Video: Watch the 45th Prometheus Awards ceremony, with speeches by leading libertarian thinker David Friedman and tributes to the late Poul Anderson and Michael Flynn


How did Robert Heinlein’s The Moon is a Harsh Mistress give leading libertarian thinker David Friedman the radical idea that society can develop just laws and functional legal systems without government?

What life events, travels, famous scientists and space projects helped shape the late Poul Anderson’s 1983 novel Orion Shall Rise, the 2025 Prometheus Hall of Fame winner?

How did the late Michael Flynn’s childhood lead him to become an award-winning science fiction writer?

Why does Flynn’s CAEZIK SF & Fantasy publisher view him as one of the most underestimated sf writers of his generation?

What Prometheus-winning sf/fantasy authors rank high among Friedman’s favorites – and why?

To find out, watch the recorded YouTube video of the 45th Prometheus Awards ceremony:

Continue reading Video: Watch the 45th Prometheus Awards ceremony, with speeches by leading libertarian thinker David Friedman and tributes to the late Poul Anderson and Michael Flynn


Celebrating the 45th Prometheus Awards: LFS President William H. Stoddard’s speech introducing the Prometheus Hall of Fame and guest presenter David Friedman

Libertarian Futurist Society president William H. Stoddard emceed the 45th Prometheus Awards and introduced the Prometheus Hall of Fame category for Best Classic Fiction, which was presented by libertarian luminary and Prometheus-nominated fantasy novelist David Friedman.

LFS President William H. Stoddard (Photo by Carol Stoddard)

The August 30, 2025 awards ceremony, presented live via Zoom on August 30, 2025, was recorded and later posted on Youtube. Here is the text of Stoddard’s speech:

By William H. Stoddard

The Prometheus Hall of Fame award was established in 1983.

Initially we gave it to two classic works of libertarian science fiction each year. Our first two winners were virtually inevitable choices: Robert A. Heinlein’s The Moon Is a Harsh Mistress, the book that established libertarian science fiction as a recognized genre, and Ayn Rand’s Atlas Shrugged, the fictional treatment of libertarian ideas that brought large numbers of people into what became the libertarian movement.

The next year’s award went to two classic dystopias, George Orwell’s 1984 and Ray Bradbury’s Fahrenheit 451.

Since then we’ve settled down to one winner a year, and opened the award not merely to novels but to work in any narrative or dramatic form. Such works become eligible 20 years after their original publication.

To present this year’s award, we have the honor of having David Friedman as a guest speaker.

Continue reading Celebrating the 45th Prometheus Awards: LFS President William H. Stoddard’s speech introducing the Prometheus Hall of Fame and guest presenter David Friedman

Celebrating the 45th Prometheus Awards: Economist and novelist David Friedman on Anderson, Heinlein, Vinge and how science fiction influenced the development of his ideas



David D. Friedman added excitement and intellectual stimulation as the guest presenter at the 45th Prometheus Awards ceremony.

David Friedman (Photo provided by Friedman)

A leading libertarian theorist (The Machinery of Freedom), economist (Price Theory: An Intermediate Text) and law-and-economics professor (Law’s Order: What Economics Has to Do with Law and Why It Matters), David is also a Prometheus-nominated sf/fantasy novelist (Harald, Salamander, Brothers).

Friedman presented the Prometheus Hall of Fame category for Best Classic Fiction during the Aug. 30 ceremony. Here is the text of his speech, which followed an introduction by LFS President William (Bill) Stoddard.

By David D. Friedman

Bill mentioned my friend Vernor Vinge, who is in part responsible for my writing my second novel.

I described to him my idea for that and for the alternative, a sequel to my first novel (Harald, a 2007 Prometheus Best Novel nominee). He thought Salamander would more interesting, so I wrote it. He was right.

I thought I’d start by saying a little about what I’ve learned relevant to libertarianism from science fiction.

As some of you may know, Vernor’s story “The Ungoverned” (inducted in 1994 into the Prometheus Hall of Fame) is about a stateless society, modeled on my ideas, being invaded by an adjacent state.

Seeing that society through the eyes of a novelist rather than an economist showed me things about it that would not have occurred to me….

Continue reading Celebrating the 45th Prometheus Awards: Economist and novelist David Friedman on Anderson, Heinlein, Vinge and how science fiction influenced the development of his ideas



A libertarian lunar revolution in the making in James Bacon’s novel Dust Mites: The Siege of Airlock Three.


By Michael Grossberg

Imagine human colonies on the moon, restless and on the precipice of a revolution against increasingly intrusive Earth authorities.

Robert Heinlein famously imagined such a scenario in The Moon is a Harsh Mistress, one of his four Hugo Awardwinning novels and one of the first two works inducted in 1983 into the Prometheus Hall of Fame for Best Classic Fiction.

So did Travis Corcoran, the only author to win back-to-back Prometheus awards for Best Novel for The Powers of the Earth (in 2018) and its sequel Causes of Separation (in 2019.)

Yet, the lunar-revolution scenario mentioned above also describes Dust Mites: The Siege of Airlock Three, James Bacon’s 2022 SF novel.

Continue reading A libertarian lunar revolution in the making in James Bacon’s novel Dust Mites: The Siege of Airlock Three.


Male vs. female readers, and science fiction vs. fantasy: Is modern publishing targeting one more than the other? 


By Michael Grossberg

It’s an old cliche: Men prefer science fiction; women prefer fantasy. (Of course, that’s a half-truth at best: After all, many men enjoy fantasy, and many women, science fiction.)

Left to right: The planets Mars, Earth and Venus (File photo)

Yet, if men are mostly from Mars and women are mostly from Venus, how is today’s publishing world appealing to both?

Not very well, Kristin McTiernan argues on her Fictional Influence website and blog.

When McTiernan posted a video about the absence of contemporary men’s fiction, it went viral.

“I struck a nerve that resonated far beyond my usual audience,” McTiernan wrote on her Fictional Influence website.

“The comment section flooded with responses from men who felt invisible in today’s publishing landscape – readers hungry for stories that spoke to their experiences (from their perspective) without apology.”

Continue reading Male vs. female readers, and science fiction vs. fantasy: Is modern publishing targeting one more than the other? 


The Locus rave review of Michael Flynn’s last novel – with a remarkable apology – may signal a broader re-evaluation of the three-time Prometheus winner


By Michael Grossberg

Winning literary awards and receiving rave reviews can boost the careers of novelists, by raising their visibility and enhancing their reputation. That’s sadly no longer fully possible for the late great Michael Flynn.

Michael Flynn, a three-time Prometheus Best Novel winner (Creative Commons license)

Flynn, who died in 2023 at 75, recently was announced in an LFS press release as the 2025 winner of the Prometheus Award for Best Novel for In the Belly of the Whale.

His epic social novel, a sobering drama about challenges and conflicts among the crew on a vast colony ship two centuries into a projected eight-century voyage to settle Tau Ceti, was the last novel Flynn wrote before his death. 

Published in 2024 by CAEZIK SF & Fantasy, Flynn’s novel has garnered some attention – especially an extraordinary review in Locus magazine (excerpted below) that amounts to a mea culpa for previously overlooking and underestimating Flynn.

Yet, both during his five-decade writing career and after his passing, Flynn has not garnered as much attention and appreciation from other critics and mainstream publications as I think the author and his last book deserve.

Shahid Mahmud, CAEZIK founder-publisher and a huge enthusiast for Flynn’s fiction, agrees. Mahmud tells me that he considers Flynn one of the most underestimated science fiction writers of his generation.

Continue reading The Locus rave review of Michael Flynn’s last novel – with a remarkable apology – may signal a broader re-evaluation of the three-time Prometheus winner


Forster, Bradbury, Heinlein, Le Guin, Vonnegut stories ranked among the 26 best SF stories by New Scientist


By Michael Grossberg

Several Prometheus-recognized authors are included on New Scientist’s intriguing list of the 26 best science fiction/fantasy stories of all time.

Ray Bradbury (Creative Commons license)

E.M. Forster’s “The Machine Stops” is the only story on the magazine’s list previously inducted into the Libertarian Futurist Society’s Prometheus Hall of Fame. Yet, several other enduring and Prometheus-winning authors have classic stories on the magazine’s list – just not the ones our award has recognized.

Among them: Ray Bradbury, Robert Heinlein, Ursula K. Le Guin and Kurt Vonnegut.

It’s interesting to see which of their stories are recognized by the magazine, and why.

Continue reading Forster, Bradbury, Heinlein, Le Guin, Vonnegut stories ranked among the 26 best SF stories by New Scientist


Another milestone of progress to celebrate: Prometheus-winning visions of free enterprise in space are now becoming more of a reality with private spacecraft landing on the moon


Imagine of Blue Ghost lunar craft in front of the Earth (Creative Commons license)

By Michael Grossberg

If all goes as planned, a privately built spacecraft will land on the moon early Sunday March 2.

It’s the first in a series of exciting robotic missions to the moon in 2025, setting the stage for people to return to the moon for the first time since the first expeditions landed more than half a century ago.

The robotic lander, dubbed Blue Ghost, was created by Firefly Aerospace, a Texas-based company, and has been in orbit around the moon for about two weeks, preparing for its daring descent.

If only Robert Heinlein, Poul Anderson, Ray Bradbury, L. Neil Smith, James Hogan, Michael Flynn, Vernor Vinge and other visionary Prometheus-winning authors could have lived to celebrate it!

Continue reading Another milestone of progress to celebrate: Prometheus-winning visions of free enterprise in space are now becoming more of a reality with private spacecraft landing on the moon


Introducing the Prometheus Awards Collection for Libraries

By Michael Grossberg

One of the most exciting and promising Libertarian Futurist Society outreach projects in years is our new Prometheus Awards Collection for Libraries.

The ambitious project offers a carefully curated selection of Prometheus-winning novels to be donated and mailed to interested libraries across the country upon their request.

The set of brand-new books was chosen to expand the range and variety of notable and acclaimed science fiction on library shelves across the country – especially to aid smaller libraries, which may have more limited resources.

Continue reading Introducing the Prometheus Awards Collection for Libraries

TANSTAAFL: Libertarian economist David Friedman examines an acronym popularized by Heinlein


By Michael Grossberg

TANSTAAFL!

Many libertarians and other freedom-loving SF fans know that term well. For those who don’t recall, it’s an acronym for “There Ain’t No Such Thing as a Free Lunch.”

The Grand Master SF writer Robert Heinlein did his share to popularize the acronym in The Moon is a Harsh Mistress. His bestselling, Hugo-winning novel, about a libertarian revolution on the Moon, was one of the first works inducted into the Prometheus Hall of Fame.

So did free-market economist and classical liberal Milton Friedman, who often quoted it over the years.

Both libertarians used the acronym to communicate the idea that nothing is truly free, and there’s always a cost to any decision.

But did the popular catchphrase inadvertently also spread a misunderstanding about economics?

Continue reading TANSTAAFL: Libertarian economist David Friedman examines an acronym popularized by Heinlein