Ayn Rand’s magnum opus, a millions-selling bestseller that has remained in print since its original 1957 publication, offers the combined satisfactions of mystery, science fiction, romance and suspense thriller.
Yet Atlas Shrugged, in setting up and solving its intricate and interrelated mysteries, also resonates as an innovative, unconventional and philosophical novel about the power of ideas, for good and bad. Its fierce and noble focus is on the distinctive role played by free minds, free markets and free women and men in sustaining society and genuine life-affirming progress based on cooperation, not coercion.
The Libertarian Futurist Society will raise its visibility online and around the world this summer with events and Prometheus-winning speakers and LFS leaders at both the World Science Fiction Convention (Worldcon) and the North American Science Fiction Convention (NASFiC).
Everything will take place safely during these “virtual cons,” set up to protect online participants and viewers during the pandemic – which means that LFS members and the public will be able to watch, participate and ask questions from the comfort of their own homes via computers, smart TVs, tablets or smart phones.
WORLDCON PROMETHEUS PANEL Bestselling, Prometheus-winning novelist F. Paul Wilson(An Enemy of the State, Sims, Healer, Wheels within Wheels, Repairman Jack series) will headline the LFS’ Worldcon panel on “Freedom in SF: Forty Years of the Prometheus Award.”
Celebrating the recent 40thanniversary of the awards, the Worldcon panel will explore the distinctive focus and impressive track record of the many diverse winners of one of the oldest continuing fan-based awards in the sf/fantasy field after the Hugo and Nebula awards.
(To find out who has won the 2020 Prometheus Awards, read the LFS press release posted on the LFS website.)
The Libertarian Futurist Society is publishing review-essays to make clear why each Prometheus Award winner deserves recognition as notable pro-freedom sf/fantasy. Here is our appreciation of the first Hall of Fame co-winner: Ayn Rand’s Atlas Shrugged, inducted in 1983 along with Robert Heinlein’s The Moon is a Harsh Mistress:
If any novelist was central to the emergence of the libertarian movement, it was Ayn Rand.
She wasn’t simply an adherent of ideas such as strict adherence to the Constitution or economic freedom, which were common among adherents of the “old right” at the time. She was also the source of such distinctive formulations as the concept of being a “radical for capitalism” (rather than a conservative) and the principle of noninitiation of force, which have been defining elements in libertarianism for half a century. And those ideas first came to widespread attention in her last and largest novel, Atlas Shrugged.
Was Atlas Shrugged “science fiction”? It certainly was received as such; it was reviewed in Astounding Science Fiction not once, but twice, by P. Schuyler Miller (who saw little value in it) and by John W. Campbell, the editor of Astounding (who praised it—particularly for its insight into the cultural and psychological mechanisms that make political repression work).
It influenced some science fiction writers; in The Moon Is a Harsh Mistress, for example, the self-aware computer Mycroft is described as the “John Galt”of the Lunar revolution. It’s filled with marvelous inventions; not just the central ones, Rearden Metal and John Galt’s motor, but half a dozen ingenious minor devices, any one of which might have been the basis for a story in Astounding – and the Xylophone, a weapon of mass destruction based on new principles of energy transmission that plays a crucial role at the novel’s climax. And if Rand doesn’t go into detail on the scientific principles behind these inventions, or into the unexpected side effects of their use, a lot of science fiction doesn’t either.
The Libertarian Futurist Society’s Appreciation series aims to make clear why each Prometheus winner deserved recognition as pro-freedom or anti-authoritarian sf/fantasy. Here is William H. Stoddard’s combined Appreciation of Travis Corcoran’s The Powers of the Earth and Causes of Separation, the 2018 and 2019 Prometheus Award winners for Best Novel:
In 2017, Travis Corcoran funded the publication of two books through Kickstarter, and released the first, Powers of the Earth, which won the Prometheus Award for Best Novel. In 2018, he released the second, Causes of Separation. The two volumes are described as the first half of a planned four-volume series, Aristillus (named for a lunar crater), but they actually make up an integrated and self-contained story: Had they both appeared the same year, they could have been nominated as a single work.
It’s long been the policy of the Libertarian Futurist Society to give awards to “the work, not the author”: A book can win Best Novel even if its author doesn’t self-identify as a libertarian, so long as its theme is pro-liberty. A corollary of this is that “pro-liberty” doesn’t mean adhering tightly to a specific interpretation of libertarianism.
If a novel illuminates the meaning of individual rights and a free society, or suggests a way to establish them, or explores the functioning of such a society, or warns against the evils of authoritarianism, or critiques or deconstructs an ideology opposed to liberty – then it can be considered for a Prometheus award. Nonetheless, books whose vision is wholeheartedly libertarian are welcome discoveries, and the Aristillus novels were such a discovery.
The 2020 Prometheus Awards are now in the final weeks of voting by Libertarian Futurist Society members across the continent – but where can you find and read each of the finalists?
That’s commonly not a problem with the annual Best Novel category, since all five finalists are widely available, typically published in the preceding year.
Yet, it can be challenging to find some of the older finalists in the Prometheus Hall of Fame for Best Classic Fiction.
That’s because the Prometheus Awards’ other annual category is wide open to any work of fiction first published, broadcast, staged or screened 20 or more years ago. But this year, for the first time, two Hall of Fame finalists – a story and a song – can be found in full online and for free!
So accessibility of this year’s Prometheus award finalists is in some ways easier than ever – and this guide should help LFS Members find and consider every finalist before voting.
Libertarian science fiction has always been a seminal strand in the ever-evolving genre of science fiction and fantasy – and in significant and honorable ways, that socially conscious and liberty-loving subgenre continues as a force today, even amid regressive and reactionary forces flirting with the perennial temptations of statism, authoritarianism and centralized, institutionalized coercion on the Left and Right.
Libertarian futurists – within and outside the Libertarian Futurist Society (not to mention other organizations within the far broader libertarian movement, from Reason and Libertymagazines to the Cato Institute) – have understood that for a long time.
Yet, it’s salutary and newsworthy when our understanding of the broader intellectual and artistic currents that have helped shape the four-decade-plus history and diversity of the Prometheus Awards is shared and appreciated by an international, cosmopolitan publication outside the libertarian movement.
The cover illustration of the Quillette article on Libertarian Science Fiction Photo: a Quillette illustration, copied here to help people find the article on their website
Such a relatively rare occasion has materialized this month (June 2020) with a fair-minded, open-minded, rich and rewarding essay on “The Libertarian History of Science Fiction” published in Quillette, an influential web-magazine that embraces what modern libertarians might generally recognize as classically liberal principles.
According to its mission statement, Quillette offers “a platform for free thought. We respect ideas, even dangerous ones. We also believe that free expression and the free exchange of ideas help human societies flourish and progress.”
Indeed, LFS members might say as much, using virtually the same words, to uphold important Bill of Rights aspects of our libertarian vision of a fully free future in which people strive to respect other people’s rights and live together through the voluntary cooperation and enterprise of a free society and a free market while steadfastly abjuring violence, the initiation of force or fraud and the institutionalized coercion of the unchecked State.
To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past award-winners. Here’s the latest Appreciation for Neal Stephenson’s Seveneves, the 2016 Best Novel winner:
By Michael Grossberg Seveneves, an epic hard-science-fiction novel, focuses on a cataclysmic event that threatens human civilization and the planet Earth, and its long aftermath.
Neal Stephenson’s sprawling 2015 novel avoids ideology while dramatizing how a lust for power almost wipes out our species.
More impressively and much less common in such fiction these days, Stephenson also shows how the courage to face reality and tackle overwhelming problems through reason, individual initiative and the voluntary cooperation of private enterprise help tip the balance towards survival.
To highlight the Prometheus Awards’ history while making clear what makes each winner deserve recognition as pro-freedom or anti-authoritarian sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past award-winners. Here’s the Appreciation for Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel:
Few sf/fantasy novels attempt to envision a fully free future, and only a fraction of those efforts prove fruitful and plausible, not to mention gripping in narrative and appealing in characters.
Darkship Thieves, with central characters to care about and a suspenseful, fast-paced plot, is especially intriguing to libertarians for its plausible portrait of a high-tech anarchist society among the asteroids.
With this 2010 novel, Sarah Hoyt launched a series of novels in the same future solar-system-wide scenario focusing on a heroic woman from an anarchist colony in the asteroid belt who must fight for her freedom and identity against a tyrannical Earth.
Hoyt, a deft master of many genres, blends science fiction with romance, adventure, political intrigue and individualist-feminist themes.
Whether set on Earth, on the Moon, or throughout interstellar space and whether taking place in the near-future or distant future, novels dramatizing fights for freedom and threats of tyranny can achieve a timeless and universal relevance.
Recognizing the perennial tensions between Liberty and Power, the Libertarian Futurist Society presents its annual Prometheus Awards for outstanding works of science fiction and fantasy.
The five 2019 novels that the LFS has just selected as its finalists in the Best Novel category of the 2020 Prometheus Awards certainly range widely in setting, era, plot, character and style. Yet, each sheds fascinating light on the enduring human themes and challenges that inspire each generation’s struggle for freedom amid recurring threats of dictatorship, war, plague, pandemic, powerlust and other ills.
To make clear why past winners deserve recognition as pro-freedom sf/fantasy and how they fit the Prometheus Award, Appreciations of past winners have been written and posted. Here’s the Appreciation for Ken MacLeod’s Learning the World, the 2006 Prometheus Best Novel winner:
MacLeod’s inventive first-contact novel explores the politics and uncertainties involved from two perspectives: the natives of the planet and the “alien” (human) visitors.
In some ways modeled on classic Heinlein juveniles and a departure from his other future-Earth-solar-system novels exploring the implications of libertarian and Marxist ideas, Learning the World offers as a primary viewpoint character a teen girl living on an interstellar colony ship about to enter a new solar system.
Yet Atlas Shrugged, in setting up and solving its intricate and interrelated mysteries, also resonates as an innovative, unconventional and philosophical novel about the power of ideas, for good and bad. Its fierce and noble focus is on the distinctive role played by free minds, free markets and free women and men in sustaining society and genuine life-affirming progress based on cooperation, not coercion.
