Category: Appreciations

Magic, superhuman tyranny and creating a society without slavery in Graydon Saunders’s fantasy Commonweal Series

Work as if you lived in the early days of a better nation.”
—Alasdair Gray.

“If these are the early days of a better nation, there must be hope, and a hope of peace is as good as any, and far better than a hollow hoarding greed or the dry lies of an aweless god.”
—Graydon Saunders

By William H. Stoddard

Ken MacLeod’s blog, “The Early Days of a Better Nation,” takes its title from a quotation from Alasdair Gray. Obligingly, he provides that quotation, followed immediately by another quotation from Graydon Saunders that comments on the idea.

Who is Graydon Saunders? Eventually, I became curious, and found that he was, among other things, the author of a series of strikingly original fantasy novels, the Commonweal series.

Continue reading Magic, superhuman tyranny and creating a society without slavery in Graydon Saunders’s fantasy Commonweal Series

Liberty and laughter: Which Special Award winners benefit from a sense of humor?

By Michael Grossberg

“Tragedy tomorrow, comedy tonight…”
— Lyrics from the opening song in Stephen Sondheim’s musical farce A Funny Thing Happened on the way to the Forum

Of all the works recognized with Prometheus Awards, one of the funniest is rather unusual, even unique.

It’s not a novel, a novella or a story – the types of fiction that by far most commonly have won one of the two annual Prometheus awards for Best Novel or Best Classic Fiction.

Nor is it a movie or TV series, although several have won.

It’s a “webcomic” – and so far, the only one that’s ever received a Prometheus: Freefall (Chapter 1), created by Mark Stanley.

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Making ‘em laugh: Which Hall of Fame winners best incorporate comedy?

By Michael Grossberg

Everyone has their favorites among the fiction works that have won the Prometheus Hall of Fame for Best Classic Fiction.

And by everyone, I mean virtually everyone – since at least some of the 46 winning works are enjoyed by libertarians and non-libertarians alike, and by both science fiction/fantasy fans and those who don’t often read that genre.

But how many rank the comedies that high?

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Making ‘em laugh for the sake of liberty: Which Best Novel winners best incorporate comedy?

By Michael Grossberg

If beauty is proverbially found in the eye of the beholder, then a sense of humor may be located in our funny bones.

Yet everyone’s sense of humor is a bit different. What you find hilarious may leave me cold (or at least lukewarm), while what fills some bellies with laughs may leave others with barely a smile on their faces.

Given how personal a sense of humor tends to be, it may be provocative but should be interesting to ask: Which Prometheus Award winners do you find most amusing?

Which are designed to make you smile, and laugh out loud – and achieve their goal?

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Lord of the Rings: Economist uses Prometheus Hall of Fame classic to expose false complaints about capitalism – and about Tolkien’s underappreciated Eagles

Why didn’t the Eagles fly the ring to Mount Doom in The Lord of the Rings?

Even if you haven’t heard fans argue over the alleged “eagle plot hole” in J.R.R. Tolkien’s classic Prometheus-winning trilogy, you should find economist Bryan Caplan’s recent blog post illuminating – as well as Ilya Somin’s Reason posting about it.

An economics professor at George Mason University and a New York Times bestselling author, Caplan finds many parallels – and similar flaws – between such fan criticisms of Tolkien’s classic fantasy trilogy and socialist criticisms of free markets.

Thanks to Reason magazine, which published constitutional lawyer Ilya Somin’s column highlighting Caplan’s intriguing arguments (and some of his own) on Reason’s Volokh Conspiracy legal blog.

Continue reading Lord of the Rings: Economist uses Prometheus Hall of Fame classic to expose false complaints about capitalism – and about Tolkien’s underappreciated Eagles

‘Charlie’ canceled! ‘Matilda’ mutilated! ‘Peach’ sliced! Anti-authoritarian children’s book author Roald Dahl ‘bowdlerized,’ with his subversive words, outrageous characters changed, deleted in new editions

By Michael Grossberg

They keep coming to cancel or censor more fiction and more classics of literature. Now, disturbingly, it’s Roald Dahl’s turn.

The re-editing, rewording and outright expungement of now-disfavored wording in the delightfully subversive and amusing children’s books by the late great British writer, who died in 1990 at 74, are just the latest example of efforts to suppress or censor literature.

But the “they,” this time, doesn’t refer only to government agencies, bureaucrats and woke cultists eager to shove more politically incorrect stories and thoughts down Orwell’s proverbial memory hole.

This time, ironically but unsurprisingly, “they” includes Dahl’s British publisher Puffin and the Dahl estate, eagerly colluding to publish bowdlerized versions of his books to avoid “triggering” anyone.

Continue reading ‘Charlie’ canceled! ‘Matilda’ mutilated! ‘Peach’ sliced! Anti-authoritarian children’s book author Roald Dahl ‘bowdlerized,’ with his subversive words, outrageous characters changed, deleted in new editions

Prometheus Blog progress: The LFS Appreciation series about past winners is now complete and accessible

If sci-fi fans or anyone else ever wants to know why the Libertarian Futurist Society presented a Prometheus Award to any work of fiction, and how that work reflects libertarian, classical liberal and anti-authoritarian themes, they now have an easy, quick and enjoyable way to find out.

Just visit the LFS website’s Prometheus Awards page, scroll down to any particular past winner of interest – for Best Novel, Best Classic Fiction or Special Awards – and click on the “Appreciation” link added next to its title.

To highlight and honor the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society celebrated in 2019, LFS members began writing review-essays about each past winner that summer.

Today, more than three years later, that series of informative essays is now complete:
Continue reading Prometheus Blog progress: The LFS Appreciation series about past winners is now complete and accessible

A Study in Subtexts: Freedom, slavery and control in Prometheus winner Lois McMaster Bujold’s Sharing Knife series

“What Bujold has done is to come up with a concept of an aristocratic society that isn’t based on coercion — and from a libertarian perspective, that’s an interesting and novel theme.”

By William H. Stoddard

After bringing the Vorkosigan series (including Prometheus Hall of Fame winner Falling Free) to an apparent conclusion, Lois McMaster Bujold turned to fantasy in two series: the loosely connected World of the Five Gods novels, and the Sharing Knife series, an actual tetralogy.

Lois McMaster Bujold (Photo by Kyle Cassidy; Creative Commons license)

Both are set in invented worlds, where real-world political issues don’t arise, sparing the reader the sort of heavy-handed allegory that J.R.R. Tolkien famously objected to.

No book in either series was ever considered for a Prometheus Award. Indeed, the Sharing Knife series started out as a love story, seemingly reflected Bujold’s acknowledged fondness for authors such as Georgette Heyer. But having read it several times since its publication, I’ve come to feel that it has less obvious depths, some of which are potentially of interest to members of the Libertarian Futurist Society.

Continue reading A Study in Subtexts: Freedom, slavery and control in Prometheus winner Lois McMaster Bujold’s Sharing Knife series

Real-world entrepreneurship advancing humanity across our solar system: An Appreciation of Wil McCarthy’s Rich Man’s Sky, the 2022 Prometheus Best Novel winner

By Michael Grossberg

Rich Man’s Sky, the 2022 Prometheus winner for Best Novel, brims with the excitement, adventure, uncertainties and anxieties of real-world entrepreneurship.

Wil McCarthy’s kaleidoscopic novel, which thrillingly ventures beyond our Earth to chart the exploration, colonization and industrialization of our solar system, realistically and insightfully portrays the inevitably messy and risky progress of free men and women pursuing various goals through the cooperation of free markets.

Yet, the 291-page Baen Books novel – which launches a projected trilogy – also perceptively contrasts markets, warts and all, with the grimier and darker realities of politics – which unlike the voluntary transactions of the marketplace, unavoidably involves various forms and degrees of coercion, outright violence or the threat of violence and thus leads to some benefiting unjustly at the expense of others.

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A probing work of “social sf” and libertarian praxis: An appreciation of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner

By Michael Grossberg

Many people have viewed science fiction as all about futuristic technology – starships, robots, interstellar travel, space habitats, vast mega-engineering feats, etc.

Yet, some of the best so-called “sf” of the past century has been what is sometimes called “social science fiction.”

Such works may incorporate various speculative forms of advanced technology, especially to work out how such technology affects people and changes culture.

Yet the most interesting aspects of such “social sf” is how it illuminates the various socio-political, economic and cultural implications of new ideas, different attitudes or fundamental changes in how a society’s norms, laws and system of government work.

In the rare and exemplary case of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner, the dramatic and fascinating focus is on what happens to a society when its government is abolished – but other governments continue to threaten its freedom and independence.

Continue reading A probing work of “social sf” and libertarian praxis: An appreciation of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner