How do the 2024 Best Novel finalists fit the distinctive focus of the Prometheus Awards?

The Prometheus Awards are distinctive among literature-oriented awards, including within the sf/fantasy field, for having a dual focus – on both overall literary quality and on libertarian/anti-authoritarian ideas.

As LFS awards press releases summarize and define our award:

“The Prometheus Awards recognize outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power and champion cooperation over coercion as the root of civility and social harmony.

Such works may critique or satirize authoritarian trends, expose abuses of power by the institutionalized coercion of the State, imagine what forms a fully free society might take, and/or uphold individual rights and freedom for all as the only moral and practical foundation for peace, prosperity, progress, justice, tolerance, civility and civilization itself.

Here are capsule descriptions of the Best Novel finalists, explaining how each fits our awards’ distinctive focus:

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2024 Best Novel finalists include both science fiction and fantasy – and honor two writers for the first time

By Michael Grossberg

Two writers have been recognized for the first time within the Prometheus Awards’ 45-year history as Best Novel finalists. Three other Best Novel finalist authors have been recognized more than once before in that annual category – and one is a previous Prometheus winner.

Moreover, in a relatively rare occurrence for the Prometheus Awards, not all Best Novel finalists this year fall within the genre of science fiction; one happens to fit the fantasy genre.

Devon Eriksen, Karl K. Gallagher, Gordon Hanka, Howard Andrew Jones and Daniel Suarez have each written a 2023 novel that’s been selected by Prometheus judges as a 2024 Best Novel finalist.

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Best Novel finalist review: Daniel Suarez’s Critical Mass offers persuasive, realistic SF thriller about private space industrialization

 

By Charlie Morrison and Michael Grossberg

A courageous band of astronaut-entrepreneurs strive to address Earth-based problems through commercial space-industrialization projects in Critical Mass, nominated for the next Prometheus Award for Best Novel.

Adding to the suspenseful drama, set mostly off the Earth and around the solar system, the resourceful heroes of this fast-paced sci-fi thriller must achieve their ambitious and unprecedented goals amid Cold War tensions, shifting global political alliances and the shortsighted opposition of Earth governments.

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A guide to Best Novel nominees, Part 5: Daniel Suarez’s Critical Mass, Steve Wire’s Black Hats, Fenton Wood’s Hacking Galileo and Alan Zimm’s Misperceived Threats

By Michael Grossberg

Here is the fifth and final part of the Prometheus Blog guide to the 2024 Prometheus nominees for Best Novel.

These capsule descriptions – alphabetized by author, and concluding with Daniel Suarez’s Critical Mass, Steve Wire’s Black Hats, Fenton Wood’s Hacking Galileo and Alan Zimm’s Misperceived Threats – aim to make clear why LFS members nominated them for the next Prometheus Award and how they fit the distinctive dual focus of our award, at once literary and thematic.

While the 12-member Prometheus Best Novel finalist-judging committee won’t vote to select a slate of finalists from the 17 nominees until April, other Libertarian Futurist Society members are invited to begin reading the nominees that spark their interest.

Continue reading A guide to Best Novel nominees, Part 5: Daniel Suarez’s Critical Mass, Steve Wire’s Black Hats, Fenton Wood’s Hacking Galileo and Alan Zimm’s Misperceived Threats

17 works of science fiction, fantasy and dystopian literature are nominated for the next Prometheus Award for Best Novel

Libertarian Futurist Society members have made 17 nominations for the Best Novel category of the next Prometheus Award.

Of the authors whose works are nominated, a majority are being recognized for the first time by the LFS and the Prometheus Awards.

Ten novelists are being recognized for the first time with Prometheus nominations. Listed in alphabetical order, those authors are Stephen Albrecht, Devon Eriksen, Howard Andrew Jones, Naomi Kritzer, Paul Lynch, Sandra Newman, Salman Rushdie, C. T. Rwizi, Fenton Wood and Alan Zimm.

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A cyberspace, cyberpunk landmark: Vernor Vinge’s True Names, a 2007 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Vernor Vinge’s story “True Names,” a 2007 Prometheus Hall of Fame co-winner for Best Classic Fiction.


By Michael Grossberg  
 and Chris Hibbert

“True Names” is a seminal work of the cyberpunk genre.

A landmark when it was published in 1981, Vernor Vinge’s now-classic story gave the public their first glimpse of cyberspace and showed how the struggle for control might penetrate the new medium.

One of the earliest works of fiction to present a fully detailed concept of cyberspace, the story also explores themes of anarchism and trans-humanism that are of great interest to libertarian futurists.

The story follows the progress of a group of computer hackers who keep their true identities secret while being among the first to adopt a new full-immersion virtual-reality technology. They do so out of curiosity or an entrepreneurial desire to profit – both respectable and even laudable motivations from the libertarian perspective that appreciates the crucial role of innovation and free markets in advancing human progress, prosperity, well-being and knowledge.

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Innovation, new technology, transparency, secrecy, government control and the totalitarian temptation: An Appreciation of Daniel Suarez’s Influx, the 2015 Prometheus Award winner for Best Novel

To highlight the Prometheus Awards’ four-decade history and make clear what makes each winner deserve recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is presenting a series of weekly Appreciations of past award-winners.

Here’s the latest Appreciation for Daniel Suarez’s Influx, the 2015 Prometheus Award winner for Best Novel:

By Michael Grossberg
Influx dramatizes the evils of totalitarian government control over people’s lives.

The central theme is close to libertarian and classical-liberal hearts and minds: the terrible and potentially totalitarian dangers of government control of information, and its libertarian corollary about the tremendous value and necessity of transparency in an open society.

Daniel Suarez’s sci-fi-laced techno-thriller depicts a government so concerned about politically destabilizing and potentially dangerous innovations after the moon landings of the 1960s and early 1970s that it created a secret Bureau of Technology Control to manage and limit the introduction of new technologies into public awareness and society.

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