Why we post articles about references in popular culture to Prometheus-winning classics, from Orwell’s 1984 to Anderson’s “The Emperor’s New Clothes”


By Michael Grossberg

Not all literary works that win major awards continue to be widely read and influential, years or decades later. Yet, from Orwell’s Nineteen Eighty-Four to Hans Christian Andersen’s “The Emperor’s New Clothes,” those that do are worth noting, for they often reflect important aspects of our era’s intellectual currents and popular culture.

In that context, the number of Prometheus-winning works that commonly are referenced by prominent columnists, essayists and authors continues to be impressive.

Of the more than 100 novels, stories, films and other works of fantastical fiction that have won a Prometheus award for Best Novel or Best Classic Fiction (our Hall of Fame) since the first prize was presented in 1979, more than a dozen are written about frequently in magazines, newspapers, Substack columns, books or referenced in movies, plays and other realms of popular culture.

Among the many Prometheus-winning authors most commonly written about – sometimes with a purely literary focus but more often used as resonant reference points for 21st century commentary – are George Orwell, Ray Bradbury, Kurt Vonnegut, Ayn Rand, J.RR. Tolkien, Neal Stephenson and Hans Christian Andersen.

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The Special Prometheus Award for YA fiction isn’t well-known yet, but that could change with the nomination of Dave Freer’s Storm-Dragon


By Michael Grossberg

Many publishers and authors may not be aware of the newest category of Special Prometheus Awards, set up to recognize Young Adult (YA) fiction. Even some Libertarian Futurist Society members may be unaware of the award, only added as a possibility a few years ago.

Yet, that could be about to change, with the recent nomination of Dave Freer’s YA novel Storm-Dragon for a Special Award.

Continue reading The Special Prometheus Award for YA fiction isn’t well-known yet, but that could change with the nomination of Dave Freer’s Storm-Dragon


The newest Prometheus Award: A Special Award for Young Adult fiction – and why it’s important to encourage younger generations to read books

By Michael Grossberg

Did you know that Young Adult novels are eligible for a Special Prometheus Award?

In the broad realm of fantastical fiction, Young-Adult or YA novels have had and continue to have a special and honored place.

Just recall how much of the Golden Age of modern SF was YA books for teenagers or so-called “juvenile fiction” for children or middle-grade readers, including many of Robert Heinlein’s early bestsellers, such as Citizen of the Galaxy or Red Planet, both inducted into the Prometheus Hall of Fame for Best Classic Fiction.

That’s a key reason why the Libertarian Futurist Society decided several years ago to set up a process to begin recognizing eligible and worthy YA novels with a Special Prometheus Award – and why we invite our members, as well as publishers and authors, to bring eligible YA works to our attention.

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What leading libertarian theorist and novelist David Friedman thinks of Lois McMaster Bujold, L. Neil Smith, J. Neil Schulman, Robert Heinlein and other Prometheus-winning authors


By Michael Grossberg

David Friedman (Creative Commons license)

David Friedman, a guest presenter at the 45th Prometheus Awards show, is a regular reader of science fiction and fantasy – and the prominent economist and leading libertarian theorist has been influenced in his thinking by several Prometheus-winning authors.

So it’s interesting to hear Friedman’s views on a variety of sf/fantasy writers, which he shared in response to questions at the end of the Aug. 30, 2025, awards ceremony.

In addition to Poul Anderson (the 2025 Hall of Fame winner for Orion Shall Rise), Robert Heinlein, Jerry Pournelle and Vernor Vinge (Prometheus-winning writers that Friedman discussed during his main speech), Friedman offered comments and insights on the novels of Prometheus winners Lois McMaster Bujold, L. Neil Smith, J. Neil Schulman, C.J. Cherryh (highlighted in a previous blog), Heinlein and other sf/fantasy writers.

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Sequels, part 11: Unlike literary sequels, movie sequels and genre films don’t get as much respect at the Oscars, but that may be changing


By Michael Grossberg

Movie sequels seem to be more common and more popular than ever in the 21st century, often dominating at the box office. Yet, they just don’t get as much respect or awards recognition as literary sequels.

Far fewer sequels have won Academy Awards than have been recognized by science fiction and fantasy’s Hugo and Prometheus awards.

Just consider how few movie sequels have won the Oscar for Best Picture compared to how often sequel novels win a top SF/fantasy award.

Within the 46-year history of the Prometheus Awards, 194 of the 505 novels nominated within the Best Novel category have been sequels – and 11 have gone on to win.

Meanwhile, as recently reported here, nine sequel novels have won the Best Novel category in the 72-year history of the Hugo Awards, voted by members of the World Science Fiction Society and presented annually at the Worldcon.

Yet, in the 97 years that the Academy Awards have been presented, only two movie sequels have won Best Picture: The Godfather Part II and The Lord of the Rings: The Return of the King.

Intriguingly, both movies were key parts of the only trilogies or series to have three films nominated for Best Picture, perhaps partly reflecting the stature and impact of the overall effort.

And perhaps coincidentally, both movies dramatize libertarian and classical-liberal themes about the temptations and abuses of power.

Continue reading Sequels, part 11: Unlike literary sequels, movie sequels and genre films don’t get as much respect at the Oscars, but that may be changing


Sequels, part 10: Like the Prometheus Awards, the Hugo awards often recognize sequels – including many of the same novels and authors

By Michael Grossberg

Within the 46-year history of the Prometheus Awards, 194 of the 505 novels nominated within the Best Novel category have been sequels, as previously reported – and 11 have gone on to win. Yet, the Prometheus Awards are not the only science fiction awards that often recognize sequels.

Quite a few have been honored by the Hugo Awards, voted by members of the World Science Fiction Society and presented annually at Worldcons.

By my count, the Hugos have honored sequels nine times in the Best Novel category. Interestingly, quite a few of those authors also have been recognized in the Prometheus Awards – including Lois McMaster Bujold, Orson Scott Card, C.J. Cherryh and Vernor Vinge. In several cases, both awards have recognized writers for the same works.

This overview of such recognition reminds us of the frequent overlap between the Hugos and the Prometheus awards while shedding light on the popularity and appeal of sequels.

Continue reading Sequels, part 10: Like the Prometheus Awards, the Hugo awards often recognize sequels – including many of the same novels and authors

Sequels, part 9: By the numbers, Prometheus Awards history is full of Best Novel sequels

By Michael Grossberg

Throughout the 46-year history of the Prometheus Award, 505 novels have been nominated for Best Novel.

That’s a surprisingly large number, at least to me – and a cumulative total that I don’t believe has been calculated and reported before, or at least not in many years.

Yet, when I counted them up recently, I was even more surprised by the number of Best Novel nominees that turn out to be sequels. (Quite a few were hard to identify as sequels, by the way, until I researched each title – with some so obscure, and not immediately recognizable as sequels when nominated and read by Prometheus judges and LFS members, because many work fine as stand-alone stories without any obvious indications of previous works.)

Can you guess how many Best Novel nominees have been sequels?

Continue reading Sequels, part 9: By the numbers, Prometheus Awards history is full of Best Novel sequels

Big sale on F. Paul Wilson’s Prometheus-winning novel Sims

 

Sims, the 2004 Prometheus winner for Best Novel, is on sale.

The novel, by five-time Prometheus winner F. Paul Wilson, is available as an ebook for 90 percent off at both Amazon (for $1.99) and Bookbub (for $2).

One of Wilson’s most libertarian science fiction novels, Sims offers a cautionary tale about genetic engineering and the struggle of the sims, a genetically engineered cross between humans and champinees, for freedom and respect.

 His central question: Should genetically enhanced creatures be viewed as animals, to be owned, or as human, with basic rights?

Wilson explores such basic libertarian issues with gripping drama in this plausible, suspenseful and well-paced scientific thriller.

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Masterful social-scientific world-building in clash of cultures, including a libertarian society: An appreciation of Poul Anderson’s Orion Shall Rise, the 2025 Prometheus Hall of Fame winner


By William H. Stoddard

One of the things Poul Anderson was known for throughout his literary career was world-building. Much of this was planetary design, based on the natural sciences, in which he started out with stellar type, planetary mass, orbital radius, and elemental abundances and worked out the geology, meteorology, and biology of a world.

Poul Anderson (Creative Commons license)

Anderson was certainly one of the masters of this, up there with Hal Clement and Vernor Vinge. But he put equal effort into social scientific worldbuilding, creating economies, polities, and cultures, and developing plots for his stories from the conflicts they gave rise to. Orion Shall Rise, winner of the 2025 Prometheus Hall of Fame for Best Classic Fiction, is a nearly pure example of social scientific world-building, set not in a distant solar system but on a future Earth.

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An epic social novel about conflicts and threats to liberty on a multi-generation interstellar colony ship: An Appreciation of Michael Flynn’s In the Belly of the Whale, the 2025 Best Novel winner

By Michael Grossberg

In the Belly of the Whale, the 2025 Prometheus winner for Best Novel, was Michael Flynn’s last, posthumous novel and one of his richest and most resonant.

Exploring the complex lives, jobs, relationships, challenges and conflicts aboard a large colony ship two centuries into a projected eight-century voyage to Tau Ceti, the epic 472-page novel takes some time to fully introduce its large cast of characters among 40,000 people who live in the hollowed-out asteroid ship dubbed The Whale.

Yet, patience is amply rewarded with Flynn’s plausible and intricate world-building, deep insights into social psychology and wise grasp of human nature. 

In the Belly of the Whale, Flynn’s 14th and final novel, builds dramatic intensity coupled with rich and revelatory insights that freshen this seemingly familiar SF subgenre of the long colony-ship voyage. Flynn raises deeper questions than most SF writers, scientists or space-colonization enthusiasts have considered about the prospects and costs of such generations-long voyages.

Continue reading An epic social novel about conflicts and threats to liberty on a multi-generation interstellar colony ship: An Appreciation of Michael Flynn’s In the Belly of the Whale, the 2025 Best Novel winner