Review: Exploring freedom on the frontiers of Free Space, the first explicitly libertarian sf anthology and first Prometheus Special Award winner

 

“Now we dare the great
Promethean sin
And bring fire back to heaven
on our rockets.”
– Robert Anton Wilson
“Free at Last,” from Free Space

By Michael Grossberg

Free Space, the first Special Prometheus Award-winner in 1998, has the distinction of being the first explicitly libertarian sf anthology.

Published in 1997 by TOR Books and edited by Brad Linaweaver and Ed Kramer, Free Space generated immense excitement among libertarian sf fans.

Today, almost a quarter century later, quite a few of its stories remain worth reading (or worth rereading) by freedom-lovers and, for that matter, anyone who enjoys interesting and imaginative sf speculations about humankind’s future in space.

The 352-page collection, dedicated to Robert and Ginny Heinlein, offers a wide range of stories and short fiction by 20 writers reflecting several generations and multiple perspectives.

Continue reading Review: Exploring freedom on the frontiers of Free Space, the first explicitly libertarian sf anthology and first Prometheus Special Award winner

Politics undermines the purpose of art, according to an insightful American Purpose essay (but let’s agree to disagree over Atlas Shrugged)

By Michael Grossberg
Libertarian futurists dream of unleashing the potential of every person to flourish, cooperate, innovate, progress, profit and pursue their happiness in peace and freedom – both here on earth, and perhaps eventually, beyond.

Yet, the politicization of society and increasingly, of our culture and arts, threatens that goal – and in the long run, undermines civility and could destroy civilization itself if this disturbing trend approaches authoritarian extremes.

American Purpose magazine logo

In a thought-provoking article “Enslaving Art to Politics,” published recently in American Purpose magazine, writer Daniel Ross Goodman argues persuasively against the “politicization of literature.”

His essay should interest Libertarian Futurist Society members, even when Goodman makes some points about particular works and artists that we might respectfully disagree with.

“The best novelists, like all great artists, are not narrow-minded agenda-driven partisans but adventurers in the unbounded universe of the human imagination, who, through their fictions, help us better perceive vital truths about ourselves and our reality,” Goodman wrote in late September in the online magazine.

Continue reading Politics undermines the purpose of art, according to an insightful American Purpose essay (but let’s agree to disagree over Atlas Shrugged)

A Prometheus milestone: a progress report on completion of the blog’s Hall of Fame appreciation series, and how to access it

The Prometheus Blog’s ongoing Appreciation series has reached a milestone -after two productive years of regularly published review-essays exploring and explaining the libertarian and anti-authoritarian themes of past Prometheus winners.

With the recent publication of an appreciative review-essay about the 2021 winner (F. Paul Wilson’s short story “Lipidleggin’), the appreciation series for the Prometheus Hall of Fame for Best Classic Fiction is now complete – and conveniently accessible via links from our Prometheus Awards page.

Or at least it’s now as up-to-date as possible – until next year’s winner is announced.

Continue reading A Prometheus milestone: a progress report on completion of the blog’s Hall of Fame appreciation series, and how to access it

A lyrical ode to Prometheus, according to Hoyt

Award-winning novelist Sarah Hoyt has written a lovely and lyrical ode to Prometheus on her “According to Hoyt” blog.

Hoyt won the 2011 Prometheus Award-winner for Best Novel for Darkship Thieves, a Heinleinesque adventure-romance and the first novel in her exciting Darkship series about bioengineered humans, an insidious tyranny on Earth and a fully libertarian anarcho-capitalist society amid the asteroids in a future where humans have colonized our solar system.

Yet, Hoyt’s ode to Prometheus isn’t about the awards themselves, but a tribute to the mythical character that inspired their name.

Continue reading A lyrical ode to Prometheus, according to Hoyt

Butter, eggs and the taste of freedom: An Appreciation of F. Paul Wilson’s “Lipidleggin’”, the 2021 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.

Here is a review essay about F. Paul Wilson’s story “Lipidleggin’,” the 2021 Prometheus Hall of Fame winner for Best Classic Fiction. With this appreciation for this year’s winner, our Appreciation series for the Hall of Fame category of the Prometheus Awards is now complete.

By Michael Grossberg

Once you taste freedom, it’s harder to live your life without it.

Once you learn to enjoy the taste of something good, you naturally tend to want more of it.

The mouth waters, remembering how wonderful some things taste… like liberty…. and frying eggs in butter. Mmmm… yummy.

(Also, wouldn’t it be nice if petty bureaucrats and aspiring tyrants could be seduced by the mere taste of freedom?)

Such are my immediate thoughts after rereading “Lipidleggin’,” the 2021 Prometheus Hall of Fame winner for Best Classic Fiction.

Continue reading Butter, eggs and the taste of freedom: An Appreciation of F. Paul Wilson’s “Lipidleggin’”, the 2021 Prometheus Hall of Fame winner

L. Neil Smith memorial site set up

L. Neil Smith’s family has set up a memorial website; go there to see photos, memories, etc. Smith died on August 27; see our tribute. 

The above photo from the site shows Smith, left, with another person at the 2004 Freedom Summit in Phoenix. Cathy Smith asks, “Can anyone identify the gentleman that Neil is pictured with?”

Would anyone like to help?

 

* Read the introductory essay of the LFS’ 40th anniversary retrospective series of Appreciations of past Prometheus Awards winners, with an overview of the awards’ four-decade-plus history, that was launched in 2019 on the 40thanniversary of the awards and continues today.

* Other Prometheus winners: For a full list of winners – for the annual Best Novel and Best Classic Fiction (Hall of Fame) categories and occasional Special Awards – visit the enhanced Prometheus Awards page on the LFS website, which now includes convenient links to all published appreciation-reviews of past winners.

* Read “The Libertarian History of Science Fiction,” an essay in the  international magazine Quillette that favorably highlights the Prometheus Awards, the Libertarian Futurist Society and the significant element of libertarian sf/fantasy in the evolution of the modern genre.

Join us! To help sustain the Prometheus Awards, join the Libertarian Futurist Society (LFS), a non-profit all-volunteer association of freedom-loving sf/fantasy fans.

R.I.P., L. Neil Smith: Sf writer, best known for libertarian classic The Probability Broach, leaves a lasting legacy of liberty-loving sf adventure

Libertarian science fiction writer L. Neil Smith has died, leaving a legacy of high-spirited libertarian sf adventure and of the Prometheus Award itself.

L. Neil Smith (Creative Commons photo)

Smith, who died at 75 on Aug. 27, 2021 in Fort Collins, Colo., is best known for his explicitly libertarian novel The Probability Broach and its rambunctious alternate-history sequels in his The North American Confederacy series.

During his writing career from the 1970s into the 2010s, Smith wrote 31 books, including 29 novels, and many essays and short stories.

Quite a few of his works were nominated for Prometheus Awards because of their freewheeling adventure, sense of humor, imaginative alternate-reality scenarios and strong libertarian/individualist themes.

Continue reading R.I.P., L. Neil Smith: Sf writer, best known for libertarian classic The Probability Broach, leaves a lasting legacy of liberty-loving sf adventure

Banning trans fats and “food that tastes good” – F. Paul Wilson’s Hall of Fame acceptance speech for ‘Lipidleggin”

Here is F. Paul Wilson’s acceptance speech for winning the 2021 Prometheus Award for Best Classic Fiction (the Hall of Fame) for his short story “Lipidleggin'”, which he delivered Aug. 21, 2021, during the online ceremony for the 41st annual Prometheus Awards:

By F. Paul Wilson

Many thanks to the members of the Libertarian Futurist Society for this honor.

I’ll be brief.  (“Lipidleggin’” is a short story, after all.)

Back in the 1970s, a national health care system was a major political topic.  (Some things never change, do they?)  So I asked the next question: If the State is paying for your health care, won’t the State demand a say in behaviors that it considers hazardous to your health?  Like, oh, say, banning saturated fats?

So, with tongue planted firmly in cheek, I wrote this little cautionary tale about a day when foods with saturated fats – such as butter and eggs – would be banned by the government.  I mean, I saw how it could happen, but never for a moment did I believe it would happen.  Not in a free country like our good old U.S. of A.

Continue reading Banning trans fats and “food that tastes good” – F. Paul Wilson’s Hall of Fame acceptance speech for ‘Lipidleggin”

In praise of Ray Bradbury: Let’s continue to read the Prometheus-winning author before the “firemen” come, The Spectator warns

By Michael Grossberg

Ray Bradbury, a soulful romantic and ardent lover of American civil liberties, was one of the most celebrated American writers of the 20th century.

Ray Bradbury in 1975 (Creative Commons license)

Perhaps best known for his dystopian novel Fahrenheit 451, one of the earliest and most deserving works inducted into the Prometheus Hall of Fame, and the many film and TV versions of his stories and novels, Bradbury continues to rank high in the pantheon of the greatest short-story writers and leading golden-age sci-fi/fantasy authors.

Yet, how long might his well-deserved reputation as a storyteller last amid the dismaying anti-liberal and authoritarian worldwide trends of the early 21st century?

A just-published essay in The Spectator, a British weekly magazine on politics, culture and current affairs, asks that worrisome question – while also making a powerful case for Bradbury as an enduring writer and champion of liberty.

Continue reading In praise of Ray Bradbury: Let’s continue to read the Prometheus-winning author before the “firemen” come, The Spectator warns

Rising up against universal surveillance and the imperial state: Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.

Here is an Appreciation for Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

In “Sam Hall,” published in 1953 in Astounding Science Fiction, Poul Anderson offers one of the earlier visions of a dystopian possibility based on the computers that had been invented only a few years before: a society with ubiquitous surveillance.

This is our age’s version of the panopticon described by Jeremy Bentham – one not confined to local sites such as prisons, but having an entire nation, or an entire planet, in its view. Anderson’s vision of computer technology is primitive, with a gigantic machine in a central government office that receives and stores information on punched cards. It has no hint of artificial intelligence, or of the ability to interpret voice or vision. But the job he sees it as doing is still the stuff of our nightmares.

Continue reading Rising up against universal surveillance and the imperial state: Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.