Category: Hall of Fame (Classic Fiction)

A cyberspace, cyberpunk landmark: Vernor Vinge’s True Names, a 2007 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Vernor Vinge’s story “True Names,” a 2007 Prometheus Hall of Fame co-winner for Best Classic Fiction.


By Michael Grossberg   and Chris Hibbert

“True Names” is a seminal work of the cyberpunk genre.

A landmark when it was published in 1981, Vernor Vinge’s now-classic story gave the public their first glimpse of cyberspace and showed how the struggle for control might penetrate the new medium.

One of the earliest works of fiction to present a fully detailed concept of cyberspace, the story also explores themes of anarchism and trans-humanism that are of great interest to libertarian futurists.

The story follows the progress of a group of computer hackers who keep their true identities secret while being among the first to adopt a new full-immersion virtual-reality technology. They do so out of curiosity or an entrepreneurial desire to profit – both respectable and even laudable motivations from the libertarian perspective that appreciates the crucial role of innovation and free markets in advancing human progress, prosperity, well-being and knowledge.

Continue reading A cyberspace, cyberpunk landmark: Vernor Vinge’s True Names, a 2007 Prometheus Hall of Fame winner

Free will, self-ownership and the essence of humanity: Lois McMaster Bujold’s Falling Free, the 2014 Prometheus Hall of Fame winner for Best Classic Fiction

Here is the Prometheus Blog Appreciation of Lois McMaster Bujold’s Falling Free,
the 2014 Prometheus Hall of Fame winner for Best Classic Fiction:

By Michael Grossberg

Falling Free is a Nebula-award-winning sf novel that explores free will and self-ownership, two important concepts at the foundation of our humanity and liberty that also happen to be at the core of modern libertarianism and classical liberalism.

Lois McMaster Bujold’s 1987 novel, part of her bestselling Vorkosigan Saga, considers the legal and ethical implications of human genetic engineering.

In particular, the story conveys the personal impact on the rights and liberties of “manufactured beings” owned by corporations – a theme also explored in F. Paul Wilson’s Prometheus-winning novel Sims.

Continue reading Free will, self-ownership and the essence of humanity: Lois McMaster Bujold’s Falling Free, the 2014 Prometheus Hall of Fame winner for Best Classic Fiction

Cryptology, privacy, and adaptability: Neal Stephenson’s Cryptonomicon, the 2013 Prometheus Hall of Fame winner

 

Here is the Prometheus Blog Appreciation of Neal Stephenson’s Cryptonomicon, the 2013 Prometheus Hall of Fame co-winner for Best Classic Fiction.

By Tom Jackson

One of Neal Stephenson’s most-memorable novels, Cryptonomicon, was inspired by developments in cryptography during World War Two.

Published in 1999, Cryptonomicon won the Prometheus Hall of Fame Award in 2013. Given the novel’s focus on topics such as electronic money and cryptography, it seems prescient in anticipating the current moment’s obsession with cryptocurrencies.

Continue reading Cryptology, privacy, and adaptability: Neal Stephenson’s Cryptonomicon, the 2013 Prometheus Hall of Fame winner

Isolation, dystopia and collapse: E. M. Forster’s The Machine Stops, the 2012 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of E.M. Forster’s “The Machine Stops,” the 2012 Prometheus Hall of Fame winner for Best Classic Fiction:

By Chris Hibbert
E. M. Forster’s short story “The Machine Stops” is very appropriate for the time of the pandemic. Forster wrote about a society of enforced physical isolation where everyone can be in constant communication via the Machine.

Continue reading Isolation, dystopia and collapse: E. M. Forster’s The Machine Stops, the 2012 Prometheus Hall of Fame winner

Allegorical fable about “beastly” communism, coercive egalitarianism: George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

 

Here is the Prometheus Blog Appreciation of George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

By Michael Grossberg

The title of the allegorical work may make Animal Farm sound like a children’s fable, but it isn’t.

Oh, the short novel certainly can – and probably should – be read by teenagers and more mature younger readers, who likely will enjoy it and also grasp its perennial theme about the corruptions of power and the absolute corruption of absolute power.

Yet, the cautionary themes of George Orwell’s enduring 1945 work truly are aimed at adults.
Continue reading Allegorical fable about “beastly” communism, coercive egalitarianism: George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

War, centralization, good intentions gone wrong: Poul Anderson’s “No Truce with Kings,” the 2010 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation for Poul Anderson’s story, “No Truce with Kings,” the 2010 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

In David Friedman’s first book, the libertarian classic The Machinery of Freedom, the first entry in the bibliography describes Poul Anderson’s “No Truce with Kings”: “A libertarian novelette that plays fair. The bad guys are good guys too. But wrong.”

Continue reading War, centralization, good intentions gone wrong: Poul Anderson’s “No Truce with Kings,” the 2010 Prometheus Hall of Fame winner

Corruption of absolute power vs. the stateless Shire: J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation for J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction:

“Power tends to corrupt; and absolute power corrupts absolutely.” – Lord Acton (1834-1902)

“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings

By Michael Grossberg and William H. Stoddard

The Lord of the Rings is not only one of the greatest works of fantasy but also a cautionary libertarian fable about the inevitable temptations of power.

J.R.R. Tolkien’s classic trilogy – a three-part novel (The Fellowship of the Ring, The Two Towers and The Return of the King) published in 1954-1955 – charts a social, political, personal and supernatural struggle between freedom and absolute tyranny.

Continue reading Corruption of absolute power vs. the stateless Shire: J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner

Freedom and free will in the welfare state: Anthony Burgess’ A Clockwork Orange, the 2008 Prometheus Hall of Fame winner

Here’s the Prometheus Blog’s Appreciation for Anthony Burgess’s A Clockwork Orange, the 2008 Prometheus Hall of Fame winner for Best Classic Fiction.:

“When a man cannot choose he ceases to be a man.” – Anthony Burgess

By Michael Grossberg

A Clockwork Orange may not be remembered or read as widely today as some other dystopian novels, but it arguably ranks among the best-written, most shocking and most plausible works of that seminal 20th century genre.

Today, British writer Anthony Burgess’ 1962 novel is far better known from director Stanley Kubrick’s vivid 1971 film. Yet, the nightmarish novel rightly was included on Time magazine’s 2005 list of the 100 best English-language novels written since 1923.

Even if you’re a fan of the controversial film version (as I am), Burgess’ novel is well worth reading for its own sake – especially for its imaginative style, dark humor, inventive slang language, and insightful portrait of a disturbing future in a culture corrupted by a bloated and obtrusive welfare state.

Continue reading Freedom and free will in the welfare state: Anthony Burgess’ A Clockwork Orange, the 2008 Prometheus Hall of Fame winner

Tyranny in America? Sinclair Lewis’s cautionary 1935 novel It Can’t Happen Here, the 2007 Prometheus Hall of Fame winner

Here is the Prometheus Awards Appreciation for Sinclair Lewis’ novel It Can’t Happen Here, a 2007 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg

“It can’t happen here.”

That common American comment, widely uttered in the 1920s and 1930s as the rest of the world seemingly was going crazy or descending into tyranny and barbarism, became the resonant title of Sinclair Lewis’ cautionary 1935 novel.

First published during the dark era of 1930s collectivism marked by the rise of fascism in Italy and Hitler’s National Socialism in Germany, It Can’t Happen Here offers a semi-satirical tale and timely warning about the potential rise of similar totalitarianism within the United States.

The central character Berzelius “Buzz” Windrip is a demagogue who incites fear while promoting traditional patriotism and ends up elected U.S. President. Windrip takes complete control of the government by exploiting a ruthless paramilitary force, outlawing dissent, ending women’s and minority rights and eliminating the influence of the U.S. Congress.

Continue reading Tyranny in America? Sinclair Lewis’s cautionary 1935 novel It Can’t Happen Here, the 2007 Prometheus Hall of Fame winner

Graphically resisting a totalitarian future: Alan Moore and David Lloyd’s V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.

Here’s the Prometheus Blog Appreciation for writer Alan Moore and artist David Lloyd’s graphic novel V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.

“People should not be afraid of their governments. Governments should be afraid of their people.”– V for Vendetta

By Michael Grossberg
V for Vendetta dramatizes and illustrates a horrific cautionary tale about the loss of freedom and identity itself in a chilling totalitarian future.

The 1989 graphic novel, created by British writer Alan Moore and artist David Lloyd, has been widely acclaimed as a defining work within the medium of comics and the emerging art of graphic novels – and deservedly so.

Like some of the best dystopian novels, this vivid fusion of word and image chronicles the debilitating and soul-crushing impact of living in an authoritarian police state. That’s a nightmare that few understand who haven’t experienced it, but V for Vendetta makes it palpable.

Happily, V for Vendetta isn’t just harrowing but also inspiring – for it also highlights the power of the human spirit to resist tyranny. The graphic novel earns our sympathy for a few valiant if damaged souls who find the courage to rebel against the excesses and norms of truly unlimited government.

 

Continue reading Graphically resisting a totalitarian future: Alan Moore and David Lloyd’s V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.