London exhibit on Prometheus winner ‘V for Vendetta’

It isn’t every day that a work which has won one of our awards becomes the subject of a museum exhibition. But V for Vendetta, which won the Prometheus Hall of Fame Award in 2006, is the subject of a new exhibition at the Cartoon Museum in London, in Britain. 

The V for Vendetta: Behind the Mask exhibit will be available until Oct. 31;

“Presenting 36 original comic artworks alongside storyboards and costume designs from the hit Warner Bros movie, V for Vendetta: Behind the Mask charts the rise from comic to graphic novel, Hollywood film to iconic symbol of protest,” the museum says.

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Civil disobedience vs. repressive authority: Harlan Ellison’s subversive and satirical story “Repent Harlequin!’, Said the Ticktockman,” the 2015 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Harlan Ellison’s “Repent Harlequin!’, Said the Ticktockman,” the 2015 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg

The ticking of a clock and a tight schedule controls the future world in “Repent Harlequin!’, Said the Ticktockman,” one of Harlan Ellison’s best and most iconic stories.

The satirical and dystopian tale, which opens with quotes from Henry David Thoreau’s classic work on Civil Disobedience, lampoons the excesses and absurdities of regimentation.

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A cyberspace, cyberpunk landmark: Vernor Vinge’s True Names, a 2007 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Vernor Vinge’s story “True Names,” a 2007 Prometheus Hall of Fame co-winner for Best Classic Fiction.


By Michael Grossberg   and Chris Hibbert

“True Names” is a seminal work of the cyberpunk genre.

A landmark when it was published in 1981, Vernor Vinge’s now-classic story gave the public their first glimpse of cyberspace and showed how the struggle for control might penetrate the new medium.

One of the earliest works of fiction to present a fully detailed concept of cyberspace, the story also explores themes of anarchism and trans-humanism that are of great interest to libertarian futurists.

The story follows the progress of a group of computer hackers who keep their true identities secret while being among the first to adopt a new full-immersion virtual-reality technology. They do so out of curiosity or an entrepreneurial desire to profit – both respectable and even laudable motivations from the libertarian perspective that appreciates the crucial role of innovation and free markets in advancing human progress, prosperity, well-being and knowledge.

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Free will, self-ownership and the essence of humanity: Lois McMaster Bujold’s Falling Free, the 2014 Prometheus Hall of Fame winner for Best Classic Fiction

Here is the Prometheus Blog Appreciation of Lois McMaster Bujold’s Falling Free,
the 2014 Prometheus Hall of Fame winner for Best Classic Fiction:

By Michael Grossberg

Falling Free is a Nebula-award-winning sf novel that explores free will and self-ownership, two important concepts at the foundation of our humanity and liberty that also happen to be at the core of modern libertarianism and classical liberalism.

Lois McMaster Bujold’s 1987 novel, part of her bestselling Vorkosigan Saga, considers the legal and ethical implications of human genetic engineering.

In particular, the story conveys the personal impact on the rights and liberties of “manufactured beings” owned by corporations – a theme also explored in F. Paul Wilson’s Prometheus-winning novel Sims.

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Cryptology, privacy, and adaptability: Neal Stephenson’s Cryptonomicon, the 2013 Prometheus Hall of Fame winner

 

Here is the Prometheus Blog Appreciation of Neal Stephenson’s Cryptonomicon, the 2013 Prometheus Hall of Fame co-winner for Best Classic Fiction.

By Tom Jackson

One of Neal Stephenson’s most-memorable novels, Cryptonomicon, was inspired by developments in cryptography during World War Two.

Published in 1999, Cryptonomicon won the Prometheus Hall of Fame Award in 2013. Given the novel’s focus on topics such as electronic money and cryptography, it seems prescient in anticipating the current moment’s obsession with cryptocurrencies.

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Isolation, dystopia and collapse: E. M. Forster’s The Machine Stops, the 2012 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of E.M. Forster’s “The Machine Stops,” the 2012 Prometheus Hall of Fame winner for Best Classic Fiction:

By Chris Hibbert
E. M. Forster’s short story “The Machine Stops” is very appropriate for the time of the pandemic. Forster wrote about a society of enforced physical isolation where everyone can be in constant communication via the Machine.

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Allegorical fable about “beastly” communism, coercive egalitarianism: George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

 

Here is the Prometheus Blog Appreciation of George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

By Michael Grossberg

The title of the allegorical work may make Animal Farm sound like a children’s fable, but it isn’t.

Oh, the short novel certainly can – and probably should – be read by teenagers and more mature younger readers, who likely will enjoy it and also grasp its perennial theme about the corruptions of power and the absolute corruption of absolute power.

Yet, the cautionary themes of George Orwell’s enduring 1945 work truly are aimed at adults.
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War, centralization, good intentions gone wrong: Poul Anderson’s “No Truce with Kings,” the 2010 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation for Poul Anderson’s story, “No Truce with Kings,” the 2010 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

In David Friedman’s first book, the libertarian classic The Machinery of Freedom, the first entry in the bibliography describes Poul Anderson’s “No Truce with Kings”: “A libertarian novelette that plays fair. The bad guys are good guys too. But wrong.”

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Corruption of absolute power vs. the stateless Shire: J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation for J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction:

“Power tends to corrupt; and absolute power corrupts absolutely.” – Lord Acton (1834-1902)

“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings

By Michael Grossberg and William H. Stoddard

The Lord of the Rings is not only one of the greatest works of fantasy but also a cautionary libertarian fable about the inevitable temptations of power.

J.R.R. Tolkien’s classic trilogy – a three-part novel (The Fellowship of the Ring, The Two Towers and The Return of the King) published in 1954-1955 – charts a social, political, personal and supernatural struggle between freedom and absolute tyranny.

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Burgeoning tech options of modern publishing – online, audio and print – made possible the Prometheus Award slate of 2021 Best Novel finalists

By Michael Grossberg

The 2021 Prometheus Awards slate of Best Novel finalists, just announced, reflects an interesting first in the four-decade-plus history of the award.

See if you can identify this first – hint: a reflection of a long-term trend in modern publishing – from scanning this list of the finalist novels, their authors and publishers:

* Who Can Own the Stars?  by Mackey Chandler (Amazon Kindle)
* Storm between the Stars, by Karl K. Gallagher (Kelt Haven Press)
* The War Whisperer, Book 5: The Hook, by Barry B. Longyear (Enchanteds)
* Braintrust: Requiem, by Marc Stiegler (LMBPN Publishing)
* Heaven’s River, by Dennis E. Taylor (An Audible Original, print and ebook editions The Ethan Ellenberg Literary Agency)

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