Don’t forget to watch the free online 2021 Prometheus Awards ceremony and LFS-Reason panel Saturday.
This is a rare opportunity to watch one of the annual Prometheus Awards program live, via Zoom. (The free link is posted below.)
First up will be a relatively short awards ceremony, followed immediately by a panel discussion, with Reason magazine as the media sponsor and two Reason editors as panelists, on “SF, Liberty, Alternative Publishing Trends and the Prometheus Awards.”
Ray Bradbury, a soulful romantic and ardent lover of American civil liberties, was one of the most celebrated American writers of the 20th century.
Perhaps best known for his dystopian novel Fahrenheit 451, one of the earliest and most deserving works inducted into the Prometheus Hall of Fame, and the many film and TV versions of his stories and novels, Bradbury continues to rank high in the pantheon of the greatest short-story writers and leading golden-age sci-fi/fantasy authors.
Yet, how long might his well-deserved reputation as a storyteller last amid the dismaying anti-liberal and authoritarian worldwide trends of the early 21st century?
A just-published essay in The Spectator, a British weekly magazine on politics, culture and current affairs, asks that worrisome question – while also making a powerful case for Bradbury as an enduring writer and champion of liberty.
To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.
Here is an Appreciation for Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.
In “Sam Hall,” published in 1953 in Astounding Science Fiction, Poul Anderson offers one of the earlier visions of a dystopian possibility based on the computers that had been invented only a few years before: a society with ubiquitous surveillance.
This is our age’s version of the panopticon described by Jeremy Bentham – one not confined to local sites such as prisons, but having an entire nation, or an entire planet, in its view. Anderson’s vision of computer technology is primitive, with a gigantic machine in a central government office that receives and stores information on punched cards. It has no hint of artificial intelligence, or of the ability to interpret voice or vision. But the job he sees it as doing is still the stuff of our nightmares.
How is technology expanding book publishing and alternative fiction, a trend reflected more strongly than ever in this year’s slate of Best Novel finalists for the Prometheus Award?
What’s the historic relationship among science fiction, liberty and the libertarian movement-and is that changing?
What are the challenges and pitfalls of balancing artistic merit in fiction and awards with ideology and positive social values?
How do this year’s Prometheus winners – Longyear’s The Hook and F. Paul Wilson’s satirical story “Lipidleggin’” – explore the value of individual freedom and human rights, champion cooperation over coercion, dramatize the perennial tensions between liberty and power and/or expose the evils of tyranny, slavery and other abuses of unchecked government power?
All these questions will be discussed Saturday afternoon Aug. 21 during the 41st annual Prometheus Awards ceremony in a free post-ceremony Zoom panel discussion, with Reason magazine as media sponsor.
Reason editor-in-chief Katherine Mangu-Ward and Reason book editor Jesse Walker will join award-winning author Barry B. Longyear and Libertarian Futurist Society president William H. Stoddard in the post-ceremony panel discussion (for free access, see Zoom link below) on “SF, Liberty, Alternative Publishing Trends and the Prometheus Awards.”
Here’s the Prometheus Blog appreciation for Robert Heinlein’s Coventry, the 2017 Prometheus Hall of Fame winner for Best Classic Fiction:
By Michael Grossberg and Jesse Markowitz
What is the ideal society? Is utopia even possible?
How close has the United States come to an ideal society, even with the inevitable flaws that beset every country and culture?
These are among the perennial questions explored and dramatized in Robert Heinlein’s classic story Coventry.
Related questions also emerge: How do you build a utopia and who do you build it for? Is it possible, fair and just to build a utopian alternative for some, but not for others?
Here is the Prometheus Blog Appreciation of Donald Kingsbury’s Courtship Rite, the 2016 Prometheus Hall of Fame winner for Best Classic Fiction.
As an opening epigraph in Glory Road, Robert Heinlein quotes some lines by Bernard Shaw that include the sentence “He is a barbarian, and thinks the customs of his tribe and island are the laws of nature.” One of the things science fiction can do for its readers is to jar us out of such complacency, by portraying worlds with customs other than ours – not utopias or dystopias, but heterotopias, “other places.” Donald M. Kingsbury’s Courtship Rite is one of the great heterotopias.
Prometheus-winning author and scholar Victor Koman is leading a new project to digitize the papers and publications of Samuel Edward Konkin III (SEK3) for posterity.
Konkin, a libertarian philosopher and activist who led the “agorist” wing of the libertarian movement in the 1970s and 1980s, influenced quite a few libertarians and libertarian science fiction writers, such as the Prometheus Award winners J. Neil Schulman, Brad Linaweaver and Koman himself.
The authors of this year’s Prometheus Award finalists for Best Novel recently gathered for an online chat, which has now been posted publicly on the Eigenrobot podcast.
Sf writers Mackey Chandler, Karl K. Gallagher, Barry Longyear, Marc Stiegler, and Dennis E. Taylor discussed a wide variety of topics in their podcast – including the publishing industry, fandom, changes in science fiction, and the history of the Prometheus Award.
There’s a big sale of Heinlein books going on from the folks at Arc Manor.
You can pay anything you want for The Number of the Beast (even free), and the new alternative version of the novel, The Pursuit of the Pankera (preferred by many Heinlein fans) is offered at a sale price of $5.99, instead of the usual $9.99. (The paper versions of Pankera also are on sale for a big discount).
Sarah Hoyt, who won the Prometheus Award in 2011 for Darkship Thieves, has been hired to pen a new series of “Barbarella” comic books. Here is one of the articles (we were a little late in noticing):
“Barbarella is returning to comics with a new creative force.
“Dynamite Entertainment announced Friday that author Sarah Hoyt will write an upcoming Barbarella series with artist Madibek Musabekov, colorist Ivan Nunes and letterer Carlos Mangual. Hoyt is the writer of thirty-four novels ranging from science fiction, fantasy, mystery and more, including the fan-favorite Darkship Thieves.
Issue No. 1 is out July 14; you can preorder the Kindle on Amazon.
