By Michael Grossberg
Sequels can be tricky and often disappointing, falling short of the originals in potentially all sorts of ways.
So it’s nice to report that C.J. Carey’s Queen Wallis (published by Sourcebooks in the U.S. and Quercus in the U.K.) is a worthy sequel that in several ways improves on Widowland, her 2023 Prometheus Best Novel finalist.
Overall, this feminist dystopian novel is one of the most enjoyable works of alternate history I’ve read in years.
George Orwell’s Nineteen Eighty-Four remains one of the seminal novels of the past century.
An early inductee (appropriately enough, in 1984) into the Prometheus Hall of Fame, Orwell’s cautionary tale was inspired by the totalitarian horrors of Soviet Communism, yet remains a far broader warning about the perils of tyranny, no matter its variants and extremes of Left or Right.
Given the acclaim and reputation that Orwell’s classic has attained and deserves, it would seem foolhardy for anyone to dare to write a sequel. After all, how could it possibly measure up?
Yet, Orwell’s estate authorized novelist Sandra Newman to do just that with Julia – or more precisely, offer “a retelling of George Orwell’s 1984” (as subtitled on its hardback-book cover.)
Continue reading Review: Sandra Newman’s Julia a worthy companion to Orwell’s 1984
Many people have viewed science fiction as all about futuristic technology – starships, robots, interstellar travel, space habitats, vast mega-engineering feats, etc.
Yet, some of the best so-called “sf” of the past century has been what is sometimes called “social science fiction.”
Such works may incorporate various speculative forms of advanced technology, especially to work out how such technology affects people and changes culture.
Yet the most interesting aspects of such “social sf” is how it illuminates the various socio-political, economic and cultural implications of new ideas, different attitudes or fundamental changes in how a society’s norms, laws and system of government work.
In the rare and exemplary case of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner, the dramatic and fascinating focus is on what happens to a society when its government is abolished – but other governments continue to threaten its freedom and independence.
Note: This is the latest Prometheus-blog review of our 2022 Best Novel finalists, following previously posted reviews of Kazuo Ishiguro’s Klara and the Sun and Lionel Shriver’s Should We Stay Or Should We Go.
In Seize What’s Held Dear, the third volume of Karl Gallagher’s The Fall of the Censor series, the action returns to Corwynt, a planet controlled by the Censorate that the Fieran protagonists visited in the first volume. Much of the story develops in parallel tracks following the situation on the planet’s surface and the continuing struggle in space.
The primary conflict grows out of the Censorate’s basic rule that access to information is to be restricted as much as possible. In a fashion similar to China’s Qin Dynasty, access to historical works is prohibited, and their mere possession is a capital crime.
The result is a totalitarian society of a novel sort, different from those in classic dystopias. Fiera, the planet that opposes the Censorate after a hyperspatial route between them has reopened, has no such prohibition — and for that very reason the Censorate cannot tolerate its survival. Fiera doesn’t offer a model for a libertarian society, but it’s comparatively free and is struggling to preserve that freedom.
Rich Man’s Sky, one of five 2022 Best Novel finalists currently competing for the Prometheus Award, will have a sequel.
Actually, two!
Continue reading Author update: Wil McCarthy writing sequels to Best Novel finalist Rich Man’s Sky
Author Karl K. Gallagher, a frequent Prometheus Awards nominee and Best Novel finalist, is keeping busy and catching up with an ambitious writing schedule – including a new novel just published: Captain Trader Helmsman Spy.
This is the fourth novel in the Fall of the Censor series for the Texas-based writer, currently a 2022 Best Novel finalist for two different novels (the second and third) in that series.
Captain Trader Helmsman Spy, published May 9, 2022 by Kelt Haven Press, focuses on an exploratory mission to gather more information about the authoritarian Censorate in the ongoing series about a complex interstellar conflict between two long-separated but newly connected sets of human-colonized solar systems – one relatively free and peaceful, blending diverse cultures through mutual trade, and the other near-totalitarian in its murderous control of many planets and Orwellian cancellation of history and culture.
Continue reading Author update: Karl K. Gallagher continues writing his Fall of the Censor series
For only the third time in the 43-year history of the Prometheus Awards, one author has been recognized twice within one year as a Best Novel finalist.
That’s Karl K. Gallagher, whose 2022 finalists include Between Home and Ruin and Seize What’s Held Dear, respectively the second and third novels in his Fall of the Censor series.
Note: Here is the latest author’s update about Travis Corcoran, and a follow-up to a previous blog post. (Submissions of news and updates from other Prometheus-recognized authors – whether nominees, finalists or winners – are welcome and will be considered for publication.)
Prometheus-winning author Travis Corcoran recently shared some glimpses into the subjects and themes of two of his upcoming sf novels.
Right and Duty and Absolute Tyranny respectively will be the third and fourth novels in Corcoran’s four-part Aristillus series.
The novels will continue the story in the future-history series that Corcoran launched with The Powers of the Earth and its sequel Causes of Separation, set partly on the Earth but mostly in a functioning-with-challenges anarcho-capitalist colony on the Moon. Both novels won the Prometheus Award for Best Novel, with Powers winning in 2018 and Causes winning in 2019.
Corcoran reports that he is working simultaneously on both the third and fourth novels in the series, “which are still very libertarian in background,” he said.
The Libertarian Futurist Society’s ongoing Appreciation series of Prometheus winners continues in 2022 with review-essays about the fiction recognized with Special Awards.
Adaptations of classic or popular literature into graphic novels have become increasingly popular. Reflecting this modern trend, the Prometheus Awards recognized its first graphic novel when The Probability Broach: The Graphic Novel (published in 2004 by Big Head Press) received a Special Prometheus Award in 2005.
Visually colorful and boldly imaginative, this accessible and fun version of one of the most explicitly libertarian sf novels achieves its distinctive style and stirring impact from the fertile collaboration between libertarian author L. Neil Smith and libertarian artist Scott Bieser.
The deft combination of words and visuals helps bring to life Smith’s zestful and suspenseful sf adventure novel, which imagines alternate time lines accessible through the probability broach, a portal to many worlds.
Sequels to classic works of literature by deceased authors rarely measure up to the originals, but that doesn’t stop different authors and publishers from trying.
Yet, the new novels often spark interest, especially by fans of the earlier works, and sometimes they even become bestsellers – only to fade while the original works continue to be celebrated. (Does anyone today remember Scarlett, a popular sequel to Margaret Mitchell’s still-read Gone with the Wind?)
The latest effort, recently announced and of special interest to Libertarian Futurist Society members, will offer a retelling of a Prometheus award-winner that ranks among the 20th century’s most influential and best-known novels: George Orwell’s Nineteen Eighty-Four.
Julia, an upcoming novel by Sandra Newman, will refocus the events of the dystopian tale of totalitarian dictatorship, propaganda, mind control, newspeak and doublethink from the perspective of Winston Smith’s illicit love interest.
