Guess what world-famous billionaire has revealed that Robert Heinlein’s libertarian sf classic The Moon is a Harsh Mistress was his favorite novel while growing up?
Hint: The billionaire praises the novel, one of the earliest and best known Prometheus Award winners, on his blog.
“When I was a kid, I was obsessed with science fiction… The Moon is a Harsh Mistress was a particular favorite,” he writes.
(Make your guess before clicking on to the next page to see the answer…)
Libertarianism and science fiction have been closely connected since their early history, a rich topic often explored here on the Prometheus Blog.
Libertarian sf fan Tom Jackson explores their connections anew in his recently published essay “Heinlein’s Children: Libertarians in fandom.”
Published in “Portable Storage,” William Brieding’s sf fanzine, Jackson’s interesting and historically knowledgeable article offers a very readable introduction to the subject for the fanzine’s “The Great Sercon Issue Part One.”
Continue reading Heinlein’s Children: Tom Jackson’s fanzine essay on libertarians in sf fandom
Several leading sf writers whose classic works have won Prometheus Awards are examined in a new anthology about science fiction’s New Wave.
Most notably, Robert Heinlein’s The Moon is a Marsh Mistress and Ursula Le Guin’s The Dispossessed are among the libertarian sf works explored, contrasted and debated in Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985.
Reason book editor Jesse Walker reviews the anthology of essays while noting its discussions of libertarian writers and libertarian-themed sf in the March 2022 issue of Reason magazine.
This year’s nominees for the Prometheus Hall of Fame encompass several genres and types of fiction.
Of the eight works being considered by judges as potential finalists, one is a short story, one a song, one a TV episode, one a collection of linked stories and four are novels – plus, half are first-time nominees.
This year’s line-up of Best Classic Fiction nominees may be the freshest in years as well as the broadest, at least in terms of types of fiction, in the history of this Prometheus awards category, first presented in 1983.
Continue reading Latest crop of Hall of Fame nominees reflect broad range and many types of fiction
“Now we dare the great
Promethean sin
And bring fire back to heaven
on our rockets.”
– Robert Anton Wilson
“Free at Last,” from Free Space
Free Space, the first Special Prometheus Award-winner in 1998, has the distinction of being the first explicitly libertarian sf anthology.
Published in 1997 by TOR Books and edited by Brad Linaweaver and Ed Kramer, Free Space generated immense excitement among libertarian sf fans.
Today, almost a quarter century later, quite a few of its stories remain worth reading (or worth rereading) by freedom-lovers and, for that matter, anyone who enjoys interesting and imaginative sf speculations about humankind’s future in space.
The 352-page collection, dedicated to Robert and Ginny Heinlein, offers a wide range of stories and short fiction by 20 writers reflecting several generations and multiple perspectives.
The Prometheus Blog’s ongoing Appreciation series has reached a milestone -after two productive years of regularly published review-essays exploring and explaining the libertarian and anti-authoritarian themes of past Prometheus winners.
With the recent publication of an appreciative review-essay about the 2021 winner (F. Paul Wilson’s short story “Lipidleggin’), the appreciation series for the Prometheus Hall of Fame for Best Classic Fiction is now complete – and conveniently accessible via links from our Prometheus Awards page.
Or at least it’s now as up-to-date as possible – until next year’s winner is announced.
Here’s the Prometheus Blog appreciation for Robert Heinlein’s Coventry, the 2017 Prometheus Hall of Fame winner for Best Classic Fiction:
By Michael Grossberg and Jesse Markowitz
What is the ideal society? Is utopia even possible?
How close has the United States come to an ideal society, even with the inevitable flaws that beset every country and culture?
These are among the perennial questions explored and dramatized in Robert Heinlein’s classic story Coventry.
Related questions also emerge: How do you build a utopia and who do you build it for? Is it possible, fair and just to build a utopian alternative for some, but not for others?
Here is the Prometheus Blog Appreciation of Donald Kingsbury’s Courtship Rite, the 2016 Prometheus Hall of Fame winner for Best Classic Fiction.
As an opening epigraph in Glory Road, Robert Heinlein quotes some lines by Bernard Shaw that include the sentence “He is a barbarian, and thinks the customs of his tribe and island are the laws of nature.” One of the things science fiction can do for its readers is to jar us out of such complacency, by portraying worlds with customs other than ours – not utopias or dystopias, but heterotopias, “other places.” Donald M. Kingsbury’s Courtship Rite is one of the great heterotopias.
Prometheus-winning author and scholar Victor Koman is leading a new project to digitize the papers and publications of Samuel Edward Konkin III (SEK3) for posterity.
Konkin, a libertarian philosopher and activist who led the “agorist” wing of the libertarian movement in the 1970s and 1980s, influenced quite a few libertarians and libertarian science fiction writers, such as the Prometheus Award winners J. Neil Schulman, Brad Linaweaver and Koman himself.
There’s a big sale of Heinlein books going on from the folks at Arc Manor.
You can pay anything you want for The Number of the Beast (even free), and the new alternative version of the novel, The Pursuit of the Pankera (preferred by many Heinlein fans) is offered at a sale price of $5.99, instead of the usual $9.99. (The paper versions of Pankera also are on sale for a big discount).
