Category: Appreciations

Comedy, coming of age and forging freedom high above a gas-giant: An Appreciation of Dave Freer’s Cloud-Castles, the 2023 Prometheus Best Novel winner

By Michael Grossberg

Few Prometheus Award winners are as much fun to read as Cloud-Castles.

The 2023 Prometheus Awards plaque and gold coin


Zestful and often funny but also imaginative and insightful in its visions of freedom, Dave Freer’s often satirical coming-of-age novel deservedly won the 2023 Best Novel award for its entertaining blend of adventure, comedy, sci-fi,  likable characters and nifty world-building.

The novel’s settings, distinctive and ingenious, offer ripe possibilities for varied, cross-cultural exploration of different human and alien environments. And Freer delivers.

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Best Novel finalist review: Daniel Suarez’s Critical Mass offers persuasive, realistic SF thriller about private space industrialization

 

By Charlie Morrison and Michael Grossberg

A courageous band of astronaut-entrepreneurs strive to address Earth-based problems through commercial space-industrialization projects in Critical Mass, nominated for the next Prometheus Award for Best Novel.

Adding to the suspenseful drama, set mostly off the Earth and around the solar system, the resourceful heroes of this fast-paced sci-fi thriller must achieve their ambitious and unprecedented goals amid Cold War tensions, shifting global political alliances and the shortsighted opposition of Earth governments.

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Best Novel finalist review: Howard Andrew Jones’ Lord of a Shattered Land offers epic sword-and-sorcery saga with anti-slavery, anti-tyranny, pro-liberty themes

“Howard Andrew Jones is the leading Sword & Sorcery author of the 21st century… His Lord of a Shattered Land is his best work yet… It’s a magnificent achievement, destined to become a modern classic.”
— John O’Neill, World Fantasy Award-winning publisher of Black Gate

By Michael Grossberg

I admit I generally don’t enjoy fantasy as much as science fiction, but I loved Lord of a Shattered Land, one of the best sword-and-sorcery sagas I’ve read.

Howard Andrew Jones’s epic fantasy, published by Baen Books and one of 17 nominees for the next Prometheus Award for Best Novel, tells a gripping tale that powerfully and emotionally evokes the evils of slavery and tyranny and the passionate, unquenchable desire of people to be free.

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Review: Queen Wallis an inventive, suspenseful sequel to the dystopian alternate history of Carey’s Widowland

By Michael Grossberg

Sequels can be tricky and often disappointing, falling short of the originals in potentially all sorts of ways.

So it’s nice to report that C.J. Carey’s Queen Wallis (published by Sourcebooks in the U.S. and Quercus in the U.K.) is a worthy sequel that in several ways improves on Widowland, her 2023 Prometheus Best Novel finalist.

Overall, this feminist dystopian novel is one of the most enjoyable works of alternate history I’ve read in years.

Continue reading Review: Queen Wallis an inventive, suspenseful sequel to the dystopian alternate history of Carey’s Widowland

Review: Salman Rushdie’s Victory City affirms virtues of liberty, trade and tolerance in a mythological historical fantasy about the cycles of civilization

By Michael Grossberg

Salman Rushdie, the courageous author acclaimed worldwide for both his fiction and personal courage in affirming libertarian values from artistic freedom and freedom of speech/press to the right of dissent, has written a wise and haunting novel in Victory City.


Rushdie’s historical fantasy – a Best Novel nominee for the next Prometheus Award – makes a poignant and powerful case for liberty as a key ingredient in the constellation of value and virtues that support human flourishing and the never-to-be-taken-for-granted rise of civilization.

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Review: Sandra Newman’s Julia a worthy companion to Orwell’s 1984

By Michael Grossberg

George Orwell’s Nineteen Eighty-Four remains one of the seminal novels of the past century.

An early inductee (appropriately enough, in 1984) into the Prometheus Hall of Fame, Orwell’s cautionary tale was inspired by the totalitarian horrors of Soviet Communism, yet remains a far broader warning about the perils of tyranny, no matter its variants and extremes of Left or Right.

Given the acclaim and reputation that Orwell’s classic has attained and deserves, it would seem foolhardy for anyone to dare to write a sequel. After all, how could it possibly measure up?

Yet, Orwell’s estate authorized novelist Sandra Newman to do just that with Julia – or more precisely, offer “a retelling of George Orwell’s 1984” (as subtitled on its hardback-book cover.)

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“The Emperor’s New Clothes” – Andersen’s fable remains a useful metaphor and illustrative lesson for today

By Michael Grossberg

One of the best choices that LFS members have made in voting annually in the Best Classic Fiction category, in my opinion, was the decision to induct “The Emperor’s New Clothes” in 2000 into the Prometheus Hall of Fame.

Hans Christian Andersen’s timeless anti-authoritarian parable isn’t merely a fable for children but a cautionary tale for everyone about the presumptions and illusions of power — not to mention the dangers of sheep-like conformity…. lessons that still apply today. (Perhaps especially today.)

Possibly because the Danish author’s 1837 story is often grouped somewhat diminutively with Anderson’s other stories as mere “children’s” literature or perhaps for other reasons, “The Emperor’s New Clothes” often seems to be overlooked or dismissed by contemporary columnists and bloggers as a still-resonant metaphor for the blind spots and knee-jerk tribalism of our increasingly conformist, censorious, culture-cancelling and fearful era.

So it’s a pleasure to come across a relatively rare reference to Andersen’s classic among today’s vast social commentary – moreover, not just a brief reference, but a full column from a regular Substack writer who makes the story central to his insightful and timely themes.

The column is even titled in honor of the fable: “The Emperor’s New Art.”

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Who was Prometheus? Writer Virginia Postrel exposes modern misconceptions while highlighting the Greek myth’s pro-liberty, pro-technology themes

“The ancient myth of Prometheus is not a cautionary tale. It is a reminder that technē raises human beings above brutes. It is a myth founded in gratitude.” – Virginia Postrel

By Michael Grossberg

Who was Prometheus?

Despite modern misconceptions and fears, why does the titan of Greek mythology remain a positive and inspiring symbol of freedom, hope, revolution and progress today?

Virginia Postrel – the former Reason-magazine editor and Atlantic and New York Times columnist, and notable author of the seminal The Future and Its Enemies – brilliantly but concisely challenges common contemporary misunderstandings about the Greek legend in a fascinating and insightful essay on her Substack column.

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How and Why to Fight For Freedom: An Appreciation of Heinlein’s “Free Men,” the 2023 Prometheus Hall of Fame winner for Best Classic Fiction


As part of the LFS’ ongoing Appreciation series of review-essays explaining how each Prometheus Award-winner fits the distinctive libertarian and anti-authoritarian focus of the sf/fantasy award and why it deserved to win, here is an Appreciation by author Karl K. Gallagher (a frequent Best Novel finalist himself) of Robert Heinlein’s story “Free Men,” the 2023 Prometheus Hall of Fame winner for Best Classic Fiction.

By Karl K. Gallagher

Many writers have “trunk stories”—pieces rejected so many times that the writer shoves them into a trunk and stops sending them out again. “Free Men” seems to have been one of Heinlein’s trunk stories.

The Expanded Universe foreword says he wrote it in 1947, just a year after Churchill’s Iron Curtain speech. The story wasn’t published until 1966, in the Worlds of Robert A. Heinlein single-author collection.

I can understand why editors didn’t want it.

It’s a grim story, with the protagonist left bleeding out as his followers flee to a new hiding place.

The premise is a USA occupied after losing WWIII, by an enemy willing to nuke towns as reprisals against guerillas. The kind of story that makes readers put the terms “unpatriotic,” “defeatist,” or “advocating ‘better red than dead’” in the letters cancelling their subscriptions.

So why did Heinlein write it? And why do some readers love it?

Continue reading How and Why to Fight For Freedom: An Appreciation of Heinlein’s “Free Men,” the 2023 Prometheus Hall of Fame winner for Best Classic Fiction

Remembering Tolkien: Columnist hails “LOTR” author as “most important creative mind of the modern age”

By Michael Grossberg

J.R.R. Tolkien, widely hailed as the father of the resurgent “high fantasy” of the modern era, died 50 years ago today.

J.R.R. Tolkien in 1925 (Creative Commons license)

Tolkien, who passed at 81 on Sept. 2, 1973, is remembered by Ed West, who writes about Tolkien’s legacy and increasing influence today in his timely Substack column Wrong Side of History.

With Tolkien’s classic The Lord of the Rings having been inducted in 2009 into the Prometheus Hall of Fame for Best Classic Fiction, LFS members certainly remember and admire Tolkien.

But in his striking and thought-provoking column, West praises Tolkien in extraordinary ways – perhaps even more highly than do libertarians, who admire the British author for the mythic world-building, rich storytelling and poignant themes of his cautionary libertarian fable about the inevitable temptations and corruptions of absolute power.

West goes so far as to call Tolkien “the most important creative mind of the modern age.”

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