Heinleinesque adventure, romance and anarchy in the asteroids: An Appreciation of Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel

To highlight the Prometheus Awards’ history while making clear what makes each winner deserve recognition as pro-freedom or anti-authoritarian sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past award-winners. Here’s the Appreciation for Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel:

By Anders Monsen and Michael Grossberg

Few sf/fantasy novels attempt to envision a fully free future, and only a fraction of those efforts prove fruitful and plausible, not to mention gripping in narrative and appealing in characters.

Darkship Thieves, with central characters to care about and a suspenseful, fast-paced plotis especially intriguing to libertarians for its plausible portrait of a high-tech anarchist society among the asteroids.

With this 2010 novel, Sarah Hoyt launched a series of novels in the same future solar-system-wide scenario focusing on a heroic woman from an anarchist colony in the asteroid belt who must fight for her freedom and identity against a tyrannical Earth.

Hoyt, a deft master of many genres, blends science fiction with romance, adventure, political intrigue and individualist-feminist themes.

Continue reading Heinleinesque adventure, romance and anarchy in the asteroids: An Appreciation of Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel

First contact, social contracts, slavery and freedom: An Appreciation of Ken MacLeod’s Learning the World, the 2006 Best Novel winner

To make clear why past winners deserve recognition as pro-freedom sf/fantasy and how they fit the Prometheus Award, Appreciations of past winners have been written and posted. Here’s the Appreciation for Ken MacLeod’s Learning the Worldthe 2006 Prometheus Best Novel winner:

MacLeod’s inventive first-contact novel explores the politics and uncertainties involved from two perspectives: the natives of the planet and the “alien” (human) visitors.

In some ways modeled on classic Heinlein juveniles and a departure from his other future-Earth-solar-system novels exploring the implications of libertarian and Marxist ideas, Learning the World offers as a primary viewpoint character a teen girl living on an interstellar colony ship about to enter a new solar system.

Continue reading First contact, social contracts, slavery and freedom: An Appreciation of Ken MacLeod’s Learning the World, the 2006 Best Novel winner

Free trade, private property, civil liberties, classical liberalism and modern libertarianism: An Appreciation of Neal Stephenson’s The System of the World, the 2005 Prometheus Best Novel winner

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and to make clear what libertarian futurists saw in each of our past winners that made them deserve recognition as pro-freedom sf/fantasy, we’re continuing in 2020 to present a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.

Here’s the latest Appreciation for Neal Stephenson’s The System of the World, the 2005 Prometheus Best Novel winner:

By William H. Stoddard

The development in the late 1600s and early 1700s of the modern world’s classical liberal institutions, which paved the way for modern libertarianism, is explored in Neal Stephenson’s epic 2004 novel, the climax of the author’s ambitious Baroque Cycle trilogy (preceded by Quicksilver and The Confusion), which has been hailed by Entertainment Weekly as “the definitive historical-sci-fi-epic-pirate-comedy-punk love story.”

In the complex, multi-threaded plot of The System of the World, Stephenson traces the distant ancestors of many key characters from his earlier novel Cryptonomicon through encounters with major figures in the science and politics of the era, among whom Sir Isaac Newton and Gottfried Leibniz are key figures. In effect, this is a secret history of the origins of experimental natural science, the British monetary system, and the antislavery movement, among other elements of modernity.


The Baroque Cycle – which touches upon the development in the 1700s of such classical-liberal institutions as the rule of law, limited government, due process, civil liberties, free trade, private property, and separation of church and state – can be read as a straightforwardly historical novel drawing on such sources as the French Annales school of historiography — if a wildly inventive one that fully lives up to the label “baroque.”

Continue reading Free trade, private property, civil liberties, classical liberalism and modern libertarianism: An Appreciation of Neal Stephenson’s The System of the World, the 2005 Prometheus Best Novel winner

Genetic engineering, emerging sentient species and ‘human’ rights: An Appreciation of F. Paul Wilson’s Sims, the 2004 Prometheus Best Novel winner

To make clear why past winners deserved recognition as pro-freedom sf/fantasy and how they fit our award, we’ve published Appreciations of all past Prometheus Award-winners. Here’s the appreciation for F. Paul Wilson’s Sims, the 2004 Prometheus Best Novel winner:

BY MICHAEL GROSSBERG

Paul Wilson’s 2003 novel Sims, set in a plausible near-future, explores the struggle of the sims, a genetically engineered cross between humans and chimpanzees, for freedom and respect.

After impressive advances in genetics research that have made possible the elimination of many genetically transmitted diseases, the SimGen Corporation has created the transgenic species of sims or Humanzees (human-chimp hybrids).

Continue reading Genetic engineering, emerging sentient species and ‘human’ rights: An Appreciation of F. Paul Wilson’s Sims, the 2004 Prometheus Best Novel winner

Alternate history, progress, markets, and how fantasy can illuminate reality: An Appreciation of Terry Pratchett’s Night Watch, the 2003 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series of review-essays strives to make  clear what libertarian futurists see in each of our past winners and how they fit the libertarian focus of the Prometheus Awards. Here’s an Appreciation for Terry Pratchett’s Night Watch, the 2003 Prometheus winner for Best Novel:

By William H. Stoddard and Michael Grossberg

Night Watch, the 29th book in Terry Pratchett’s bestselling Discworld series and widely hailed as one of the best, focuses in his usual tongue-in-cheek style on what it takes to build a more-modern police force that eventually will be able to keep the peace and fight violent crime in one of the most unruly cities in fiction.

Filled with individualistic, anti-authoritarian and pragmatically libertarian themes that resonate with the actual history of our own planet and how market economies and modern civilization developed, this ingenious 2002 satirical fantasy blends political intrigue and police drama in a plot that also involves time travel back to the start of a legendary street rebellion.

Continue reading Alternate history, progress, markets, and how fantasy can illuminate reality: An Appreciation of Terry Pratchett’s Night Watch, the 2003 Prometheus Best Novel winner

Aliens, clashing cultures, and communism vs. anarchocapitalism: An Appreciation of L. Neil Smith’s The Forge of the Elders, the 2001 Prometheus Best Novel winner

To make clear what libertarian futurists saw in each of our past winners that made them deserve recognition as pro-freedom sf/fantasy and how they fit our award, Appreciations of all past Prometheus Award-winners have been published. Here’s the appreciation for L. Neil Smith’s The Forge of the Elders, the 2001 Prometheus winner for Best Novel:

By Michael Grossberg

Rollicking adventure, mystery, a sense of humor and explicit libertarian ideology mark L. Neil Smith’s The Forge of the Elders.

The novel was reworked from two previously published novels Contact And Commune (retitled First Time The Charm) and Converse And Conflict (retitled Second To One), and combined with the story’s finale (Third Among Equals), belatedly published a decade later.

Set in the late 21st century within our solar system and beyond, this fun 2000 novel concerns the culture clash and political differences between the human members of an expedition to asteroid 5023 Eris, and the multitude of aliens they find when they arrive.
Continue reading Aliens, clashing cultures, and communism vs. anarchocapitalism: An Appreciation of L. Neil Smith’s The Forge of the Elders, the 2001 Prometheus Best Novel winner

LFS considers online Prometheus awards show for pandemic-canceled 2020 North American Science Fiction Convention: F. Paul Wilson announced as Columbus NASFiC’s Prometheus Awards guest of honor

May 15, 2020 update: Due to the “uncertain health situation” regarding the ongoing pandemic and the unreliable travel restrictions, the Columbus 2020 NASFiC organizers have announced with a “heavy heart” that the long-awaited Columbus event has been canceled.
As of May, the organizers are exploring the possibility of planning and presenting a virtual event with various speakers and panels during that same Aug. 20-23, 2020 weekend – including programming and perhaps an online version of the annual Prometheus Awards ceremony.
The organizers also are planning to publish an online souvenir book for all attending and supporting members.
The LFS will post additional updates as we learn more and plans are solidified.

The North American Science Fiction Convention will be held Aug. 20-23, 2020 in Columbus, Ohio – and guess who will be among the guests of honor and speaker-panelists?

The Columbus 2020 NASFiC has announced on its Facebook page that bestselling sf/fantasy/horror novelist F. Paul Wilson – the first Prometheus Award winner and a Special Prometheus Lifetime Achievement award recipient – will attend the Columbus NASFiC as the Prometheus Awards Guest of Honor.

F. Paul Wilson. Photo courtesy of author

Wilson’s appearances, talks, panel discussions and author signings will be a centerpiece of the Libertarian Futurist Society’s third LFScon (dubbed LFScon III), which will run as an informal “mini-con” within the larger North American Science Fiction Convention. Several main-program-track panel discussions are being planned, devoted to themes of broad interest to freedom-loving sf/fantasy fans, libertarian futurists and general attendees.

The LFS also will present our 2020 Prometheus Awards ceremony during the NASFiC’s biggest single event: it’s Saturday-night Masquerade.

Continue reading LFS considers online Prometheus awards show for pandemic-canceled 2020 North American Science Fiction Convention: F. Paul Wilson announced as Columbus NASFiC’s Prometheus Awards guest of honor

Interstellar travel, mercantile networks, bureaucracy and decentralization: An Appreciation for Vernor Vinge’s A Deepness in the Sky, the 2000 Prometheus Best Novel winner

As part of our series of Appreciations of Prometheus Award-winners, here’s a review-essay about Vernor Vinge’s A Deepness in the Sky:

By William H. Stoddard and Michael Grossberg

   Vernor Vinge’s A Deepness in the Sky is an exemplary example of the New Space Opera of the 1990s, and a fascinating and complex sequel to his Hugo-winning novel A Fire Upon the Deep.

Set in the inner Milky Way galaxy with fully realized characters, both alien and human, the story highlights the threats to civilization from centralized power while illuminating the civilizing dynamics of free-trade networks.

Vinge’s epic novel imagines a complex future with many human-inhabited planets that have developed over several thousand years through slower-than-light interstellar travel, terraforming, life-extension techniques, and advanced computer networks.

Yet many of these advanced societies repeatedly have collapsed into barbarism and decay through the failed dream of collectivism, statism, or subtle computational failures.
Continue reading Interstellar travel, mercantile networks, bureaucracy and decentralization: An Appreciation for Vernor Vinge’s A Deepness in the Sky, the 2000 Prometheus Best Novel winner

Identity, anarchy, robots with rights and space colonization: An Appreciation of Ken MacLeod’s The Stone Canal, the 1998 Prometheus Best Novel winner

To make clear why past winners deserve recognition as pro-freedom or anti-authoritarian sf/fantasy and how each fits our award, we’ve published review-essays of all past Prometheus Award-winners. Here’s the latest Appreciation for Ken MacLeod’s The Stone Canal, the 1998 Best Novel winner:

By Michael Grossberg

Ken MacLeod’s The Stone Canal ranges widely in its exploration of different political systems on different planets in a future marked by wars, revolutions, space colonization and a cyberworld in which people’s memories and personalities can be downloaded or uploading to clones on demand.

Among the many exciting ideas that MacLeod explores in his ambitious 1997 novel – Book 2 in his Fall Revolution series, but set earlier than The Cassini Division – are several of special interest to libertarian sf fans – including his complex and ambiguous depiction of capitalist anarchy on Earth, how free markets might develop on a terraformed planet in another solar system and the possibility of independent robots with individual rights.

The settings are far-flung, too, from 20th century Scotland to a 21st century extra-solar planet called New Mars with a free market. It’s a  future of longer life-spans but also new kinds of death.

Continue reading Identity, anarchy, robots with rights and space colonization: An Appreciation of Ken MacLeod’s The Stone Canal, the 1998 Prometheus Best Novel winner

Free enterprise in space: An Appreciation of Victor Koman’s Kings of the High Frontier, the 1997 Prometheus Best Novel winner

The Libertarian Futurist Society’s Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on freedom. Here’s our Appreciation for Victor Koman’s Kings of the High Frontier, the 1997 Best Novel winner.

By Michael Grossberg

Victor Koman’s 1997 novel dramatizes the dream of getting into space with an libertarian twist: The massive effort is achieved through the voluntary social cooperation of mutual trade and mutual aid through private enterprise.

Set in a subtly alternate reality, the story imagines a profit-enhanced competition to reach the stars, which anticipated the X Prize that saw Burt Rutan’s SpaceShipOne reach space in 2004.

Kings of the High Frontier highlights the shortsighted bureaucratic and political efforts of a government-run program like NASA, with its consequences in corruption, wasteful mismanagement and stagnation.

Continue reading Free enterprise in space: An Appreciation of Victor Koman’s Kings of the High Frontier, the 1997 Prometheus Best Novel winner