A viewer’s guide to the new LFS Videos page of panel discussions, podcasts, and acceptance speeches by Cherryh, Corcoran, Doctorow, Ellison, Hoyt, MacLeod, Weir, Wilson, other writers and LFS leaders

Here is a handy guide to viewing the Libertarian Futurist Society’s recorded programs – and a welcome to our new Videos page.

Below is an overview, with links and descriptions, of LFS panel discussions, podcasts, interviews and awards ceremonies over the past decade at various Worldcons (World Science Fiction Conventions) and NASFiCs (North American Science Fiction Conventions).

But first, take a look to your left – to the new VIDEOS link at the top of the left-side column of the Prometheus blog. Here is where you can go, from now on, to check out all LFS videos and podcasts, including each year’s Prometheus Awards ceremonies and related speeches and Worldcon panel discussions, as they are recorded and added each year. (The LFS is already looking forward to making plans to present our 2021 Prometheus Awards ceremony at DisCon II, the 79th Worldcon set to run Aug. 25-29, 2021, in Washington, D.C.)

In these LFS panels, podcasts and Prometheus award speeches, bestselling sf novelists and LFS members have discussed a wide variety of timely and timeless subjects that inspired their stories and novels.

Cory Doctorow (Creative Commons license)

Among the speakers: novelists C.J. Cherryh, Travis Corcoran, Cory Doctorow, Harlan Ellison, Jane Fancher, Sarah Hoyt, John Hunt, Ken MacLeod, Ramez Naam, Andy Weir, and F. Paul Wilson and LFS leaders Steve Gaalema, Michael Grossberg, Tom Jackson and LFS president William H. Stoddard.

C.J. Cherry (Creative Commons license)

Unlike typical awards acceptance speeches at the Oscars, Tonys, Grammys or Emmys, which tend to be laundry lists of names to thank, most Prometheus-Ceremony speeches tend to be wide-ranging, fascinating, thoughtful (and longer) explorations of ideas, ideals and libertarian themes, often combined with personal stories – and thus, rewarding to view even years later.

Here, in this overview of LFS videos, the most recent events are listed first, with brief descriptions of speakers and subjects,  interesting excerpts and links.

Continue reading A viewer’s guide to the new LFS Videos page of panel discussions, podcasts, and acceptance speeches by Cherryh, Corcoran, Doctorow, Ellison, Hoyt, MacLeod, Weir, Wilson, other writers and LFS leaders

An early “juvie” adventure in liberty on Wild West Mars: Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner

As part of the Libertarian Futurist Society Appreciation series of past award-winners, here is our Appreciation for Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner:

By Anders Monsen

Many of Robert Heinlein’s novels featuring children have been lumped together and called “juvies” (or juveniles), as if they are children’s books. But, just like many Disney or Pixar animated movies, there are aspects of these works that go over the heads of a younger audience, whether those teens read the books as they first were published in the 1940s or 1950s, or whether they’re read today.

Red Planet, first published in 1949, is significant in terms of Heinlein’s bibliography, both as being one of the earliest juvies, and also because it introduces elements of Martian mythology that later appeared in Stranger in a Strange Land .

Ostensibly an adventure story centered around two boys on the run from an oppressive schoolmaster and conniving colony governor on Mars, Red Planet has two other themes or threads that elevate the novel beyond an adventure story. And make no mistake, this is written as an adventure story, with trials and tribulations that propel the action, for both the young and adult characters.

Continue reading An early “juvie” adventure in liberty on Wild West Mars: Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner

War, appeasement, and possibly the first gay alien in sf: Poul Anderson’s The Star Fox, the 1995 Prometheus Hall of Fame winner

To celebrate the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a pro-freedom work, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.
Here’s our appreciation for Poul Anderson’s The Star Fox, the 1995 Prometheus Hall of Fame winner:

By Michael Grossberg

War and appeasement are central subjects in Poul Anderson’s The Star Fox, a space adventure that includes what may be the first gay alien in sf literature.

Set in an interstellar human future with the narrative laced with songs in different languages, the 1965 novel explores the challenges of surviving and fighting an alien occupation of one of Earth’s first extra-solar space colonies.

The inventive narrative centers on Gunnar Heim, a patriotic human man and ex-Navy space captain striving as a pioneer to build a civilized society on an unusual new planet full of walking forests and haunted by surreal citizens.

Continue reading War, appeasement, and possibly the first gay alien in sf: Poul Anderson’s The Star Fox, the 1995 Prometheus Hall of Fame winner

A dystopian landmark & cautionary tale about the Russian Revolution’s murderous consequences: Yevgeny Zamyatin’s pioneering We, the 1994 Prometheus Hall of Fame winner

To celebrate the Prometheus Awards’ four-decade history, the Libertarian Futurist Society is publishing Appreciations of all past award-winners, that make clear why each winner deserves our recognition as pro-freedom.
Here is our Appreciation for Yevgeny Zamyatin’s We, the 1994 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg

We imagines a world of repressive conformity and stagnant stasis within a totalitarian State.

With his landmark novel Russian writer Yevgeny Zamyatin bravely pioneered and imagined what later came to be known as dystopian literature.

For better and worse, that dark and cautionary new genre was inspired by the millions of innocent people whose lives were destroyed by the Russian Revolution under Lenin’s communism. The genre took on even more moral weight after the world witnessed the horrors of all the other statist-collectivist variants (from socialism to national socialism and fascism) whose authoritarian excesses and violent extremes of dictatorship, war, famine, poverty and social collapse so brutally marked and disfigured the 20thcentury.

We, written in 1920-1921 by the Russian writer and first published in English translation in 1924 in New York, was so critical of collectivist authoritarianism that it wasn’t published in the Soviet Union until 1988, when the era of glasnost led to its first appearance with George Orwell’s Nineteen Eighty-Four. A year later, the two dystopian novels were published together in a combined edition.

Continue reading A dystopian landmark & cautionary tale about the Russian Revolution’s murderous consequences: Yevgeny Zamyatin’s pioneering We, the 1994 Prometheus Hall of Fame winner

“Propertarians,” anarchism, socialism and ambiguous utopias: Ursula K. Le Guin’s The Dispossessed, the 1993 Prometheus Hall of Fame winner for Best Classic Fiction

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom work, the Libertarian Futurist Society began publishing in 2019 an Appreciation series of all past award-winners.

Here’s an Appreciation of Ursula K. Le Guin’s The Dispossessed, the 1993 inductee into the Prometheus Hall of Fame for Best Classic Fiction (and perhaps the most controversial work to ever be inducted into the Hall of Fame.)

By Michael Grossberg
Two alleged utopias are explored and contrasted in The Dispossessed, Ursula K. Le Guin’s 1974 novel about a rebel who leaves one world for the other.

As befits any intelligent observer of the 20th and 21st century who must take into account the emergence of dystopian fiction as a major subgenre in response to the authoritarian and collectivist horrors of socialism, communism, national socialism and fascism in Russia, China, Germany, Italy and elsewhere, Le Guin underlines her complex theme by subtitling her novel “An Ambiguous Utopia.”

Continue reading “Propertarians,” anarchism, socialism and ambiguous utopias: Ursula K. Le Guin’s The Dispossessed, the 1993 Prometheus Hall of Fame winner for Best Classic Fiction

The rise of the Therapeutic State: Ira Levin’s This Perfect Day, the 1992 Prometheus Hall of Fame winner

To make clear why each winner deserves recognition as a pro-freedom work, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners. Here’s our appreciation for Ira Levin’s This Perfect Day, the 1992 Prometheus Hall of Fame winner:

By Michael Grossberg

Bestselling novelist Ira Levin may be best remembered for genre novels and plays adapted into quite a few popular movies.

Among them: Rosemary’s Baby (modern horror), The Stepford Wives (satirical feminist horror-fantasy), The Boys from Brazil (conspiratorial political-spi medical-genetics thriller), A Kiss Before Dying (romantic crime drama), and Deathtrap (mystery-comedy), his long-running Broadway play.

Yet, one of Levin’s least-known novels, This Perfect Day, may rank among his best. (It’s also one of the few Levin novels left that hasn’t yet been adapted into a Hollywood movie. Hint, hint….)

Continue reading The rise of the Therapeutic State: Ira Levin’s This Perfect Day, the 1992 Prometheus Hall of Fame winner

KYFHO, interstellar economics and libertarian revolution: F. Paul Wilson’s Healer and An Enemy of the State, the 1990-1991 Prometheus Hall of Fame winners

To highlight the Prometheus Awards’ four-decade history, the Libertarian Futurist Society is publishing Appreciations of past award-winners that make clear why each deserves recognition as a pro-freedom work.
Here is our combined Appreciation of F. Paul Wilson’s Healer, the 1990 Prometheus Hall of Fame winner, and Wilson’s An Enemy of the State, the 1991 Hall of Fame winner.

“There used to be high priests to explain the ways of the king – who was the state – to the masses. Religion is gone, and so are kings. But the state remains, as do the high priests in the guise of Advisors, Secretaries of Whatever Bureau, public relations people, and sundry apologists. Nothing changes.”
– From THE SECOND BOOK OF KYFHO

By Michael Grossberg

When the first Prometheus Award was presented in 1979 to F. Paul Wilson for Wheels within Wheels, few realized that the sf mystery novel was an absorbing piece of what would become a much larger future-history saga.

Together with Wheels within Wheels, An Enemy of the State and Healer– respectively the 1990 and 1991 Prometheus Hall of Fame inductees for Best Classic Fiction – form one of the most libertarian sf trilogies ever written.

Set in a positive but realistically flawed interstellar future in which human beings have spread among the stars, the LaNague Federation trilogy focuses on an imperialist central State and empire that is toppled by  Peter LaNague, a far-sighted revolutionary who abjures violence in favor of a subtle, long-term plan based on a sophisticated understanding of economics, markets, money and inflation.

Continue reading KYFHO, interstellar economics and libertarian revolution: F. Paul Wilson’s Healer and An Enemy of the State, the 1990-1991 Prometheus Hall of Fame winners

Agorist dreams vs. runaway inflation, economic collapse: J. Neil Schulman’s Alongside Night, the 1989 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as notable pro-freedom works, the Libertarian Futurist Society is publishing an Appreciation series of past award-winners. Here’s an Appreciation of J. Neil Schulman’s Alongside Night, the 1989 Prometheus Hall of Fame winner:

By Michael Grossberg

Milton Friedman, Anthony Burgess, Thomas Szasz, Poul Anderson, Jerry Pournelle and Ron Paul were among the prominent writers, fellow freedom-lovers or libertarians who highly praised Alongside Night when it was published in 1979.

Friedman, a world-famous Nobel-laureate economist, endorsed J. Neil Schulman’s sf novel on its cover as “an absorbing novel – science fiction, yet also a cautionary tale with a disturbing resemblance to past history and future possibilities.”

Szasz, a leading psychologist in the libertarian movement, called it “engrossing” and wrote that “it might be, and ought to be, the Atlas Shrugged of the ‘80s.”

Anderson called it “a frightening and all too plausible picture of the near future. America is already a long way down the road that leads to it. yet there is also a hopefulness in the story, for the author develops a philosophy, in considerable practical detail, that we could begin living by today, if we will choose to be free.”

Continue reading Agorist dreams vs. runaway inflation, economic collapse: J. Neil Schulman’s Alongside Night, the 1989 Prometheus Hall of Fame winner

Transformation, interstellar liberation and “a Randian hero run amok”: Alfred Bester’s The Stars My Destination, the 1988 Prometheus Hall of Fame winner

The Libertarian Futurist Society’s Appreciation series aims to make clear why each Prometheus winner deserves recognition as a notable pro-freedom or anti-authoritarian work. Here is our Appreciation of Alfred Bester’s The Stars My Destination, the 1988 Prometheus Hall of Fame winner for Best Classic Fiction.

Alfred Bester’s The Stars My Destination explores themes of transformation and liberation.

Set in our solar system in a distant future on the verge of interstellar travel and colonization and written in beautifully stylized and lyrical language, this classic 1956 novel revolves around a lazy, gutter-talking spaceman described by LFS Director Victoria Varga in her 1994 review for the Prometheus quarterly as “a Randian hero run amok.”

Adrift with no ambition, Gully Foyle is abandoned in space with his pleas for help ignored. Consumed by a burning passion for revenge, Foyle embarks on a quest that propels a raging torrent of events.

“In the process of transformation he awakens the people of the worlds, and gives them back the right to think, dream, grow, and take command of their own lives,” Varga wrote.

Continue reading Transformation, interstellar liberation and “a Randian hero run amok”: Alfred Bester’s The Stars My Destination, the 1988 Prometheus Hall of Fame winner

Rediscovery of the sacred self: Ayn Rand’s dystopian Anthem, the 1987 Hall of Fame winner

As part of the Libertarian Futurist Society series making clear why each winner deserves recognition as notable pro-freedom works, here’s our Appreciation of Ayn Rand’s Anthem, a 1987 Prometheus Hall of Fame inductee for Best Classic Fiction.

By Michael Grossberg

For those who’ve never read Ayn Rand, Anthem is a good place to start.

Imaginative and inspirational with a tone of reverence and discovery, Anthem ranks as one of the great dystopian works of 20th century literature, but also as the shortest and most poetic.

Its powerful and poignant theme: the rediscovery of the self. In Rand’s mythic and post-apocalyptic future of a primitive and very tribal society, the rediscovery of the self is tantamount to a revolutionary act amid the collectivism of forced servitude, ignorance, fear, stifling conformity and primitivism.

Continue reading Rediscovery of the sacred self: Ayn Rand’s dystopian Anthem, the 1987 Hall of Fame winner