The power of Prometheus: 2023 Best Novel winner Dave Freer shares thoughts about the Greek legend (and Heinlein)

Australian writer Dave Freer had some interesting thoughts about the Greek God Prometheus and Robert Heinlein after learning that his novel Cloud-Castles has won the 2023 Prometheus Award for Best Novel.

“According to Aeschylus, (Prometheus) caused blind hope to live in the hearts of men (a goal of my writing if ever had one),” Freer wrote in “Prometheus Bound,” his latest post on the Mad Genius Club blog.

“A trickster who stole fire from the gods for man and pushed them towards science and technology, as well deceiving the powers-that-be (Zeus) of the day, into choosing the rubbish which looks good on the outside, instead of the good that looks rubbish on the outside… he’s my sort of guy,” Freer said.

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2023 induction of “Free Men” into Hall of Fame confirms Robert Heinlein as a Prometheus Award all-time favorite

By Michael Grossberg

Quite a few writers have won more than one Prometheus award since the awards were launched in the 1970s, but nobody has won more than the late great Robert Heinlein.

Robert Heinlein, a drawing (Creative Commons license)

Libertarian Futurist Society members proved anew how much they remain ardent fans of Heinlein (1907-1988) by voting his 1966 novelette “Free Men” the 2023 Best Classic Fiction winner and thereby inducting it into the Prometheus Hall of Fame.

That marks the ninth novel, novelette or story by Heinlein to be recognized with a Prometheus Award – a record.

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Publishers, acclaimed authors joining Arc Manor’s new Book Bale program for discounted books, exclusive interviews, readings

Some are calling it a “Netflix for books.”

Arc Manor is venture testing a new approach to sf publishing in cooperation with a number of publishers and authors – including several recognized via the Prometheus Awards.

Arc Manor, best known to LFS members as the sf publisher of Prometheus winners Robert Heinlein and L. Neil Smith, is gearing up for Book Bale, its new download-books subscription program, with a special July discount.

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Liberty and laughter: Which Special Award winners benefit from a sense of humor?

By Michael Grossberg

“Tragedy tomorrow, comedy tonight…”
— Lyrics from the opening song in Stephen Sondheim’s musical farce A Funny Thing Happened on the way to the Forum

Of all the works recognized with Prometheus Awards, one of the funniest is rather unusual, even unique.

It’s not a novel, a novella or a story – the types of fiction that by far most commonly have won one of the two annual Prometheus awards for Best Novel or Best Classic Fiction.

Nor is it a movie or TV series, although several have won.

It’s a “webcomic” – and so far, the only one that’s ever received a Prometheus: Freefall (Chapter 1), created by Mark Stanley.

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Making ‘em laugh: Which Hall of Fame winners best incorporate comedy?

By Michael Grossberg

Everyone has their favorites among the fiction works that have won the Prometheus Hall of Fame for Best Classic Fiction.

And by everyone, I mean virtually everyone – since at least some of the 46 winning works are enjoyed by libertarians and non-libertarians alike, and by both science fiction/fantasy fans and those who don’t often read that genre.

But how many rank the comedies that high?

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Making ‘em laugh for the sake of liberty: Which Best Novel winners best incorporate comedy?

By Michael Grossberg

If beauty is proverbially found in the eye of the beholder, then a sense of humor may be located in our funny bones.

Yet everyone’s sense of humor is a bit different. What you find hilarious may leave me cold (or at least lukewarm), while what fills some bellies with laughs may leave others with barely a smile on their faces.

Given how personal a sense of humor tends to be, it may be provocative but should be interesting to ask: Which Prometheus Award winners do you find most amusing?

Which are designed to make you smile, and laugh out loud – and achieve their goal?

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A 2022 Prometheus Best Novel finalist heads to the silver screen

Prometheus Award winners or finalists don’t make it to the screen that often, so it’s promising news when another is reported to be on its way.

Director Taika Waititi (Creative Commons license)

Deadline.com recently reported that Oscar-winning film director Taika Waititi is is in talks to direct a film adaptation of Klara and the Sun, by Nobel-prize-winning author Kazuo Ishiguro.

Klara and the Sun, a poignant near-future fable about an A.I. robot tasked with caring for and befriending a human child, was one of five Best Novel finalists for the 2022 Prometheus Award.

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Appreciating sf author Nancy Kress, her Beggars trilogy and other Prometheus-nominated novels

By Michael Grossberg

Prolific sf author Nancy Kress has won Hugos and Nebula awards but she’s never won a Prometheus Award. Not yet, anyway.

Nor was Kress nominated for The Eleventh Gate, an interesting 2020 novel (recently reviewed in the Prometheus blog) that pits libertarian planets against more authoritarian worlds.

Nevertheless, Kress has been frequently recognized within the history of the Prometheus awards.

In fact, she has been nominated four times for Best Novel – and one of her novels (Beggars in Spain) was voted a Best Novel finalist.

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Lord of the Rings: Economist uses Prometheus Hall of Fame classic to expose false complaints about capitalism – and about Tolkien’s underappreciated Eagles

Why didn’t the Eagles fly the ring to Mount Doom in The Lord of the Rings?

Even if you haven’t heard fans argue over the alleged “eagle plot hole” in J.R.R. Tolkien’s classic Prometheus-winning trilogy, you should find economist Bryan Caplan’s recent blog post illuminating – as well as Ilya Somin’s Reason posting about it.

An economics professor at George Mason University and a New York Times bestselling author, Caplan finds many parallels – and similar flaws – between such fan criticisms of Tolkien’s classic fantasy trilogy and socialist criticisms of free markets.

Thanks to Reason magazine, which published constitutional lawyer Ilya Somin’s column highlighting Caplan’s intriguing arguments (and some of his own) on Reason’s Volokh Conspiracy legal blog.

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Orwell’s 1984 vs Huxley’s Brave New World: Which fictional dystopia seems more timely today?

Who had the more prophetic and realistic vision of a dystopian future?

George Orwell? Or Aldous Huxley?

Orwell, most famous for Nineteen Eighty-Four (one of the earliest works inducted into the Prometheus Hall of Fame), was inspired by Stalinist communism in imagining his “hard tyranny” of brute dictatorship.


Huxley, best known for Brave New World, worried that a softer tyranny would ultimately prevail, one more insidious partly because it was more enveloping of both politics and culture and more seductive via a future of mindless pleasures.

Writing for the Institute for Art and Ideas, a British philosophical organization founded in 2008, British university instructor Emrah Atasoy compares Orwell and Huxley’s different dystopian visions in an informed and provocative essay: “Orwell, Huxley and the path to truth: How fiction can help us to understand reality.”

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