Category: Appreciations

Pioneering anthology about the promise of liberty, perils of tyranny: The Survival of Freedom, the 2001 Prometheus Hall of Fame winner

Here’s the Prometheus Blog Appreciation for The Survival of Freedom, edited by Jerry Pournelle and John F. Carr, the 2001 Prometheus Hall of Fame winner:

By Michael Grossberg

The Survival of Freedom was one of the first sf anthologies to explore the future of liberty.

It also has the distinction of being the first (and so far, only) anthology to be inducted (in 2001) into the Prometheus Hall of Fame. This broad awards category for classic fiction is open to any works first published, broadcast or staged more than 20 years ago and encompasses many types of fiction – including but not limited to novels, novellas, stories, plays, poems, songs, musicals, films, TV episodes, series, trilogies and anthologies.

Edited by Jerry Pournelle and John F. Carr, the 1981 anthology of stories and essays is notable for its wide-ranging and sometimes surprising collection of material.

Continue reading Pioneering anthology about the promise of liberty, perils of tyranny: The Survival of Freedom, the 2001 Prometheus Hall of Fame winner

Speaking truth to power: Hans Christian Andersen’s “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation for Hans Christian Andersen’s fable “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner for Best Classic Fiction:

By Michael Grossberg

It’s not just for kids.

Nor is Hans Christian Andersen’s “The Emperor’s New Clothes” merely another children’s fable.

Few stories have resonated so deeply with all ages for so many generations that they become an integral part of international culture.

This sly libertarian fable has become so emblematic in folk wisdom that it’s inspired a common catchphrase: “The emperor has no clothes.”

Continue reading Speaking truth to power: Hans Christian Andersen’s “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner

A bold thought experiment about a just society: H. Beam Piper & John McGuire’s A Planet For Texans, the 1999 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of H. Beam Piper and John McGuire’s A Planet for Texans (aka Lone Star Planet), inducted in 1999 into the Prometheus Hall of Fame for Best Classic Fiction.

By Eric S. Raymond

In 2021, H. Beam Piper’s 1957 novel A Planet For Texans (co-written with John McGuire) can seem like little more than an appealing and rather lightweight adventure romp.

That’s because today we read it already having a good idea of what a libertarian minarchy would be like, and Piper’s New Texas seems like another exercise in familiar tropes.

In 1957 it was something much more, a bold and even shocking thought experiment – because it was among the very first works to propose that what we now think of as a libertarian minarchy would not immediately degenerate into a Hobbesian war against all, but could in fact be a stable and just society.

Continue reading A bold thought experiment about a just society: H. Beam Piper & John McGuire’s A Planet For Texans, the 1999 Prometheus Hall of Fame winner

Love, liberty, longevity and Lazarus Long: Robert Heinlein’s Time Enough for Love, the 1998 Prometheus Hall of Fame winner

Here’s the Prometheus Blog Appreciation of Robert Heinlein’s Time Enough for Love, inducted into the 1998 Prometheus Hall of Fame for Best Classic Fiction.

By Michael Grossberg

Who has time enough for Time Enough for Love?
For starters, fans of Robert Heinlein do – despite the epic novel’s length.

So do freedom-lovers who understand that freedom itself is a necessary (but not sufficient) prerequisite for human flourishing, human happiness and the fulfillment possible in life largely through love, family, creativity and achievement.

Continue reading Love, liberty, longevity and Lazarus Long: Robert Heinlein’s Time Enough for Love, the 1998 Prometheus Hall of Fame winner

There and back again: Robert Heinlein’s Methuselah’s Children, the 1997 Prometheus Hall of Fame winner

As part of the Libertarian Futurist Society series making clear why each Prometheus winner deserves recognition as a pro-freedom work of fantastical fiction, here’s our Appreciation of Robert Heinlein’s Methuselah’s Children, inducted in 1997 into the Prometheus Hall of Fame for Best Classic Fiction.

By Anders Monsen

Robert A. Heinlein stands as an unrivaled Titan of libertarian science fiction. His influence runs deep, from the many of the writers recognized by the Libertarian Futurist Society’s Prometheus and Prometheus Hall of Fame awards, to the LFS members who’ve awarded Heinlein’s works multiple times, as well as this writer.

I still remember when I encountered for the first time such novels as The Puppet Masters, The Moon is a Harsh Mistress, Red Planet, Podkayne of Mars, as well as short stories like “Coventry,” “The Unpleasant Profession of Jonathan Hoag,” “The Man Who Sold the Moon,” and “Waldo,” to name just a few.

Methuselah’s Children, inducted by the LFS in 1997 into the Prometheus Hall of Fame, is a short novel by today’s standards, yet it manages to squeeze multiple plots and ideas into just over 150 pages.

Continue reading There and back again: Robert Heinlein’s Methuselah’s Children, the 1997 Prometheus Hall of Fame winner

An early “juvie” adventure in liberty on Wild West Mars: Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner

As part of the Libertarian Futurist Society Appreciation series of past award-winners, here is our Appreciation for Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner:

By Anders Monsen

Many of Robert Heinlein’s novels featuring children have been lumped together and called “juvies” (or juveniles), as if they are children’s books. But, just like many Disney or Pixar animated movies, there are aspects of these works that go over the heads of a younger audience, whether those teens read the books as they first were published in the 1940s or 1950s, or whether they’re read today.

Red Planet, first published in 1949, is significant in terms of Heinlein’s bibliography, both as being one of the earliest juvies, and also because it introduces elements of Martian mythology that later appeared in Stranger in a Strange Land .

Ostensibly an adventure story centered around two boys on the run from an oppressive schoolmaster and conniving colony governor on Mars, Red Planet has two other themes or threads that elevate the novel beyond an adventure story. And make no mistake, this is written as an adventure story, with trials and tribulations that propel the action, for both the young and adult characters.

Continue reading An early “juvie” adventure in liberty on Wild West Mars: Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner

War, appeasement, and possibly the first gay alien in sf: Poul Anderson’s The Star Fox, the 1995 Prometheus Hall of Fame winner

To celebrate the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a pro-freedom work, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.
Here’s our appreciation for Poul Anderson’s The Star Fox, the 1995 Prometheus Hall of Fame winner:

By Michael Grossberg

War and appeasement are central subjects in Poul Anderson’s The Star Fox, a space adventure that includes what may be the first gay alien in sf literature.

Set in an interstellar human future with the narrative laced with songs in different languages, the 1965 novel explores the challenges of surviving and fighting an alien occupation of one of Earth’s first extra-solar space colonies.

The inventive narrative centers on Gunnar Heim, a patriotic human man and ex-Navy space captain striving as a pioneer to build a civilized society on an unusual new planet full of walking forests and haunted by surreal citizens.

Continue reading War, appeasement, and possibly the first gay alien in sf: Poul Anderson’s The Star Fox, the 1995 Prometheus Hall of Fame winner

A dystopian landmark & cautionary tale about the Russian Revolution’s murderous consequences: Yevgeny Zamyatin’s pioneering We, the 1994 Prometheus Hall of Fame winner

To celebrate the Prometheus Awards’ four-decade history, the Libertarian Futurist Society is publishing Appreciations of all past award-winners, that make clear why each winner deserves our recognition as pro-freedom.
Here is our Appreciation for Yevgeny Zamyatin’s We, the 1994 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg

We imagines a world of repressive conformity and stagnant stasis within a totalitarian State.

With his landmark novel Russian writer Yevgeny Zamyatin bravely pioneered and imagined what later came to be known as dystopian literature.

For better and worse, that dark and cautionary new genre was inspired by the millions of innocent people whose lives were destroyed by the Russian Revolution under Lenin’s communism. The genre took on even more moral weight after the world witnessed the horrors of all the other statist-collectivist variants (from socialism to national socialism and fascism) whose authoritarian excesses and violent extremes of dictatorship, war, famine, poverty and social collapse so brutally marked and disfigured the 20thcentury.

We, written in 1920-1921 by the Russian writer and first published in English translation in 1924 in New York, was so critical of collectivist authoritarianism that it wasn’t published in the Soviet Union until 1988, when the era of glasnost led to its first appearance with George Orwell’s Nineteen Eighty-Four. A year later, the two dystopian novels were published together in a combined edition.

Continue reading A dystopian landmark & cautionary tale about the Russian Revolution’s murderous consequences: Yevgeny Zamyatin’s pioneering We, the 1994 Prometheus Hall of Fame winner

“Propertarians,” anarchism, socialism and ambiguous utopias: Ursula K. Le Guin’s The Dispossessed, the 1993 Prometheus Hall of Fame winner for Best Classic Fiction

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom work, the Libertarian Futurist Society began publishing in 2019 an Appreciation series of all past award-winners.

Here’s an Appreciation of Ursula K. Le Guin’s The Dispossessed, the 1993 inductee into the Prometheus Hall of Fame for Best Classic Fiction (and perhaps the most controversial work to ever be inducted into the Hall of Fame.)

By Michael Grossberg
Two alleged utopias are explored and contrasted in The Dispossessed, Ursula K. Le Guin’s 1974 novel about a rebel who leaves one world for the other.

As befits any intelligent observer of the 20th and 21st century who must take into account the emergence of dystopian fiction as a major subgenre in response to the authoritarian and collectivist horrors of socialism, communism, national socialism and fascism in Russia, China, Germany, Italy and elsewhere, Le Guin underlines her complex theme by subtitling her novel “An Ambiguous Utopia.”

Continue reading “Propertarians,” anarchism, socialism and ambiguous utopias: Ursula K. Le Guin’s The Dispossessed, the 1993 Prometheus Hall of Fame winner for Best Classic Fiction

The rise of the Therapeutic State: Ira Levin’s This Perfect Day, the 1992 Prometheus Hall of Fame winner

To make clear why each winner deserves recognition as a pro-freedom work, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners. Here’s our appreciation for Ira Levin’s This Perfect Day, the 1992 Prometheus Hall of Fame winner:

By Michael Grossberg

Bestselling novelist Ira Levin may be best remembered for genre novels and plays adapted into quite a few popular movies.

Among them: Rosemary’s Baby (modern horror), The Stepford Wives (satirical feminist horror-fantasy), The Boys from Brazil (conspiratorial political-spi medical-genetics thriller), A Kiss Before Dying (romantic crime drama), and Deathtrap (mystery-comedy), his long-running Broadway play.

Yet, one of Levin’s least-known novels, This Perfect Day, may rank among his best. (It’s also one of the few Levin novels left that hasn’t yet been adapted into a Hollywood movie. Hint, hint….)

Continue reading The rise of the Therapeutic State: Ira Levin’s This Perfect Day, the 1992 Prometheus Hall of Fame winner