By Michael Grossberg
For me as a boy, The Star Dwellers was revelatory.
An idealistic drama about a fraught “second contact” between Earth humans and ancient aliens, James Blish’s 1961 novel sparked my thinking about ethics, economics and politics.
I couldn’t have imagined at the time what reading yet another Young Adult science fiction novel would lead me to, but ultimately The Star Dwellers paved the way for me to develop into a full-fledged libertarian by the early 1970s.
“People come to libertarianism through fiction. They come through Ayn Rand… Robert Heinlein…. L. Neil Smith.”
– Libertarian feminist author Wendy McElroy at the 2000 Prometheus Awards ceremony
For quite a few libertarians, “It Usually Begins with Ayn Rand.” Or Robert Heinlein. Or other freedom-loving science fiction writers.
For me, though, my introduction to libertarian and classical-liberal ideas and ideals began earlier – at least in part – with James Blish.
Specifically, Blish’s The Star Dwellers.
When I read Blish’s 1961 novel as a pre-teen in the early 1960s, I came to understand for the first time key insights about voluntary consent and mutual exchange for profit as the best foundation for peace and progress.
Now a finalist for the next Prometheus Hall of Fame award for Best Classic Fiction, The Star Dwellers is a young-adult-oriented science fiction novel that revolves around a fraught “second contact” between star-faring humans and an ancient, advanced alien species.
Size matters – or at least it can make a big difference, in helping a novel to achieve greater dramatic impact in its scope, depth, narrative complexity and emotional power.
Quite a few longer novels have been recognized by the Prometheus Awards over the past 47 years, whether as nominees, finalists or winners – from J.R.R. Tolkien’s The Lord of the Rings, Neal Stephenson’s Cryptonomicon and Ayn Rand’s Atlas Shrugged to the recent nomination of Sarah Hoyt’s three-volume No Mans Land for the next Prometheus Award for Best Novel.
The three classic and epic works by Tolkien, Stephenson and Rand rank No. 1, 2 and 3 in page length in the history of the Prometheus Awards – as detailed in previous Prometheus Blog articles about the three bestselling winners and No Man’s Land.
So what are all the Prometheus-recognized novels and their ranks in page lengths on our top-12 list?
Of the many novels that have won a Prometheus Award over the past 47 years and are still widely read today, a notable few have done so with the help of their longer length and epic scale.
From J.R.R. Tolkien’s The Lord of the Rings to Neal Stephenson’s Cryptonomicon and Ayn Rand’s Atlas Shrugged, size does matter in literature.
Or at least size can significantly enhance a novel, if the writers are experts and at the top of their game. If well-structured, well-paced and compelling enough to sustain the reader’s interest, longer novels can attract and retain the reader’s interest even through hundreds of pages.
When Libertarian Futurist Society leaders added Young Adult (YA) fiction as an additional category of pro-freedom fantastical fiction that might be recognized with a Special Prometheus Award, quite a few worthy YA works already had won a Prometheus Award.
That’s why the LFS also set up a Prometheus Award Young Adult Honor Roll at the same time – a list that parents, grandparents and others should be aware of when choosing presents for the holidays or birthdays.
After all, what better present for a child or teenager than a good book?
Did you know that Ayn Rand’s Anthem has been adapted into a graphic novel?
If so, did you realize that Rand’s Prometheus-winning ode to individualism, freedom and the rediscovery of the self has actually been adapted twice – with two different graphic novels? (I didn’t.)
The first one was published in 2011; and the second, in 2018. Together, the two versions reflect the continuing appeal and relevance of one of Rand’s earliest works.
Both are interesting to read – and to compare.
Fans of Ayn Rand, a two-time Prometheus Award-winner, can now appreciate some of her earliest-published fiction through the visually striking and fresh perspective of graphic novels.
The Atlas Society, a nonprofit organization promoting Ayn Rand’s fiction and philosophy, has launched an ambitious long-range project: to commission and create graphic novels of Rand’s stories, screenplays and other fictional works as they fall out of copyright and become available for fresh interpretations.
First up was the Society’s graphic novel of Rand’s poetic dystopian novella Anthem, followed by adaptations of Rand’s early screenplays into Red Pawn and Top Secret.
TOP SECRET: THE GRAPHIC NOVEL
Published most recently, Top Secret: The Graphic Novel is based on Rand’s screenplay for a movie about the making of the atomic bomb. The graphic novel adapts Rand’s 16-page outline from Jan. 19, 1946. Continue reading First Anthem, then Red Pawn and Top Secret: Atlas Society publishing graphic novels of Rand’s shorter fiction
Not all literary works that win major awards continue to be widely read and influential, years or decades later. Yet, from Orwell’s Nineteen Eighty-Four to Hans Christian Andersen’s “The Emperor’s New Clothes,” those that do are worth noting, for they often reflect important aspects of our era’s intellectual currents and popular culture.
In that context, the number of Prometheus-winning works that commonly are referenced by prominent columnists, essayists and authors continues to be impressive.
Of the more than 100 novels, stories, films and other works of fantastical fiction that have won a Prometheus award for Best Novel or Best Classic Fiction (our Hall of Fame) since the first prize was presented in 1979, more than a dozen are written about frequently in magazines, newspapers, Substack columns, books or referenced in movies, plays and other realms of popular culture.
Among the many Prometheus-winning authors most commonly written about – sometimes with a purely literary focus but more often used as resonant reference points for 21st century commentary – are George Orwell, Ray Bradbury, Kurt Vonnegut, Ayn Rand, J.RR. Tolkien, Neal Stephenson and Hans Christian Andersen.
Libertarian Futurist Society president William H. Stoddard emceed the 45th Prometheus Awards and introduced the Prometheus Hall of Fame category for Best Classic Fiction, which was presented by libertarian luminary and Prometheus-nominated fantasy novelist David Friedman.
The August 30, 2025 awards ceremony, presented live via Zoom on August 30, 2025, was recorded and later posted on Youtube. Here is the text of Stoddard’s speech:
The Prometheus Hall of Fame award was established in 1983.
Initially we gave it to two classic works of libertarian science fiction each year. Our first two winners were virtually inevitable choices: Robert A. Heinlein’s The Moon Is a Harsh Mistress, the book that established libertarian science fiction as a recognized genre, and Ayn Rand’s Atlas Shrugged, the fictional treatment of libertarian ideas that brought large numbers of people into what became the libertarian movement.
The next year’s award went to two classic dystopias, George Orwell’s 1984 and Ray Bradbury’s Fahrenheit 451.
Since then we’ve settled down to one winner a year, and opened the award not merely to novels but to work in any narrative or dramatic form. Such works become eligible 20 years after their original publication.
To present this year’s award, we have the honor of having David Friedman as a guest speaker.
One of the most exciting and promising Libertarian Futurist Society outreach projects in years is our new Prometheus Awards Collection for Libraries.
The ambitious project offers a carefully curated selection of Prometheus-winning novels to be donated and mailed to interested libraries across the country upon their request.
The set of brand-new books was chosen to expand the range and variety of notable and acclaimed science fiction on library shelves across the country – especially to aid smaller libraries, which may have more limited resources.
Continue reading Introducing the Prometheus Awards Collection for Libraries
