rights aspects of our libertarian vision of a fully free future in which people strive to respect other people’s rights and live together through the voluntary cooperation and enterprise of a free society and a free market while steadfastly abjuring violence, the initiation of force or fraud and the institutionalized coercion of the unchecked State.
To highlight and honor the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are providing a reader’s guide with capsule Appreciations of past Prometheus Award-winners, starting with the Best Novel category.
If you’ve ever wondered why a particular work of fiction has been recognized with a Prometheus Award and what libertarian sf fans see in these award-winning works, then our upcoming series of Appreciations should be must reading – as well as informative and illuminating!
Or, if you’re simply looking for something enjoyable and stimulating to read within the realm of science fiction and fantasy, which also illuminates abiding questions about the perennial tensions between Liberty and Power, an excellent place to begin is with this recommended reading list of award-winning fiction (to be published here on a regular weekly (or biweekly) schedule, starting now (September 2019).
These capsule appreciations are being written and edited by LFS members (including LFS founder Michael Grossberg, LFS President William H. Stoddard, and veteran LFS leaders and board members Chris Hibbert, Tom Jackson, Anders Monsen, Eric Raymond, and others). In a few cases, the Appreciations will be based in part on reviews printed in the Prometheus quarterly (1982-2016) or the Prometheus blog (2017-today). Since 1979, a wide array of novels, novellas, stories, films, TV series and other works of fiction have won Prometheus awards by highlighting in fascinatingly different ways the value of voluntary social cooperation over institutionalized State coercion, the importance of respecting human rights (even for that smallest minority, the individual), and the evils of tyranny (whether on the Left or the Right).
Note: In this wide-ranging autobiographical interview, Grossberg shares his encounters, conversations and/or connections with Timothy Leary, George R.R. Martin, L. Neil Smith, Bruce Sterling, David Brin, Sissy Spacek, Gore Vidal, Ray Bradbury, Roy Rogers, Jeffrey Rogers Hummel, Roberto Rossellini, Nicholas Ray, Marianne Williamson, Susan Sontag, Roy Childs Jr., James Hogan and Robert Heinlein, among others.
A new book about Robert Heinlein, The Pleasant Profession of Robert Heinlein by Farah Mendelsohn, is getting good notices. A couple of reviews:
Prometheus Award winner Ken MacLeod has posted a review and writes, “This effort to read with fresh eyes has paid off. On almost every page there’s a new insight or an arresting remark. Mendlesohn takes Heinlein seriously as a thinker, and makes you think.” More here.
Arthur Hlavaty, nominated numerous times for a Hugo for best fan writer, chimes in, “Have I mentioned here that Farah Mendlesohn’s The Pleasant Profession of Robert A. Heinlein is a brilliant book, absolutely essential for anyone interested in its subject?”
Robert Heinlein’s The Moon Is a Harsh Mistress is a classic of libertarian science fiction; along with Ayn Rand’s Atlas Shrugged, it was the first winner of the Libertarian Futurist Society’s Hall of Fame award in 1983. Many science fiction fans, and not only libertarians, regard it as one of his best novels.
But for nearly half a century after its original publication in 1966, it inspired no obvious imitators. Now, that’s started to change, with the appearance of multiple novels that explore the idea of a “free Luna” in the near future.
In 2015, Ian McDonald published Luna: New Moon, followed in 2017 by Luna: Wolf Moon; as of the time this is written, a third volume, Luna: Moon Risingis shortly to appear.
In 2017, Travis Corcoran published the first volume of his Aristillus series, The Powers of the Earth, winner of the Prometheus Award for Best Novel, followed in 2018 by Causes of Separation.
