Selected Reviews – Prometheus Blog

Review: James Blish’s The Star Dwellers dramatizes core concepts of consent, contract and deal-making that make peace and freedom possible

Fizzy with ideas and brimming with American idealism, James Blish was widely recognized during the Golden Age of science fiction as a major writer.

One of his best novels, in my view, is The Star Dwellers, first published in 1961 and now nominated for the Prometheus Hall of Fame Award for Best Classic Fiction.

Relatively short at 128 pages in the Avon Books paperback and clearly written as a so-called “SF juvenile” yet still rich with insights, Blish’s novel revolves around a fraught “second contact” between humans and an ancient, extremely advanced alien species.

Highlighted at the story’s center are the closely linked concepts of consent and contract – two of the most fundamental ideas at the foundation of both libertarianism and classical liberalism.

Continue reading Review: James Blish’s The Star Dwellers dramatizes core concepts of consent, contract and deal-making that make peace and freedom possible

Review: Harry Turtledove’s Prometheus-nominated Powerless critiques communism and blind obedience to authority

By Max More

Powerless, one of six novels nominated so far for the next Prometheus Award for Best Novel, is the first novel I have read by Harry Turtledove. I chose to read it because of its anti-authoritarian message.

The structure and function of this alternate reality – in which communism has taken over the United States (and apparently much or all of the world) – seemed familiar and frighteningly plausible to me based on my study of the years under Lenin and Stalin.

Continue reading Review: Harry Turtledove’s Prometheus-nominated Powerless critiques communism and blind obedience to authority

Review: Aldous Huxley’s Brave New World offers still-timely dystopian vision of a collectivist “soft tyranny” denying individuality, history, culture and art 

By Michael Grossberg

Aldous Huxley (Creative Commons license)

British writer-philosopher Aldous Huxley (1894-1963) is best remembered today for writing one of the earliest and most emblematic works of dystopian literature.

His 1932 novel Brave New World continues to be a bestseller and is universally recognized as a modern classic. For example, the Modern Library ranked it number 5 on its list of the 100 Best Novels in English of the 20th century.

Not all dystopian works fit the distinctive focus of the Prometheus Award, but Brave New World more than qualifies – and that’s why I’ve nominated it for the Prometheus Hall of Fame for Best Classic Fiction.

Continue reading Review: Aldous Huxley’s Brave New World offers still-timely dystopian vision of a collectivist “soft tyranny” denying individuality, history, culture and art 

Masterful social-scientific world-building in clash of cultures, including a libertarian society: An appreciation of Poul Anderson’s Orion Shall Rise, the 2025 Prometheus Hall of Fame winner 

By William H. Stoddard

One of the things Poul Anderson was known for throughout his literary career was world-building. Much of this was planetary design, based on the natural sciences, in which he started out with stellar type, planetary mass, orbital radius, and elemental abundances and worked out the geology, meteorology, and biology of a world.

Poul Anderson (Creative Commons license)

Anderson was certainly one of the masters of this, up there with Hal Clement and Vernor Vinge. But he put equal effort into social scientific worldbuilding, creating economies, polities, and cultures, and developing plots for his stories from the conflicts they gave rise to. Orion Shall Rise, winner of the 2025 Prometheus Hall of Fame for Best Classic Fiction, is a nearly pure example of social scientific world-building, set not in a distant solar system but on a future Earth.

Continue reading Masterful social-scientific world-building in clash of cultures, including a libertarian society: An appreciation of Poul Anderson’s Orion Shall Rise, the 2025 Prometheus Hall of Fame winner 

An epic social novel about conflicts and threats to liberty on a multi-generation interstellar colony ship: An Appreciation of Michael Flynn’s In the Belly of the Whale, the 2025 Best Novel winner

By Michael Grossberg

In the Belly of the Whale, the 2025 Prometheus winner for Best Novel, was Michael Flynn’s last, posthumous novel and one of his richest and most resonant.

Exploring the complex lives, jobs, relationships, challenges and conflicts aboard a large colony ship two centuries into a projected eight-century voyage to Tau Ceti, the epic 472-page novel takes some time to fully introduce its large cast of characters among 40,000 people who live in the hollowed-out asteroid ship dubbed The Whale.

Yet, patience is amply rewarded with Flynn’s plausible and intricate world-building, deep insights into social psychology and wise grasp of human nature.

In the Belly of the Whale, Flynn’s 14th and final novel, builds dramatic intensity coupled with rich and revelatory insights that freshen this seemingly familiar SF subgenre of the long colony-ship voyage. Flynn raises deeper questions than most SF writers, scientists or space-colonization enthusiasts have considered about the prospects and costs of such generations-long voyages.

Continue reading An epic social novel about conflicts and threats to liberty on a multi-generation interstellar colony ship: An Appreciation of Michael Flynn’s In the Belly of the Whale, the 2025 Best Novel winner

Best Novel finalist review: Cherryh and Fancher’s Alliance Unbound dramatizes the crucial fact of scarcity as merchant ships pursue voluntary trade amid authoritarian threats 

By William H. Stoddard

Alliance Unbound is the sequel to Alliance Rising, which won the Prometheus Award for Best Novel in 2020. It appears that this may be the second volume of a trilogy, as the final pages leave important issues unresolved.

Taken together, these novels form a prequel to Cherryh’s Alliance/Union series, one of the larger future histories in the past few decades. (It began in 1981 with Downbelow Station, which won her first Hugo Award for best novel.)

The crucial fact driving its events is scarcity.

There are only three planets with biospheres: Earth, Pell’s World, and Cyteen. Orbital habitats in other solar systems — notably Alpha Station, located at Barnard’s Star, where Alliance Rising was set — are ultimately dependent for supplies, especially biomass, on those three systems; Alliance Rising’s plot turned on Earth’s starving Alpha Station of resources to advance its own goals, and a key point in Alliance Unbound is the discovery of nearly priceless Earth goods on Downbelow Station, which orbits Pell’s World.

Cherryh and Fancher’s characters are well aware of such issues of scarcity and value, being interstellar merchants who spend their lives going from solar system to solar system, with holds full of high-value cargo and computer memories full of equally valuable data.

Continue reading Best Novel finalist review: Cherryh and Fancher’s Alliance Unbound dramatizes the crucial fact of scarcity as merchant ships pursue voluntary trade amid authoritarian threats 

Review: Alastair Reynolds’ Machine Vendetta blends space opera and a police procedural with kaleidoscopic world-building that explores liberty and diversity 

By Michael Grossberg

A hidden threat to humanity’s independence and very existence energizes Machine Vendetta, one of 11 2024 novels nominated for the next Prometheus Award for Best Novel.

Both an epic space opera and a detective-driven murder mystery, the Orbit US novel by British author Alastair Reynolds is of additional interest to freedom-loving SF fans because of the intriguing implications of its quasi-libertarian world-building.

A deft SF police procedural with a twisty plot and credible characters who have legitimate reasons to mistrust central authorities, Machine Vendetta gradually expands into a wider drama about a desperate struggle to preserve humanity’s freedom.

Continue reading Review: Alastair Reynolds’ Machine Vendetta blends space opera and a police procedural with kaleidoscopic world-building that explores liberty and diversity 

Best Novel finalist review: Danny King’s Cancelled envisions true-believer excesses of a dystopian New Britannia

By Steve Gaalema and Michael Grossberg

Oh, what a brave new world Danny King charts in Cancelled – now a Best Novel finalist.

Framed initially as a visionary utopia that fully embraces love, inclusion, social justice, and a triumphant institutionalization of progressive-left politics maybe not that far beyond current norms, this New Britannia initially might seem appealing.

Yet, cracks inevitably appear in the facade, as hidden realities are revealed in this gripping SF-enhanced dystopian fable, one of 11 2024 novels nominated for the next Prometheus Award for Best Novel.

Continue reading Best Novel finalist review: Danny King’s Cancelled envisions true-believer excesses of a dystopian New Britannia

Best Novel finalist review: Lionel Shriver’s Mania offers cautionary tale about an alternate America denying differences in intelligence 

By Michael Grossberg

Lionel Shriver, arguably the world’s greatest living libertarian novelist, has found another timely subject worthy of her illuminating insight and piercing wit.

Living up to her iconoclastic reputation, the British-American novelist finds satirical, intensely dramatic and gut-wrenchingly personal dimensions to bring to life in Mania.

The cautionary fable depicts a slightly different but recognizable contemporary world where good intentions have gone terribly astray.

Set in the recent past and present but in a wryly revealing alternate history, Mania portrays an America taken over by a new ideology: the Mental Parity movement.

Warning: Any resemblances to any cultlike trends or movements of today or just yesterday are purely intentional.

Continue reading Best Novel finalist review: Lionel Shriver’s Mania offers cautionary tale about an alternate America denying differences in intelligence 

Hall of Fame finalist review: Rudyard Kipling’s heterotopia “As Easy as A.B.C.” offers critique of lynching, racial prejudice, mob rule

By William H. Stoddard

As an epigraph for his novel Glory Road, Robert Heinlein quoted a passage from Bernard Shaw’s play Caesar and Cleopatra, which included the following memorable line:

. . . he is a barbarian, and thinks that the customs of his tribe and island are the laws of nature.

These lines captured, for me, what I have come to feel is one of the great pleasures of science fiction: stories set in worlds whose customs are different from those of our own time, or as I like to call them, heterotopias—neither “good places” nor “bad places” but “other places,” where customs other than ours are followed and indeed taken for granted.

Such visions implicitly, and sometimes explicitly, invite us to adopt the heterotopian perspective and look back on our own lives and our own world as if we inhabited some nearly unimaginable alien realm. The literary critic Darko Suvin coined the phrase cognitive estrangement for this experience.

One of the first works of fiction that made me feel this effect was one of Rudyard Kipling’s “airship utopia” stories, “As Easy as A.B.C.” – now one of four classic works selected as finalists for the next Prometheus Hall of Fame award for Best Classic Fiction.

Continue reading Hall of Fame finalist review: Rudyard Kipling’s heterotopia “As Easy as A.B.C.” offers critique of lynching, racial prejudice, mob rule