Science fiction’s prophetic dystopias: Niall Ferguson Spectator essay sheds light on Prometheus winners Bradbury, Orwell, Stephenson and Zamyatin while drawing timely comparisons to Huxley

How can science fiction be used to explore and perhaps take steps to prevent the darker possibilities of the future?

Writer-historian Niall Ferguson examines the benefits and prophetic classics of science fiction in an intriguing essay in The Spectator magazine.

Several Prometheus-winning authors – including Ray Bradbury (Fahrenheit 451), Sinclair Lewis (It Can’t Happen Here), George Orwell (Nineteen Eighty-Four), Neal Stephenson (The System of the World, Snow Crash) and Yevgeny Zamyatin (We) – are discussed with intriguing and incisive commentary in Ferguson’s recent article, “How Science Fiction Novels Read the Future.”

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Reason highlights fresh aspects of Tolkien’s anti-statism reflected in new TV series “The Rings of Power”

After watching just the first few episodes, fans of “The Lord of the Rings” may still be making up their minds whether the Amazon-Prime prequel “The Rings of Power” is a worthy successor to the three LOTR films and most important, whether it does justice to J.R.R. Tolkien and his powerful anti-authoritarian themes.

A bust of JRR Tolkien. File photo

But Reason magazine has weighed in with an insightful column that offers a nuanced answer to the question of how faithful is the epic new series to “Tolkien’s Anti-Statism.”

The answer, fans of the Prometheus Hall of Fame-winning trilogy will be happy and relieved to hear, is mostly yes.

Like the LFS members who voted to induct Tolkien’s fantasy trilogy into the Prometheus Hall of Fame in 2009, Reason columnist Christian Britscchgi seems well aware of the ways in which The Lord of the Rings celebrates “freedom against arbitrary government interference.”

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Liberty vs. equality: International magazine highlights timeless warnings of “Harrison Bergeron,” Vonnegut’s Prometheus-winning fable

By Michael Grossberg

Some Prometheus-winning fiction imagines a better, freer future for humanity, one that libertarian futurists yearn to see come true in some form.

Other Prometheus-winning fiction is more dystopian, offering cautionary warnings about totalitarian tendencies that their authors portray with hopes of preventing them from materializing.

“Harrison Bergeron,” Kurt Vonnegut’s now-classic 1961 short story, which falls into the latter category, satirically but seriously extrapolates the coercive, absurd and even monstrously inhuman possibilities of radical egalitarianism taken to extremes.

Read the Prometheus Blog Appreciation to appreciate why Vonnegut’s story deserved to be recognized by the Libertarian Futurist Society as the 2019 Prometheus Hall of Fame winner.

Overall and at least in theory, it’s a good thing to see outstanding fiction continue to resonate within the broader American and world culture – especially when it’s pro-liberty or anti-authoritarian sf/fantasy and has been recognized through the Prometheus awards.

Unfortunately, “Harrison Bergeron” is becoming all too timely.

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Remembering Tolkien – and his cautionary theme about the lure of power – as Rings of Power series debuts opposite House of Dragons

“Power tends to corrupt; and absolute power corrupts absolutely.”
Lord Acton    (1834-1902)

“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings

Few Prometheus Award winners incorporate an anti-authoritarian theme with more haunting power than J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction.

With Amazon Prime recently unveiling its mega-budgeted and long-awaited prequel to Lord of the Rings, this is an apt moment to recall that theme – summed up so well in Lord Acton’s famous dictum and symbolized so archetypically by Tolkien in his “One Ring to rule them all.”

That’s especially timely when Rings of Power offers such a vivid contrast to House of the Dragon, the other super-expensive prequel to another landmark television-adapted fantasy, but one with a much different and more cynical view of power.

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Literary snobbery at the ‘Paris’ Review – snubbing Johanna Sinisalo’s Prometheus-winning The Core of the Sun

Johanna Sinisalo holds her Prometheus Award. (Photo by Ryan Lackey). 

The Paris Review has a new article up, “How Finland Rebranded Itself as a Literary Country,” which purports to tell the story of how Finnish writers have acquired an international reputation.

But the article’s author, Kalle Oskari Mattila, seems to be determined to make sure that neither the science fiction community nor the Prometheus Award will receive any credit for the growing attention to Finnish writing.

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Prometheus winner ‘Ready Player One’ divides opinion, but will be out soon as a movie

Ready Player One by Ernest Cline, the 2012 Prometheus Award winner (in a tie, with Delia Sherman’s The Freedom Maze) is about to become much better known. A movie version, directed by Steven Spielberg, will be released March 30.

Not everyone has climbed on Ernest Cline’s bandwagon.

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A thumb’s up: Tyler Cowen re-reads ‘The Moon is a Harsh Mistress’

The very first Prometheus Hall of Fame Award, back in 1983, was given, in a tie, to Robert Heinlein’s The Moon Is a Harsh Mistress and Ayn Rand’s Atlas Shrugged. The Moon Is a Harsh Mistress, published in 1966, won the Hugo for best novel in 1967. It was a favorite of mine when I read it during the 1970s, as a high school student. Evidently it was a favorite of lots of people.

Tyler Cowen, the influential economist, libertarian-leaning blogger, author and columnist, recently re-read The Moon Is a Harsh Mistress and found that it holds up.

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