An early “juvie” adventure in liberty on Wild West Mars: Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner

As part of the Libertarian Futurist Society Appreciation series of past award-winners, here is our Appreciation for Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner:

By Anders Monsen

Many of Robert Heinlein’s novels featuring children have been lumped together and called “juvies” (or juveniles), as if they are children’s books. But, just like many Disney or Pixar animated movies, there are aspects of these works that go over the heads of a younger audience, whether those teens read the books as they first were published in the 1940s or 1950s, or whether they’re read today.

Red Planet, first published in 1949, is significant in terms of Heinlein’s bibliography, both as being one of the earliest juvies, and also because it introduces elements of Martian mythology that later appeared in Stranger in a Strange Land .

Ostensibly an adventure story centered around two boys on the run from an oppressive schoolmaster and conniving colony governor on Mars, Red Planet has two other themes or threads that elevate the novel beyond an adventure story. And make no mistake, this is written as an adventure story, with trials and tribulations that propel the action, for both the young and adult characters.

Continue reading An early “juvie” adventure in liberty on Wild West Mars: Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner

Authority, responsibility and a man from Mars: Robert Heinlein’s Stranger in a Strange Land, a 1987 Prometheus Hall of Fame winner

Here is an Appreciation of Robert Heinlein’s Stranger in a Strange Land, inducted into the 1987 Prometheus Hall of Fame for Best Classic Fiction.

By William H. Stoddard

Robert Heinlein’s Stranger in a Strange Land wasn’t just a best seller, and the book that made publishers take science fiction seriously as a commercial proposition; it was a major influence on the hippie movement, the counterculture more generally, and neo-pagan and New Age thought.

Given all this, it seemed paradoxical to some readers that Heinlein was also the author of Starship Troopers,with its praise of military service and especially, as Heinlein said, of the “poor bloody infantry” — the foot-soldiers who stood between their native planets and the desolation of war. Heinlein himself saw no such paradox; he said, in fact, that the two books reflected the same ethical and political ideas.

What did these two seemingly disparate works have in common? At the deepest level, the answer is “a sort of libertarianism”: not advocacy of the free market, or of specific constitutional arrangements, or of constitutional goverment as such (though such ideas appear in Heinlein’s other works), but a basic ethical principle.

Continue reading Authority, responsibility and a man from Mars: Robert Heinlein’s Stranger in a Strange Land, a 1987 Prometheus Hall of Fame winner

Interview (part 2): William Stoddard on the challenges, rewards and future of the Prometheus Hall of Fame

“I think a full understanding of justice also has to include honoring and rewarding worthy acts and accomplishments. ” – William H. Stoddard

Here is part 2 of the Prometheus Blog interview with LFS President William H. Stoddard.

Editor-writer William H. Stoddard in his library, with his GURPS book on Fantasy, published in 2004 (Photo courtesy of Stoddard)

This part of the interview focuses on the Prometheus Hall of Fame for Best Classic Fiction, which Stoddard has been closely involved with for two decades.

As chair of the Hall of Fame finalist judging committee, Stoddard leads a group of LFS members who read, discuss and rank the annual nominees to select a slate of typically five finalists for the entire LFS membership to rank and vote on. The winner is inducted into the Prometheus Hall of Fame, established in 1983.

 

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How far can struggles against tyranny go without becoming tyrannical? C.M. Kornbluth’s The Syndic, a 1986 Prometheus Hall of Fame winner

To make clear why each Prometheus winner deserves recognition as notable pro-freedom and/or anti-authoritarian works, the Libertarian Futurist Society is publishing an Appreciation series of all award-winners. Here is our Appreciation of C.M. Kornbluth’s The Syndic, one of two 1986 Prometheus Hall of Fame inductees for Best Classic Fiction.

By William H. Stoddard

C.M. Kornbluth’s novel The Syndic was an early winner of the Hall of Fame Award, in 1986.

Originally published in 1953, it was an example both of what Isaac Asimov called “social science fiction,” envisioning a change in technology or human behavior and working out its cultural implications, and of “thought variant” fiction, seeking to explore provocative ideas.

Such ideas were supposed to stir up discussion by going against conventional beliefs, in the style Robert Heinlein envisioned in Space Cadet as a required seminar in “Doubt”:

The seminar leader would chuck out some proposition that attacked a value usually attacked as axiomatic. From there on anything could be said.

Kornbluth picked a really provocative premise: A future North America ruled by organized crime, with the government driven into exile, creating a freer and happier society than that of his own time. This led to a story with a lot of action, but one where social speculation was never far from sight.

Continue reading How far can struggles against tyranny go without becoming tyrannical? C.M. Kornbluth’s The Syndic, a 1986 Prometheus Hall of Fame winner

How does sf lend itself to exploring freedom & other ideas? Watch the NASFIC 2020 Prometheus Awards and “Visions of SF, Liberty & Human Rights” panel with authors Hoyt, Wilson; surprise guests Cherryh & Fancher; & LFS leaders

Serendipity and seized opportunity enhanced the star power and appeal of the Libertarian Futurist Society’s panel discussion at the 2020 online North American Science Fiction Convention.

Unexpectedly but delightfully, the Hugo-winning Grand Master novelist C.J. Cherryh and her partner Jane. S. Fancher joined past Prometheus winners Sarah Hoyt and F. Paul Wilson and several LFS veteran leaders including LFS President William H. Stoddard in answering a variety of thought-provoking questions during the NASFiC/LFS panel on “Visions of SF, Liberty, Human Rights: The Prometheus Awards Over Four Decades, from F. Paul Wilson and Robert Heinlein to Today.”

When panel moderator Tom Jackson noticed that
Cherryh and Fancher were still hanging out within the Zoom “meeting room” after accepting their 2020 Best Novel award for co-writing Alliance Rising to watch the post-ceremony panel discussion, he noted their presence and ability to participate.

Tom Jackson

After a few questions to the other panelists, Jackson invited Cherryh and Fancher to come into the discussion with their comments.

Which they graciously did, and fascinatingly so.

Thus, the long-planned NASFiC panel celebrating the recent 40th anniversary of the Prometheus Awards – first presented by L. Neil Smith to F. Paul Wilson in 1979 – expanded into an event with interesting comments from not two but four bestselling, Prometheus-award-winning novelists.

Here is the full panel discussion, part of an 80-minute two-part NASFiC/LFS video that begins with the 2020 Prometheus Awards ceremony, including Cherryh and Fancher’s Best Novel acceptance speech and Astrid Anderson Bear’s Hall of Fame acceptance speech for her late father Poul Anderson; and concludes with the 50-minute panel discussion:

 

Continue reading How does sf lend itself to exploring freedom & other ideas? Watch the NASFIC 2020 Prometheus Awards and “Visions of SF, Liberty & Human Rights” panel with authors Hoyt, Wilson; surprise guests Cherryh & Fancher; & LFS leaders

Rational anarchism & TANSTAAFL: An Appreciation of Robert Heinlein’s The Moon is a Harsh Mistress, a 1983 Prometheus Hall of Fame co-winner for Best Classic Fiction

Here is our Appreciation of The Moon is a Harsh Mistress, Robert Heinlein’s 1966 Hugo-winning novel and a bestseller that popularized the libertarian slogan TANSTAAFL (“There Ain’t No Such Thing as a Free Lunch”) as a rallying cry in a story imagining an American-Revolution-style revolt for liberty on the moon.

By William H. Stoddard

Science fiction writers have been exploring ideas that we now call “libertarian” since before the genre was named. Rudyard Kipling, E.E. Smith, Robert Heinlein, C.M. Kornbluth, Eric Frank Russell, Poul Anderson, Edgar Pangborn, and others presented such ideas – along with other, unlibertarian ideas such as Smith’s portrayal of a literal War on Drugs.

But it was Heinlein’s The Moon Is a Harsh Mistress that established libertarian science fiction as a distinct genre. Nothing could have been more fitting than its being one of the first two books elected to the Libertarian Futurist Society’s Prometheus Hall of Fame for Best Classic Fiction.

Continue reading Rational anarchism & TANSTAAFL: An Appreciation of Robert Heinlein’s The Moon is a Harsh Mistress, a 1983 Prometheus Hall of Fame co-winner for Best Classic Fiction

Rationality, a mysterious new motor and civilization collapse: Ayn Rand’s Atlas Shrugged, the first co-winner of the Prometheus Hall of Fame in 1983

The Libertarian Futurist Society is publishing review-essays to make clear why each Prometheus Award winner deserves recognition as notable pro-freedom sf/fantasy. Here is our appreciation of the first Hall of Fame co-winner: Ayn Rand’s Atlas Shrugged, inducted in 1983 along with Robert Heinlein’s The Moon is a Harsh Mistress:

By William H. Stoddard

If any novelist was central to the emergence of the libertarian movement, it was Ayn Rand.

She wasn’t simply an adherent of ideas such as strict adherence to the Constitution or economic freedom, which were common among adherents of the “old right” at the time. She was also the source of such distinctive formulations as the concept of being a “radical for capitalism” (rather than a conservative) and the principle of noninitiation of force, which have been defining elements in libertarianism for half a century. And those ideas first came to widespread attention in her last and largest novel, Atlas Shrugged.

Was Atlas Shrugged “science fiction”? It certainly was received as such; it was reviewed in Astounding Science Fiction not once, but twice, by P. Schuyler Miller (who saw little value in it) and by John W. Campbell, the editor of Astounding (who praised it—particularly for its insight into the cultural and psychological mechanisms that make political repression work).

It influenced some science fiction writers; in The Moon Is a Harsh Mistress, for example, the self-aware computer Mycroft is described as the “John Galt”of the Lunar revolution. It’s filled with marvelous inventions; not just the central ones, Rearden Metal and John Galt’s motor, but half a dozen ingenious minor devices, any one of which might have been the basis for a story in Astounding – and the Xylophone, a weapon of mass destruction based on new principles of energy transmission that plays a crucial role at the novel’s climax. And if Rand doesn’t go into detail on the scientific principles behind these inventions, or into the unexpected side effects of their use, a lot of science fiction doesn’t either.

Continue reading Rationality, a mysterious new motor and civilization collapse: Ayn Rand’s Atlas Shrugged, the first co-winner of the Prometheus Hall of Fame in 1983

The Libertarian Futurist Society, Prometheus Awards, LFS writers hailed in Quillette article about the persistence of libertarian sf as a key strand in mainstream science fiction

By Michael Grossberg

Libertarian science fiction has always been a seminal strand in the ever-evolving genre of science fiction and fantasy – and in significant and honorable ways, that socially conscious and liberty-loving subgenre continues as a force today, even amid regressive and reactionary forces flirting with the perennial temptations of statism, authoritarianism and centralized, institutionalized coercion on the Left and Right.

Libertarian futurists – within and outside the Libertarian Futurist Society (not to mention other organizations within the far broader libertarian movement, from Reason and Liberty magazines to the Cato Institute)  – have understood that for a long time.

Yet, it’s salutary and newsworthy when our understanding of the broader intellectual and artistic currents that have helped shape the four-decade-plus history and diversity of the Prometheus Awards is shared and appreciated by an international, cosmopolitan publication outside the libertarian movement.

The cover illustration of the Quillette article on Libertarian Science Fiction Photo: a Quillette illustration, copied here to help people find the article on their website

Such a relatively rare occasion has materialized this month (June 2020) with a fair-minded, open-minded, rich and rewarding essay on “The Libertarian History of Science Fiction” published in Quillette, an influential web-magazine that embraces what modern libertarians might generally recognize as classically liberal principles.

According to its mission statement, Quillette offers “a platform for free thought. We respect ideas, even dangerous ones. We also believe that free expression and the free exchange of ideas help human societies flourish and progress.”

Indeed, LFS members might say as much, using virtually the same words, to uphold important Bill of Rights aspects of our libertarian vision of a fully free future in which people strive to respect other people’s rights and live together through the voluntary cooperation and enterprise of a free society and a free market while steadfastly abjuring violence, the initiation of force or fraud and the institutionalized coercion of the unchecked State.

Continue reading The Libertarian Futurist Society, Prometheus Awards, LFS writers hailed in Quillette article about the persistence of libertarian sf as a key strand in mainstream science fiction

Heinleinesque adventure, romance and anarchy in the asteroids: An Appreciation of Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel

To highlight the Prometheus Awards’ history while making clear what makes each winner deserve recognition as pro-freedom or anti-authoritarian sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past award-winners. Here’s the Appreciation for Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel:

By Anders Monsen and Michael Grossberg

Few sf/fantasy novels attempt to envision a fully free future, and only a fraction of those efforts prove fruitful and plausible, not to mention gripping in narrative and appealing in characters.

Darkship Thieves, with central characters to care about and a suspenseful, fast-paced plotis especially intriguing to libertarians for its plausible portrait of a high-tech anarchist society among the asteroids.

With this 2010 novel, Sarah Hoyt launched a series of novels in the same future solar-system-wide scenario focusing on a heroic woman from an anarchist colony in the asteroid belt who must fight for her freedom and identity against a tyrannical Earth.

Hoyt, a deft master of many genres, blends science fiction with romance, adventure, political intrigue and individualist-feminist themes.

Continue reading Heinleinesque adventure, romance and anarchy in the asteroids: An Appreciation of Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel

Rambunctious adventure in an alternate-history multiverse: An Appreciation of L. Neil Smith’s The Probability Broach, the 1982 Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fits the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our appreciation for L. Neil Smith’s The Probability Broach, the 1982 Prometheus Award winner for Best Novel:

By Michael Grossberg

Rollicking and fun-loving, L. Neil Smith’s The Probability Broach was one of the most influential books of the Libertarian movement as its ideas were spreading in the early 1980s.

Smith’s imaginative sci-fi multiverse adventure imagines alternate time lines accessible through the probability broach, a portal to many worlds.

Continue reading Rambunctious adventure in an alternate-history multiverse: An Appreciation of L. Neil Smith’s The Probability Broach, the 1982 Best Novel winner