Category: Selected Reviews

Hall of Fame finalist review: Charles Stross’ Singularity Sky offers cornucopia of cutting-edge SF and libertarian themes

By Michael Grossberg

Although published more than two decades ago, Singularity Sky (Ace Books, 2003) still feels fresh and brilliant in its cutting-edge SF and explicitly libertarian vision.

A strong write-in candidate for Best Novel in the year it was first published more than two decades ago, Singularity Sky has been nominated for the first time for the Prometheus Hall of Fame for Best Classic Fiction.

Fabulously inventive and sophisticated in its cornucopia of world-building, Stross’ widely acclaimed first novel successively introduces a wild variety of clashing cultures, divergent interests, hidden motives and compelling characters. Although some story elements might seem fanciful or within the realm of fantasy, all are ultimately rooted in plausible science fiction.

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Hall of Fame finalist review: “The Trees,” a fantasy-themed rock song by Rush, resonates as cautionary tale

By Michael Grossberg

Even though they’re eligible for nomination, no songs have ever been inducted into the Prometheus Hall of Fame.

Neal Peart, Rush drummer and songwriter of “The Trees.” Credit: Creative Commons

I can’t imagine a good song more deserving of that honor, and that fits the distinctive focus of the Prometheus Awards better, than “The Trees,” a 1978 song by the Canadian rock group Rush.

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Best Novel finalist review: Karl K. Gallagher’s Swim Among the People dramatizes heroic planetary resistance to an insidious totalitarian interstellar empire

By William H. Stoddard

Swim among the People, a 2024 Prometheus Best Novel finalist, is the fifth of six (so far) volumes in Karl K. Gallagher’s science fiction series The Fall of the Censorate.

The series as a whole begins when a merchant starship from a long isolated cluster of solar systems discovers a new route through hyperspace that leads to a much larger interstellar human civilization.

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Comedy, coming of age and forging freedom high above a gas-giant: An Appreciation of Dave Freer’s Cloud-Castles, the 2023 Prometheus Best Novel winner

By Michael Grossberg

Few Prometheus Award winners are as much fun to read as Cloud-Castles.

The 2023 Prometheus Awards plaque and gold coin


Zestful and often funny but also imaginative and insightful in its visions of freedom, Dave Freer’s often satirical coming-of-age novel deservedly won the 2023 Best Novel award for its entertaining blend of adventure, comedy, sci-fi,  likable characters and nifty world-building.

The novel’s settings, distinctive and ingenious, offer ripe possibilities for varied, cross-cultural exploration of different human and alien environments. And Freer delivers.

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Best Novel finalist review: Devon Eriksen’s Theft of Fire blends hard SF, romance, suspense and comedy in story of conflict and cooperation

By Eric S. Raymond and Michael Grossberg

For a first novel, Theft of Fire is impressive.

Devon Eriksen is one hell of an SF writer. His prose is tight and energetic, his action scenes work and his world-building is more than competent.

Billed as the first novel in Eriksen’s Orbital Space series and nominated for the next Prometheus Award for Best Novel, this hard-sf space opera portrays a free-frontier space culture where big risks can lead to big rewards.

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Best Novel finalist review: Howard Andrew Jones’ Lord of a Shattered Land offers epic sword-and-sorcery saga with anti-slavery, anti-tyranny, pro-liberty themes

“Howard Andrew Jones is the leading Sword & Sorcery author of the 21st century… His Lord of a Shattered Land is his best work yet… It’s a magnificent achievement, destined to become a modern classic.”
— John O’Neill, World Fantasy Award-winning publisher of Black Gate

By Michael Grossberg

I admit I generally don’t enjoy fantasy as much as science fiction, but I loved Lord of a Shattered Land, one of the best sword-and-sorcery sagas I’ve read.

Howard Andrew Jones’s epic fantasy, published by Baen Books and one of 17 nominees for the next Prometheus Award for Best Novel, tells a gripping tale that powerfully and emotionally evokes the evils of slavery and tyranny and the passionate, unquenchable desire of people to be free.

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Review: The pros and cons of “libertarian” seasteading communities in Naomi Kritzer’s Liberty’s Daughter

By Michael Grossberg

It’s nice to see more sf writers exploring various visions of a fully free future – even writers who aren’t avowed libertarians.

Case in point: Naomi Kritzer, whose Liberty’s Daughter (published by Fairwood Press) is one of 17 diverse 2023 works nominated for the next Prometheus Award for Best Novel.

Well-written and well-paced, with believable characters, an interesting plot and setting and a controversial theme, Liberty’s Daughter explores the drawbacks and benefits of a constellation of linked seasteading communities, most set up with libertarian rationales.

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A Study in Subtexts: Freedom, slavery and control in Prometheus winner Lois McMaster Bujold’s Sharing Knife series

“What Bujold has done is to come up with a concept of an aristocratic society that isn’t based on coercion — and from a libertarian perspective, that’s an interesting and novel theme.”

By William H. Stoddard

After bringing the Vorkosigan series (including Prometheus Hall of Fame winner Falling Free) to an apparent conclusion, Lois McMaster Bujold turned to fantasy in two series: the loosely connected World of the Five Gods novels, and the Sharing Knife series, an actual tetralogy.

Lois McMaster Bujold (Photo by Kyle Cassidy; Creative Commons license)

Both are set in invented worlds, where real-world political issues don’t arise, sparing the reader the sort of heavy-handed allegory that J.R.R. Tolkien famously objected to.

No book in either series was ever considered for a Prometheus Award. Indeed, the Sharing Knife series started out as a love story, seemingly reflected Bujold’s acknowledged fondness for authors such as Georgette Heyer. But having read it several times since its publication, I’ve come to feel that it has less obvious depths, some of which are potentially of interest to members of the Libertarian Futurist Society.

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Review: Lionel Shriver’s alternate-reality novel Should We Stay or Should We Go highlights how government paternalism, NHS bureaucracy, runaway inflation and other statist disasters make end-of-life decisions worse

Here’s a review of Lionel Shriver’s Should We Stay Or Should We Go, which became a Prometheus Best Novel finalist:

By Michael Grossberg
Life, aging and death are difficult enough for most people to deal with, even when we strive to think and plan ahead and make the best choices we can about our senior years – including the possibilities of assisted living and even euthanasia.

Exploring those increasingly vital and common 21st-century issues in her kaleidoscopic 2021 novel Should We Stay or Should We Go, shrewd contrarian British novelist Lionel Shriver underscores how much worse the outcomes can be when oppressive laws, obtrusive welfare-state bureaucracy, socialized health care, forced medication, involuntary hospitalization, virtual imprisonment, anti-suicide laws, other bad government policies, abuses of power and even today’s dangerous trends of exploding federal debt and rising monetary inflation can damage lives further while undermining our ability to make our own decisions about end-of-life matters.

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Galactic intrigue and how markets can reduce inequality and bigotry: An Appreciation of F. Paul Wilson’s Wheels within Wheels, the first Prometheus award winner in 1979

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.
Here’s the first Appreciation for F. Paul Wilson’s Wheels within Wheels, which won the first Prometheus Award in 1979.
At the end, we also include a few recent comments by Wilson, looking back 40 years at the very-different era and context in which he wrote his novel.

By Michael Grossberg
   An sf murder mystery hailed by the Library Journal for its “cleverly planted clues” and “all the satisfaction of a good Agatha Christie,” this 1978 novel was the first work of fiction to receive the Prometheus Award, initially established by writer L. Neil Smith to recognize more libertarian sf fiction.

With the benefit of hindsight, looking back at Wilson’s work from the perspective of the 40thanniversary of the Prometheus Awards in 2019, one appreciates this novel even more as part of a fascinating larger whole: Wilson’s LaNague Federation series, set in an interstellar future in which an imperialist central State is toppled by a decentralized libertarian social order that unleashes an era of peace, prosperity, progress and broad respect for individual rights.

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