The LFS Prometheus Awards badge, created last year as an option for finalists and winners to use to further publicize their awards recognition, is starting to be used – and in a highly visible way.
When the awards badge was designed and approved last year, LFS leaders expected that it would be used occasionally but most often as art visually enhancing an author’s blog or publisher’s website on the same page announcing the good news that a particular author or work of fiction has been recognized as a finalist or winner.
Even better, though, was the way the badge has been used this year for the first time by a Best Novel finalist: Author Gordon Hanka has just added the LFS badge to the front cover of his novel A Beast Cannot Feign.
For only the third time in the 43-year history of the Prometheus Awards, one author has been recognized twice within one year as a Best Novel finalist.
Author Karl K. Gallagher (Creative Commons license)
That’s Karl K. Gallagher, whose 2022 finalists include Between Home and Ruin and Seize What’s Held Dear, respectively the second and third novels in his Fall of the Censor series.
CoNZealand, the 78th World Science Fiction Convention and the first Worldcon in history to be presented entirely online, pulled off the unprecedented feat with impressive organization and the dedication of countless volunteers and organizers.
In the process, the July 29 to Aug. 1 event offered the annual Hugo Awards ceremony and a dizzying variety of interesting panel discussions – including one suggested by the Libertarian Futurist Society to honor the Prometheus Awards’ recent 40thanniversary.
With a vast and potentially larger worldwide online audience watching from many countries on Zoom and Discord platforms but avoiding direct physical contact for safety during the pandemic, the New Zealand Worldcon seized the potential to be seen more widely. One happy consequence was raising the visibility worldwide of the Libertarian Futurist Society and the Prometheus Awards.
Libertarian science fiction has always been a seminal strand in the ever-evolving genre of science fiction and fantasy – and in significant and honorable ways, that socially conscious and liberty-loving subgenre continues as a force today, even amid regressive and reactionary forces flirting with the perennial temptations of statism, authoritarianism and centralized, institutionalized coercion on the Left and Right.
Libertarian futurists – within and outside the Libertarian Futurist Society (not to mention other organizations within the far broader libertarian movement, from Reason and Libertymagazines to the Cato Institute) – have understood that for a long time.
Yet, it’s salutary and newsworthy when our understanding of the broader intellectual and artistic currents that have helped shape the four-decade-plus history and diversity of the Prometheus Awards is shared and appreciated by an international, cosmopolitan publication outside the libertarian movement.
The cover illustration of the Quillette article on Libertarian Science Fiction Photo: a Quillette illustration, copied here to help people find the article on their website
Such a relatively rare occasion has materialized this month (June 2020) with a fair-minded, open-minded, rich and rewarding essay on “The Libertarian History of Science Fiction” published in Quillette, an influential web-magazine that embraces what modern libertarians might generally recognize as classically liberal principles.
According to its mission statement, Quillette offers “a platform for free thought. We respect ideas, even dangerous ones. We also believe that free expression and the free exchange of ideas help human societies flourish and progress.”
Indeed, LFS members might say as much, using virtually the same words, to uphold important Bill of Rights aspects of our libertarian vision of a fully free future in which people strive to respect other people’s rights and live together through the voluntary cooperation and enterprise of a free society and a free market while steadfastly abjuring violence, the initiation of force or fraud and the institutionalized coercion of the unchecked State.
To make clear why past winners deserve recognition as pro-freedom sf/fantasy and how they fit the Prometheus Award, Appreciations of past winners have been written and posted. Here’s the Appreciation for Ken MacLeod’s Learning the World, the 2006 Prometheus Best Novel winner:
MacLeod’s inventive first-contact novel explores the politics and uncertainties involved from two perspectives: the natives of the planet and the “alien” (human) visitors.
In some ways modeled on classic Heinlein juveniles and a departure from his other future-Earth-solar-system novels exploring the implications of libertarian and Marxist ideas, Learning the World offers as a primary viewpoint character a teen girl living on an interstellar colony ship about to enter a new solar system.
To make clear why past winners deserve recognition as pro-freedom or anti-authoritarian sf/fantasy and how each fits our award, we’ve published review-essays of all past Prometheus Award-winners. Here’s the latest Appreciation for Ken MacLeod’s The Stone Canal, the 1998 Best Novel winner:
By Michael Grossberg
Ken MacLeod’s The Stone Canal ranges widely in its exploration of different political systems on different planets in a future marked by wars, revolutions, space colonization and a cyberworld in which people’s memories and personalities can be downloaded or uploading to clones on demand.
Among the many exciting ideas that MacLeod explores in his ambitious 1997 novel – Book 2 in his Fall Revolution series, but set earlier than The Cassini Division – are several of special interest to libertarian sf fans – including his complex and ambiguous depiction of capitalist anarchy on Earth, how free markets might develop on a terraformed planet in another solar system and the possibility of independent robots with individual rights.
The settings are far-flung, too, from 20th century Scotland to a 21st century extra-solar planet called New Mars with a free market. It’s a future of longer life-spans but also new kinds of death.
The LFS’s Appreciation series aims to make clear what libertarian futurists see in each of our past winners and how they fit the distinctive focus of our award on liberty. Here’s our Appreciation for Ken MacLeod’s The Star Fraction, the 1996 Best Novel winner:
The Star Fraction, a 1995 novel by Ken MacLeod, established the Scottish sf novelist’s international reputation for blending sf with a dizzying array of balkanized politics and ideological factions (including highly self-aware libertarians and socialists).
Set in a fragmented and conflicted mid-21st-century Britain beset by political factions and high-tech surveillance after a brief third world war and leftist Labour Party policies have led to economic and social decay, this is the first novel in MacLeod’s Fall Revolution series, which continued with The Stone Canal, The Cassini Division, and The Sky Road.
Among the interesting and unusual characters and forces affecting this future are a Christian-turned-atheist teenaged programmer eager to escape his fundamentalist subculture, a rogue computer program manipulating events, a woman scientist researching memory-enhancement drugs, and a communist security mercenary with a smart gun and information that might spark change.
The Prometheus Award has been given annually since 1982, and the Hall of Fame Award since 1983. All through the twenty-first century, lists of four to six finalists have been announced for each award. And for much of that time, online comments on the nominations and awards have often questioned their rationale. There have been comments suggesting that the awards could go to virtually any book, or to winners that have no libertarian content, or indeed are actively opposed to libertarianism.
Did you miss the live podcast of Prometheus Award authors on the Geek Gab podcast? Fear not — there are time binding options!
You can listen to it on YouTube. You also have the option of searching for it on your favorite podcasting app; search for “Geek Gab” at the iTunes store or the Google Play store.
The podcast features authors of this year’s Prometheus Award nominees, with Ken MacLeod, Andy Weir, Travis Corcoran, Karl Gallagher and John Hunt. Sarah Hoyt and Doug Casey were unable to join the podcast. Along with discussion of their books, the authors say interesting things about artificial intelligence and computer programming, about anarcho-capitalism and libertarian ethics, and reveal the most surprising elements of their books for many readers. And it turns out there’s more than one fan of Iain M. Banks in the group. All I know about the host is that he goes by “Daddy Warpig,” but he does a great job.
When the awards badge was designed and approved last year, LFS leaders expected that it would be used occasionally but most often as art visually enhancing an author’s blog or publisher’s website on the same page announcing the good news that a particular author or work of fiction has been recognized as a finalist or winner.
