Category: Appreciations

Identity, mystery, bureaucrats, capitalists and green politics: An Appreciation of James P. Hogan’s The Multiplex Man, the 1993 Prometheus Best Novel winner

The Libertarian Futurist Society’s Appreciation series aims to make clear why each Prometheus winner deserves recognition as a notable pro-freedom or anti-authoritarian work. Here’s our Appreciation for James P. Hogan’s The Multiplex Man, the 1993 Best Book winner:

By Michael Grossberg

James Hogan’s 1992 hard-sf political thriller revolves around a polite schoolteacher who wakes up one day to discover he’s far from home and in a body not his own. Soon after returning home, he discovers that seven months have passed – and he can’t return to his old body or life because he died six months ago.
His suspenseful journey to solve multiple unfolding mysteries is set in an authoritarian future Earth where former Eastern/communist countries have exploited space resources to boost their economies over the faltering West, undermined by Green-dominated governments’ anti-industry regulations, education restrictions and propaganda.

In this cautionary tale, the State authorities control virtually everything about people’s lives and activities on Earth, while condemning as dangerous any dissent or unapproved behavior and viewing off-world colonies as enemies because of their competition for Earth resources.

Continue reading Identity, mystery, bureaucrats, capitalists and green politics: An Appreciation of James P. Hogan’s The Multiplex Man, the 1993 Prometheus Best Novel winner

Astronauts, environmentalists, sf fandom, global cooling and social regression: An Appreciation of Fallen Angels, the 1992 Prometheus Best Novel winner by Flynn, Niven and Pournelle

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on freedom. Here’s our Appreciation for Fallen Angels, co-written by Michael Flynn, Larry Niven and Jerry Pournelle:

By Michael Grossberg

Fallen Angels, the 1992 Prometheus Best Novel winner, imagines a heroic struggle set against a dark future in which the United States and other countries are fighting a losing battle amidst the “global cooling” of a new Ice Age.

With the government turned anti-science and anti-technology in a coalition among Greens, feminists and religious fundamentalists, and federal officials focusing on persecuting science-fiction fans as subversives while ignoring the welfare of much of the population in some of the most affected parts of the weather-besieged country, this provocative 1992 novel might have been just a depressing cautionary tale.

But the novel’s co-authors Larry Niven, Jerry Pournelle and Michael Flynn offer some genuine hope by focusing on a group of individualistic, science-loving and freedom-loving misfits. Continue reading Astronauts, environmentalists, sf fandom, global cooling and social regression: An Appreciation of Fallen Angels, the 1992 Prometheus Best Novel winner by Flynn, Niven and Pournelle

Steampunk, Victorian technology, secret history and freedom of choice: An Appreciation of Michael Flynn’s In the Country of the Blind, the 1991 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our appreciation of Michael Flynn’s In the Country of the Blind, the 1992 Prometheus winner for Best Novel.

By William H. Stoddard

Michael Flynn’s In the Country of the Blind came out in 1990, the same year as William Gibson and Bruce Sterling’s The Difference Engine. While the word “steampunk” was somewhat older (coined in 1987 by K.W. Jeter for Victorian fantasies generally), these two novels gave the genre one of its central themes: the use of Victorian technology and social transformation as an analog of (then-) recent computer technology, making steampunk parallel to cyberpunk.

For both novels, a central technology was Charles Babbage’s “analytical engine,” a proposed machine that would have been fully programmable in the manner of an electronic computer.

Gibson and Sterling made the analytical engine the basis for an alternate history – a literal “difference engine.” Flynn did something subtler: He made the analytical engine the basis for an only minimally fictionalized version of real-world history.

Continue reading Steampunk, Victorian technology, secret history and freedom of choice: An Appreciation of Michael Flynn’s In the Country of the Blind, the 1991 Prometheus Best Novel winner

Ethics, liberty, scientific innovation and abortion: An Appreciation of Victor Koman’s Solomon’s Knife, the 1990 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our  Appreciation for Victor Koman’s Solomon’s Knife, the 1990 Prometheus winner for Best Novel:

By Michael Grossberg

Victor Koman’s Solomon’s Knife imaginatively extends the typically partisan and predictable debate over abortion into new territory.

His provocative 1989 novel imagines a plausible future in which a controversial new surgical procedure is devised that could help women with unwanted pregnancies and women who want children but can’t become pregnant.

At the heroic center of the libertarian-themed medical thriller, which takes its title from the biblical story of King Solomon that tests two women over a baby, is a surgeon who risks her career to do the clandestine new type of surgery to help a beautiful woman seeking a routine abortion.

Continue reading Ethics, liberty, scientific innovation and abortion: An Appreciation of Victor Koman’s Solomon’s Knife, the 1990 Prometheus Best Novel winner

Alternate history, warped ideology, national socialism and the omnipotent State: An Appreciation of Brad Linaweaver’s Moon of Ice, the 1989 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here is our Appreciation for Brad Linaweaver’s Moon of Ice, the 1989 Best Novel winner:

By Michael Grossberg

Brad Linaweaver conceived a richly detailed, provocative, and acclaimed alternate-history saga in Moon of Ice.

The meticulously researched 1988 novel – expanded from a 1981 novella published in Amazing Stories and nominated in 1982 for the Nebula Award – imagines an increasingly libertarian United States that provides a refuge for those fighting the evils of statism and collectivism.

Continue reading Alternate history, warped ideology, national socialism and the omnipotent State: An Appreciation of Brad Linaweaver’s Moon of Ice, the 1989 Prometheus Best Novel winner

God, atheism, a dying assassin in an SF noir fantasy: An Appreciation of Victor Koman’s The Jehovah Contract, the 1988 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our  Appreciation for Victor Koman’s The Jehovah Contract.

By Michael Grossberg

Victor Koman’s audacious 1987 thriller-noir-fantasy The Jehovah Contract centers on dying atheistic assassin Del Ammo – masquerading as a private detective, and living in the ruins of a terrorist-bombed skyscraper – who’s given a contract to kill God.

Yes, God!

Clever philosophical speculations by Koman, a veteran libertarian, accent his suspenseful and prescient story, set in a near-future Los Angeles, as the assassin finds a way to excise the concept of God from the minds of humanity and enable a more laissez-faire “Creatrix” to return to power.
Continue reading God, atheism, a dying assassin in an SF noir fantasy: An Appreciation of Victor Koman’s The Jehovah Contract, the 1988 Prometheus Best Novel winner

Advanced technology, global politics, monopoly power and a struggle for liberty: An Appreciation of Vernor Vinge’s Marooned in Real Time, the 1987 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fits the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our Appreciation for Vernor Vinge’s Marooned in Real Time, the 1987 Best Novel winner.

By William H. Stoddard

In 1985, Vinge’s The Peace War lost out to No Award in the Prometheus voting. In 1987, its sequel, Marooned in Realtime, was recognized as Best Novel — the first of several Best Novel and Hall of Fame awards to the author.

The Peace War had shown a market-oriented and anarchistic society in a future central California. But it wasn’t portrayed in detail, and existed within a larger world that was decidedly NOT libertarian, controlled by the repressive Peace Authority. And one of the viewpoint characters was a military officer who considered the libertarian society that Vinge sketched unsustainable.

In contrast, Marooned in Realtime’s characters look back to a past in which libertarian values had triumphed, and the central character is widely admired for his role in bringing down one of the Earth’s last states (a story told in “The Ungoverned,” a novella that won the LFS’s 2004 Hall of Fame Award).

The libertarianism stands out more.
Continue reading Advanced technology, global politics, monopoly power and a struggle for liberty: An Appreciation of Vernor Vinge’s Marooned in Real Time, the 1987 Prometheus Best Novel winner

Pioneering cyberpunk tale of love, duty, justice: An Appreciation of Victor Milan’s The Cybernetic Samurai, the 1986 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fits the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our Appreciation for Victor Milan’s The Cybernetic Samurai, the 1986 Best Novel winner.

By Michael Grossberg

One of the undeservedly forgotten works of the early cyberpunk scene, Victor Milan’s prescient 1985 novel The Cybernetic Samurai explores the tensions between duty and free will, duty and love and duty and justice in a harsh future where some people struggle to be free within a largely totalitarian Earth.

Imagining a 21st century between the third and fourth world wars in a story whose hero is the world’s first sentient computer, Milan portrays a bloody and terrible future in which much of the world is destroyed but Japan becomes the last refuge of a dying free society and free market.
Continue reading Pioneering cyberpunk tale of love, duty, justice: An Appreciation of Victor Milan’s The Cybernetic Samurai, the 1986 Prometheus Best Novel winner

An Appreciation of No Award, the 1985 Prometheus Best Novel choice

Our Appreciation series highlights the four-decade history of the Prometheus Awards. Here’s an Appreciation for No Award, the 1985 winner in the Best Novel category.

By William H. Stoddard

When the Libertarian Futurist Society started giving regular awards for Best Novel, ballots mailed to members offered the option of voting for None of the Above.

In 1985, None of the Above won, for the first and – up to now – the only time.

Continue reading An Appreciation of No Award, the 1985 Prometheus Best Novel choice

Artistic freedom, creativity, conscription and gay marriage: An Appreciation of J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what LFS members and other libertarian sf/fantasy fans see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our Appreciation for J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner:

Romantic and passionate, J. Neil Schulman’s The Rainbow Cadenza explores the power of art, the thirst for creativity and the threat to such individuality and self-expression in a future Brave New World dominated by one world government.

Schulman was prescient and years ahead of his time in envisioning a positive future where gay marriage is normal and legal.
Yet, his complex story portrays a very mixed and disconcerting dystopian future where teenage women are drafted into government prostitution service for three years, clones are treated as inferior and a new underclass called Touchables are hunted for sport.

Continue reading Artistic freedom, creativity, conscription and gay marriage: An Appreciation of J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner