Big Brother, hacking, civil liberties and high-tech abuse of power: An Appreciation of Cory Doctorow’s Homeland, a 2014 Prometheus winner for Best Novel

Introduction: To highlight the four-decade history of the Prometheus Awards, and make clear why each winner deserves recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past Prometheus Award-winners.

Here’s the latest Appreciation for Cory Doctorow’s Homeland, a 2014 Prometheus Award winner for Best Novel:

Cory Doctorow’s 2014 novel offers a timely drama about an ongoing struggle for civil liberties against the invasive National-Security State.

Homeland follows the continuing adventures of Marcus Yallow, a government-brutalized young leader of a movement of tech-savvy hackers who previously had been detailed arbitrarily and brutalized by the U.S. government after a terrorist attack on San Francisco.

This sequel to Doctorow’s Prometheus-winning and best-selling Little Brother  is set several years later after California’s economy has collapsed while the government’s powers have only grown.

Nineteen-year-old Yallow and his fellow hackers, all tech-savvy teen-agers, are still fighting against the high-tech tyranny of the intrusive Big Brother-style federal government.

Continue reading Big Brother, hacking, civil liberties and high-tech abuse of power: An Appreciation of Cory Doctorow’s Homeland, a 2014 Prometheus winner for Best Novel

Artificial intelligence, bioengineering, brain drugs, nanites, espionage, self-determination and mind control: An Appreciation of Ramez Naam’s Nexus, a 2014 Prometheus Award winner for Best Novel

To highlight the Prometheus Awards’ four-decade history and make clear what makes each winner deserve recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is presenting a series of weekly Appreciations of past award-winners.
Here’s the latest Appreciation for Ramez Naam’s Nexus, one of two 2014 Prometheus Award winners for Best Novel:

By Anders Monsen and Michael Grossberg

Nexus offers a gripping exploration of politics, international espionage and new extremes of both freedom and tyranny while imagining how artificial intelligence might pave the way for a post-human future.

Ramen Naam’s ingenious and multi-leveled 2013 novel is set in a plausible near future on and around the Earth where emerging technology opens up unprecedented possibilities for mind control as well as personal liberation and interpersonal connection.

The fast-paced suspense thriller – the first in an exciting and imaginative trilogy that includes the Prometheus-finalist sequels Crux and Apex – centers on a young scientist caught up in danger and ranges from academia to government bureaucracy and from underground San Francisco parties to a secret Shanghai lab.

Continue reading Artificial intelligence, bioengineering, brain drugs, nanites, espionage, self-determination and mind control: An Appreciation of Ramez Naam’s Nexus, a 2014 Prometheus Award winner for Best Novel

Artistic liberty, Internet freedom, downloading, State surveillance, copyright and government control: An Appreciation of Cory Doctorow’s Pirate Cinema, the 2013 Prometheus Award winner for Best Novel

To highlight the Prometheus Awards’ four-decade history and make clear what makes each winner deserve recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is presenting a series of weekly Appreciations of past award-winners.

Here’s the latest Appreciation for Cory Doctorow’s Pirate Cinema, the 2013 Prometheus Award winner for Best Novel, along with excerpts from Doctorow’s illuminating acceptance speech:

In Pirate Cinema, an optimistic young-adult novel, Cory Doctorow explores themes of artistic freedom, Internet freedom and peaceful social change – key issues for modern libertarians, especially the latter, since non-aggression is the fundamental axiom in libertarianism as a political and social philosophy affirming cooperation over coercion and voluntary private interactions over the force and enforcement entailed by the institutionalized violence of the unbridled State.

The story also sheds light on other libertarian issues of copyright and government surveillance in its focus on a young pirate filmmaker whose Internet activity threatens his family with government reprisals and who learns to fight back against outdated forms of control.

Continue reading Artistic liberty, Internet freedom, downloading, State surveillance, copyright and government control: An Appreciation of Cory Doctorow’s Pirate Cinema, the 2013 Prometheus Award winner for Best Novel

Abuse of power, violence, liberty, gaming and virtual reality: An Appreciation of Ernest Cline’s Ready Player One, the 2012 Prometheus Award winner for Best Novel

To highlight the Prometheus Awards’ four-decade history and make clear what makes each winner deserve recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past award-winners.

Here’s the latest Appreciation for Ernest Cline’s Ready Player One, the other 2012 Prometheus Award winner for Best Novel:

By Chris Hibbert

Ready Player One
, Ernest Cline’s bestselling first novel, takes place mostly inside a virtual reality/MMORPG, though as usual with the recent spate of books in this genre, the action bleeds back and forth with physical reality.

The setting is pretty familiar: it’s 2044, and the economy has bifurcated into haves and have-nots, and most people seem to spend the bulk of their time in the OASIS.

James Halliday, the billionaire founder of the company that runs the OASIS has died, and has set up a contest inside the system that will determine who gets his company shares, his wealth, and control of the OASIS itself. It turns out Halliday was hugely into eighties trivia, and most of the story involves the main character, Parzival, and his on-line friends finding and devouring movie, music, video game, and science fiction trivia from that decade. If you’re not averse to geeking out on this stuff, it’s a fun romp.
Continue reading Abuse of power, violence, liberty, gaming and virtual reality: An Appreciation of Ernest Cline’s Ready Player One, the 2012 Prometheus Award winner for Best Novel

Slavery, liberty, racism and the lessons of history: An Appreciation of Delia Sherman’s The Freedom Maze, a 2012 Prometheus Award winner for Best Novel

To highlight the Prometheus Awards’ four-decade history and make clear what makes each winner deserve recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past award-winners. Our anniversary series was launched in 2019 – 40 years after the first Prometheus Award was presented – starting with appreciation/reviews of the earliest winners in the original Best Novel category, and continuing in chronological order.
Here’s the latest Appreciation for Delia Sherman’s The Freedom Maze, one of two 2012 Prometheus Award winners for Best Novel:

By Michael Grossberg
Some stories teach the young and remind their elders of core truths about civilization, justice and humanity – such as the goodness of liberty and the evils of slavery.
One of the best is Delia Sherman’s The Freedom Maze, a young-adult historical fantasy novel that focuses on an adolescent girl of 1960 who is magically sent back in time to 1860 when her family owned slaves on a Louisiana plantation.

Sophie, 13, explores a maze while spending the summer at her grandmother’s old Bayou house, part of an old pre-Civil-War plantation, and makes an impulsive wish for escape and grand adventure. Thanks to a mysterious and tricky spirit, her wish is granted and she finds herself unexpectedly stranded a century into the past.

Continue reading Slavery, liberty, racism and the lessons of history: An Appreciation of Delia Sherman’s The Freedom Maze, a 2012 Prometheus Award winner for Best Novel

Heinleinesque adventure, romance and anarchy in the asteroids: An Appreciation of Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel

To highlight the Prometheus Awards’ history while making clear what makes each winner deserve recognition as pro-freedom or anti-authoritarian sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past award-winners. Here’s the Appreciation for Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel:

By Anders Monsen and Michael Grossberg

Few sf/fantasy novels attempt to envision a fully free future, and only a fraction of those efforts prove fruitful and plausible, not to mention gripping in narrative and appealing in characters.

Darkship Thieves, with central characters to care about and a suspenseful, fast-paced plotis especially intriguing to libertarians for its plausible portrait of a high-tech anarchist society among the asteroids.

With this 2010 novel, Sarah Hoyt launched a series of novels in the same future solar-system-wide scenario focusing on a heroic woman from an anarchist colony in the asteroid belt who must fight for her freedom and identity against a tyrannical Earth.

Hoyt, a deft master of many genres, blends science fiction with romance, adventure, political intrigue and individualist-feminist themes.

Continue reading Heinleinesque adventure, romance and anarchy in the asteroids: An Appreciation of Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel

Self-ownership and Liberty: An Appreciation of Dani and Eytan Kollin’s The Unincorporated Man, the 2010 Prometheus Award winner for Best Novel

To highlight the Prometheus Awards’ four-decade history and make clear what makes each winner deserve recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past award-winners. Our anniversary series was launched in 2019 – 40 years after the first Prometheus Award was presented – starting with appreciation/reviews of the earliest winners in the original Best Novel category, and continuing in chronological order.  Here’s the latest Appreciation for Dani and Eytan Kollin’s The Unincorporated Man, the 2010 Prometheus Award winner for Best Novel:

By Michael Grossberg

The Unincorporated Man, an ingenious and imaginative debut novel by the Kollin brothers, was the first book in a planned trilogy that ultimately developed into an ambitious, complex and far-flung tetralogy.

The 2019 novel’s interesting and unusual premise is that education and personal development could be funded by allowing investors to take a share of one’s future income. The novel explores the ways this arrangement would affect those who do not own a majority of the stock in themselves.

For instance, often ones’ investors would have control of a person’s choices of where to live or work. The desire for power as an end unto itself and the negative consequences of the raw lust for power are shown in great detail.

Just as intriguing to many libertarians, who view self-ownership as a foundational principle in modern libertarian thought that by extension grounds human rights in property rights, is the thrilling and poignant struggle for self-ownership that emerges in this novel and its three sequels.

Continue reading Self-ownership and Liberty: An Appreciation of Dani and Eytan Kollin’s The Unincorporated Man, the 2010 Prometheus Award winner for Best Novel

The National-Security State and government repression: An Appreciation of Cory Doctorow’s Little Brother, the 2009 Prometheus Award winner for Best Novel

Introduction: To highlight the four-decade history of the Prometheus Awards,  and make clear what libertarian futurists saw and see in each of our past winners that make them deserve recognition as pro-freedom sci-fi/fantasy, we’re continuing our series of weekly Appreciations of past Prometheus Award-winners, starting with our original category for Best Novel.

Here’s the latest Appreciation for Cory Doctorow’s Little Brother, the 2009 Prometheus Award winner for Best Novel:

In Little Brother, Cory Doctorow offers a powerful cautionary tale about threats to liberty from the National Security State.

His bestselling 2008 novel, now widely considered a modern classic in the coming-of-age and dystopian genres, revolves around a high-school student and his techno-geek friends who are rounded up in the hysteria following a terrorist attack.

Doctorow focuses on the consequences and costs of the repression by government agencies in the aftermath of the attack as teen Marcus Yallow and four techno-geek friends are forced to defend themselves against the Department of Homeland Security’s attacks on the Bill of Rights when they’re in the wrong place at the wrong time as San Francisco is targeted for a terrorist attack.
Continue reading The National-Security State and government repression: An Appreciation of Cory Doctorow’s Little Brother, the 2009 Prometheus Award winner for Best Novel

Atwood’s The Testaments, Cherryh and Fancher’s Alliance Rising, Patrick Edwards’ Ruin’s Wake, Ian McDonald’s Luna: Moon Rising and Marc Stiegler’s Ode to Defiance selected as 2020 Prometheus Award finalists for Best Novel

Whether set on Earth, on the Moon, or throughout interstellar space and whether taking place in the near-future or distant future, novels dramatizing fights for freedom and threats of tyranny can achieve a timeless and universal relevance.

Recognizing the perennial tensions between Liberty and Power, the Libertarian Futurist Society presents its annual Prometheus Awards for outstanding works of science fiction and fantasy.

The five 2019 novels that the LFS has just selected as its finalists in the Best Novel category of the 2020 Prometheus Awards certainly range widely in setting, era, plot, character and style. Yet, each sheds fascinating light on the enduring human themes and challenges that inspire each generation’s struggle for freedom amid recurring threats of dictatorship, war, plague, pandemic, powerlust and other ills.

Continue reading Atwood’s The Testaments, Cherryh and Fancher’s Alliance Rising, Patrick Edwards’ Ruin’s Wake, Ian McDonald’s Luna: Moon Rising and Marc Stiegler’s Ode to Defiance selected as 2020 Prometheus Award finalists for Best Novel

Alternate history as a fruitful genre for re-imagining themes of Liberty versus Power: An Appreciation and Comparison of Harry Turtledove’s The Gladiator and Jo Walton’s Ha’Penny, co-winners of the 2008 Prometheus Award for Best Novel

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and to make clear what libertarian futurists saw in each of our past winners that made them deserve recognition as pro-freedom sf/fantasy, we’re presentING a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.

Here’s the latest Appreciation – and an intriguing comparison – of Harry Turtledove’s The Gladiator and Jo Walton’s Ha’Penny, co-winners of the 2008 Prometheus Award for Best Novel:

By William H. Stoddard

The year 2008 saw, for the first time, a tie between two Prometheus Award nominees for Best Novel: Harry Turtledove’s The Gladiator (in his Crosstime Traffic series from Tor Books) and Jo Walton’s Ha’Penny (in her Small Change series, also from Tor Books).

Ordinarily, each winner would merit its own entry; but there are interesting parallels between the two, which make it especially fitting that they shared the award, and illuminating to examine them together.

Turtledove has been known primarily as an author of alternate history, making his mark with early works such as A Different Flesh (1988), set on an Earth where the Americas are inhabited by surviving Homo erectus, and The Guns of the South, in which South African engineers help Robert E. Lee to victory, with surprising results. The six volumes of Crosstime Traffic are a young adult series about trade between parallel Earths.

Walton’s oeuvre has been more varied, but Small Change is definitely alternate history, set in a timeline where the United Kingdom came to terms with Germany in the 1930s.

It belongs to a subgenre that’s not usually considered science fictional: the cozy mystery, commonly set in a domain of wealthy and privileged people (not very different from the setting of the Jeeves and Wooster stories!) and keeping overt violence and the cruder sorts of crime offstage.

Walton mixes this with a different subgenre, the police procedural, making her continuing protagonist a Scotland Yard investigator. The science-fictional aspect comes from Walton’s careful exploration of the cultural divergence to be expected in her alternate timeline.
Continue reading Alternate history as a fruitful genre for re-imagining themes of Liberty versus Power: An Appreciation and Comparison of Harry Turtledove’s The Gladiator and Jo Walton’s Ha’Penny, co-winners of the 2008 Prometheus Award for Best Novel