Category: Fantasy

Allegorical fable about “beastly” communism, coercive egalitarianism: George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

 

Here is the Prometheus Blog Appreciation of George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

By Michael Grossberg

The title of the allegorical work may make Animal Farm sound like a children’s fable, but it isn’t.

Oh, the short novel certainly can – and probably should – be read by teenagers and more mature younger readers, who likely will enjoy it and also grasp its perennial theme about the corruptions of power and the absolute corruption of absolute power.

Yet, the cautionary themes of George Orwell’s enduring 1945 work truly are aimed at adults.
Continue reading Allegorical fable about “beastly” communism, coercive egalitarianism: George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

Corruption of absolute power vs. the stateless Shire: J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation for J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction:

“Power tends to corrupt; and absolute power corrupts absolutely.” – Lord Acton (1834-1902)

“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings

By Michael Grossberg and William H. Stoddard

The Lord of the Rings is not only one of the greatest works of fantasy but also a cautionary libertarian fable about the inevitable temptations of power.

J.R.R. Tolkien’s classic trilogy – a three-part novel (The Fellowship of the Ring, The Two Towers and The Return of the King) published in 1954-1955 – charts a social, political, personal and supernatural struggle between freedom and absolute tyranny.

Continue reading Corruption of absolute power vs. the stateless Shire: J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner

Speaking truth to power: Hans Christian Andersen’s “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation for Hans Christian Andersen’s fable “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner for Best Classic Fiction:

By Michael Grossberg

It’s not just for kids.

Nor is Hans Christian Andersen’s “The Emperor’s New Clothes” merely another children’s fable.

Few stories have resonated so deeply with all ages for so many generations that they become an integral part of international culture.

This sly libertarian fable has become so emblematic in folk wisdom that it’s inspired a common catchphrase: “The emperor has no clothes.”

Continue reading Speaking truth to power: Hans Christian Andersen’s “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner

Alternate history, progress, markets, and how fantasy can illuminate reality: An Appreciation of Terry Pratchett’s Night Watch, the 2003 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series of review-essays strives to make  clear what libertarian futurists see in each of our past winners and how they fit the libertarian focus of the Prometheus Awards. Here’s an Appreciation for Terry Pratchett’s Night Watch, the 2003 Prometheus winner for Best Novel:

By William H. Stoddard and Michael Grossberg

Night Watch, the 29th book in Terry Pratchett’s bestselling Discworld series and widely hailed as one of the best, focuses in his usual tongue-in-cheek style on what it takes to build a more-modern police force that eventually will be able to keep the peace and fight violent crime in one of the most unruly cities in fiction.

Filled with individualistic, anti-authoritarian and pragmatically libertarian themes that resonate with the actual history of our own planet and how market economies and modern civilization developed, this ingenious 2002 satirical fantasy blends political intrigue and police drama in a plot that also involves time travel back to the start of a legendary street rebellion.

Continue reading Alternate history, progress, markets, and how fantasy can illuminate reality: An Appreciation of Terry Pratchett’s Night Watch, the 2003 Prometheus Best Novel winner

God, atheism, a dying assassin in an SF noir fantasy: An Appreciation of Victor Koman’s The Jehovah Contract, the 1988 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our  Appreciation for Victor Koman’s The Jehovah Contract.

By Michael Grossberg

Victor Koman’s audacious 1987 thriller-noir-fantasy The Jehovah Contract centers on dying atheistic assassin Del Ammo – masquerading as a private detective, and living in the ruins of a terrorist-bombed skyscraper – who’s given a contract to kill God.

Yes, God!

Clever philosophical speculations by Koman, a veteran libertarian, accent his suspenseful and prescient story, set in a near-future Los Angeles, as the assassin finds a way to excise the concept of God from the minds of humanity and enable a more laissez-faire “Creatrix” to return to power.
Continue reading God, atheism, a dying assassin in an SF noir fantasy: An Appreciation of Victor Koman’s The Jehovah Contract, the 1988 Prometheus Best Novel winner

What Do You Mean ‘Libertarian’? (and why Tolkien’s trilogy deserved its Prometheus)

A bust of J.R.R. Tolkien in the chapel of Exeter College, Oxford. (Creative Commons photo). 

By William H. Stoddard

The Prometheus Award has been given annually since 1982, and the Hall of Fame Award since 1983. All through the twenty-first century, lists of four to six finalists have been announced for each award. And for much of that time, online comments on the nominations and awards have often questioned their rationale.  There have been comments suggesting that the awards could go to virtually any book, or to winners that have no libertarian content, or indeed are actively opposed to libertarianism.

“Virtually any book” is an exaggeration.
Continue reading What Do You Mean ‘Libertarian’? (and why Tolkien’s trilogy deserved its Prometheus)