Rising up against universal surveillance and the imperial state: Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.

Here is an Appreciation for Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

In “Sam Hall,” published in 1953 in Astounding Science Fiction, Poul Anderson offers one of the earlier visions of a dystopian possibility based on the computers that had been invented only a few years before: a society with ubiquitous surveillance.

This is our age’s version of the panopticon described by Jeremy Bentham – one not confined to local sites such as prisons, but having an entire nation, or an entire planet, in its view. Anderson’s vision of computer technology is primitive, with a gigantic machine in a central government office that receives and stores information on punched cards. It has no hint of artificial intelligence, or of the ability to interpret voice or vision. But the job he sees it as doing is still the stuff of our nightmares.

Continue reading Rising up against universal surveillance and the imperial state: Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.

Prometheus winner Barry Longyear, Reason magazine editors, and LFS president to discuss book publishing trends, sf, liberty and the libertarian movement on Zoom panel at 2021 awards ceremony

How is technology expanding book publishing and alternative fiction, a trend reflected more strongly than ever in this year’s slate of Best Novel finalists for the Prometheus Award?

What’s the historic relationship among science fiction, liberty and the libertarian movement-and is that changing?

What are the challenges and pitfalls of balancing artistic merit in fiction and awards with ideology and positive social values?

Barry B. Longyear (Courtesy of author)

How do this year’s Prometheus winners – Longyear’s The Hook and F. Paul Wilson’s satirical story “Lipidleggin’” – explore the value of individual freedom and human rights, champion cooperation over coercion, dramatize the perennial tensions between liberty and power and/or expose the evils of tyranny, slavery and other abuses of unchecked government power?

All these questions will be discussed Saturday afternoon Aug. 21 during the 41st annual Prometheus Awards ceremony in a free post-ceremony Zoom panel discussion, with Reason magazine as media sponsor.

Reason editor-in-chief Katherine Mangu-Ward and Reason book editor Jesse Walker will join award-winning author Barry B. Longyear and Libertarian Futurist Society president William H. Stoddard in the post-ceremony panel discussion (for free access, see Zoom link below) on “SF, Liberty, Alternative Publishing Trends and the Prometheus Awards.”

Continue reading Prometheus winner Barry Longyear, Reason magazine editors, and LFS president to discuss book publishing trends, sf, liberty and the libertarian movement on Zoom panel at 2021 awards ceremony

Egalitarianism taken to coercive extremes in attacks on excellence: Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as anti-authoritarian or pro-freedom, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.

Here is an Appreciation for Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg
The government’s Handicapper General enforces new constitutional amendments mandating that no one can be stupider, uglier, weaker, slower – or in any way better – than anyone else.

To enforce this authoritarian and radical egalitarian edict, perfectly capable people are forced to accept and wear various disabling devices that handicap their capabilities and basic humanity.

Leave it to the great American novelist Kurt Vonnegut Jr. to come up with such a classic cautionary fable about a dystopian future in the United States in which coercive egalitarianism – a close cousin of progressivism – is taken to such radical and inhuman extremes in a perverse authoritarian revolt against personal excellence.

Continue reading Egalitarianism taken to coercive extremes in attacks on excellence: Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner

Robots, liberty and the tyranny of “benevolence”: Jack Williamson’s novelette “With Folded Hands…,” the 2018 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.

Here is an Appreciation for Jack Williamson’s “With Folded Hands…,” the 2018 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

Jack Williamson’s novelette “With Folded Hands . . .” illustrates one of the distinctive characteristics of science fiction: its tendency to a kind of dialogue, in which one author’s stories comment on earlier stories by other authors. (Poul Anderson was noteworthy for this kind of writing, in stories such as “Journeys End,” which offered a different view of relationships between telepaths, and “The Man Who Came Early,” which questioned the assumptions of “castaways in time” stories such as Lest Darkness Fall.)

In 1947, when Williamson’s novelette appeared in Astounding Science Fiction, the idea of essentially benevolent robots was well established there; Isaac Asimov’s Three Laws of Robotics (which Astounding’s editor, John W. Campbell, played a part in formulating) had been explicitly stated in Asimov’s novelette “Runaround” five years before, in 1942. What Williamson did was not to revert to the older theme of monstrous and hostile robots (which Asimov had called “the Frankenstein complex”), but to look at Asimov’s own vision of robots from a different angle.

Continue reading Robots, liberty and the tyranny of “benevolence”: Jack Williamson’s novelette “With Folded Hands…,” the 2018 Prometheus Hall of Fame winner

Self-discovery, crime, law, anarchy and the social compact: Robert Heinlein’s Coventry, the 2017 Prometheus Hall of Fame winner

Here’s the Prometheus Blog appreciation for Robert Heinlein’s Coventry, the 2017 Prometheus Hall of Fame winner for Best Classic Fiction:

By Michael Grossberg and Jesse Markowitz

What is the ideal society? Is utopia even possible?

How close has the United States come to an ideal society, even with the inevitable flaws that beset every country and culture?

These are among the perennial questions explored and dramatized in Robert Heinlein’s classic story Coventry.

Related questions also emerge: How do you build a utopia and who do you build it for? Is it possible, fair and just to build a utopian alternative for some, but not for others?

Continue reading Self-discovery, crime, law, anarchy and the social compact: Robert Heinlein’s Coventry, the 2017 Prometheus Hall of Fame winner

A great and logical heterotopia, with libertarian insights into optimization: Donald Kingsbury’s Courtship Rite, the 2016 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Donald Kingsbury’s Courtship Rite, the 2016 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

As an opening epigraph in Glory Road, Robert Heinlein quotes some lines by Bernard Shaw that include the sentence “He is a barbarian, and thinks the customs of his tribe and island are the laws of nature.” One of the things science fiction can do for its readers is to jar us out of such complacency, by portraying worlds with customs other than ours – not utopias or dystopias, but heterotopias, “other places.” Donald M. Kingsbury’s Courtship Rite is one of the great heterotopias.

Continue reading A great and logical heterotopia, with libertarian insights into optimization: Donald Kingsbury’s Courtship Rite, the 2016 Prometheus Hall of Fame winner

Prometheus laureate Victor Koman inaugurates The Agorist Archives of Samuel Edward Konkin III

Prometheus-winning author and scholar Victor Koman is leading a new project to digitize the papers and publications of Samuel Edward Konkin III (SEK3) for posterity.

Konkin, a libertarian philosopher and activist who led the “agorist” wing of the libertarian movement in the 1970s and 1980s, influenced quite a few libertarians and libertarian science fiction writers, such as the Prometheus Award winners J. Neil Schulman, Brad Linaweaver and Koman himself.

Sam Konkin at a convention. Photo by Victor Koman

 

Continue reading Prometheus laureate Victor Koman inaugurates The Agorist Archives of Samuel Edward Konkin III

Best Novel finalist authors gather for podcast discussing sf, fandom, publishing and the Prometheus Award

The authors of this year’s Prometheus Award finalists for Best Novel recently gathered for an online chat, which has now been posted publicly on the Eigenrobot podcast.

Sf writers Mackey Chandler, Karl K. Gallagher, Barry Longyear, Marc Stiegler, and Dennis E. Taylor discussed a wide variety of topics in their podcast – including the publishing industry, fandom, changes in science fiction, and the history of the Prometheus Award.

Continue reading Best Novel finalist authors gather for podcast discussing sf, fandom, publishing and the Prometheus Award

Big Heinlein sale at Arc Manor

 

There’s a big sale of Heinlein books going on from the folks at Arc Manor.

You can pay anything you want for The Number of the Beast (even free), and the new alternative version of the novel, The Pursuit of the Pankera (preferred by many Heinlein fans) is offered at a sale price of $5.99, instead of the  usual $9.99. (The paper versions of Pankera also are on sale for a big discount).

Continue reading Big Heinlein sale at Arc Manor

Sarah Hoyt pens new ‘Barbarella’

Sarah Hoyt, who won the Prometheus Award in 2011 for Darkship Thieves, has been hired to pen a new series of “Barbarella” comic books. Here is one of the articles (we were a little late in noticing):

“Barbarella is returning to comics with a new creative force.

“Dynamite Entertainment announced Friday that author Sarah Hoyt will write an upcoming Barbarella series with artist Madibek Musabekov, colorist Ivan Nunes and letterer Carlos Mangual. Hoyt is the writer of thirty-four novels ranging from science fiction, fantasy, mystery and more, including the fan-favorite Darkship Thieves.

More here. 

Issue No. 1 is out July 14; you can preorder the Kindle on Amazon. 

Continue reading Sarah Hoyt pens new ‘Barbarella’