Category: Reviews

Artistic freedom, creativity, conscription and gay marriage: An Appreciation of J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what LFS members and other libertarian sf/fantasy fans see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our Appreciation for J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner:

Romantic and passionate, J. Neil Schulman’s The Rainbow Cadenza explores the power of art, the thirst for creativity and the threat to such individuality and self-expression in a future Brave New World dominated by one world government.

Schulman was prescient and years ahead of his time in envisioning a positive future where gay marriage is normal and legal.
Yet, his complex story portrays a very mixed and disconcerting dystopian future where teenage women are drafted into government prostitution service for three years, clones are treated as inferior and a new underclass called Touchables are hunted for sport.

Continue reading Artistic freedom, creativity, conscription and gay marriage: An Appreciation of J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner

Authoritarian imperialism vs. free-market anarchy in an interstellar future: An Appreciation of James P. Hogan’s Voyage From Yesteryear, the 1983 Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fits the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our Appreciation for James P. Hogan’s Voyage to Yesteryear, the 1983 Prometheus winner for Best Novel:

By Michael Grossberg

Two human civilizations, long separated across light years, confront significant philosophical and political differences when they make renewed contact decades after a World War III devastated the Earth and led to the rise of widespread authoritarian governments there.

When the Earth’s three superpower governments engage in a space race to renew contact with the lost colony on Chiron in the Alpha Centauri system colony’s descendants, the Americans arrive first with an authoritarian goal of invasion and domination.

Meanwhile, the Chiron colonists – sent from Earth generations before in a ship with babies raised by robots in order to start fresh and avoid the bad habits and prejudices of Earth – have developed a radically free libertarian society founded on the belief that each individual has the right to life, liberty and the pursuit of happiness.
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Rambunctious adventure in an alternate-history multiverse: An Appreciation of L. Neil Smith’s The Probability Broach, the 1982 Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fits the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our appreciation for L. Neil Smith’s The Probability Broach, the 1982 Prometheus Award winner for Best Novel:

By Michael Grossberg

Rollicking and fun-loving, L. Neil Smith’s The Probability Broach was one of the most influential books of the Libertarian movement as its ideas were spreading in the early 1980s.

Smith’s imaginative sci-fi multiverse adventure imagines alternate time lines accessible through the probability broach, a portal to many worlds.

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Galactic intrigue and how markets can reduce inequality and bigotry: An Appreciation of F. Paul Wilson’s Wheels within Wheels, the first Prometheus award winner in 1979

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.
Here’s the first Appreciation for F. Paul Wilson’s Wheels within Wheels, which won the first Prometheus Award in 1979.
At the end, we also include a few recent comments by Wilson, looking back 40 years at the very-different era and context in which he wrote his novel.

By Michael Grossberg
   An sf murder mystery hailed by the Library Journal for its “cleverly planted clues” and “all the satisfaction of a good Agatha Christie,” this 1978 novel was the first work of fiction to receive the Prometheus Award, initially established by writer L. Neil Smith to recognize more libertarian sf fiction.

With the benefit of hindsight, looking back at Wilson’s work from the perspective of the 40thanniversary of the Prometheus Awards in 2019, one appreciates this novel even more as part of a fascinating larger whole: Wilson’s LaNague Federation series, set in an interstellar future in which an imperialist central State is toppled by a decentralized libertarian social order that unleashes an era of peace, prosperity, progress and broad respect for individual rights.

Continue reading Galactic intrigue and how markets can reduce inequality and bigotry: An Appreciation of F. Paul Wilson’s Wheels within Wheels, the first Prometheus award winner in 1979

A 40th Anniversary Retrospective: Introducing a Reader’s Guide to the Prometheus Award Winners

By Michael Grossberg

To highlight and honor the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are providing a reader’s guide with capsule Appreciations of past Prometheus Award-winners, starting with the Best Novel category.

If you’ve ever wondered why a particular work of fiction has been recognized with a Prometheus Award and what libertarian sf fans see in these award-winning works, then our upcoming series of Appreciations should be must reading – as well as informative and illuminating!

Or, if you’re simply  looking for something enjoyable and stimulating to read within the realm of science fiction and fantasy, which also illuminates abiding questions about the perennial tensions between Liberty and Power, an excellent place to begin is with this recommended reading list of award-winning fiction (to be published here on a regular weekly (or biweekly) schedule, starting now (September 2019).

These capsule appreciations are being written and edited by LFS members (including LFS founder Michael Grossberg, LFS President William H. Stoddard, and veteran LFS leaders and board members Chris Hibbert, Tom Jackson, Anders Monsen, Eric Raymond, and others). In a few cases, the Appreciations will be based in part on reviews printed in the Prometheus quarterly (1982-2016) or the Prometheus blog (2017-today).

Since 1979, a wide array of novels, novellas, stories, films, TV series and other works of fiction have won Prometheus awards by highlighting in fascinatingly different ways the value of voluntary social cooperation over institutionalized State coercion, the importance of respecting human rights (even for that smallest minority, the individual), and the evils of tyranny (whether on the Left or the Right).


 Continue reading A 40th Anniversary Retrospective: Introducing a Reader’s Guide to the Prometheus Award Winners

Back to the Moon: Lunar fiction from Heinlein to McDonald, Weir and Corcoran

By William H. Stoddard

Robert Heinlein’s The Moon Is a Harsh Mistress is a classic of libertarian science fiction; along with Ayn Rand’s Atlas Shrugged, it was the first winner of the Libertarian Futurist Society’s Hall of Fame award in 1983. Many science fiction fans, and not only libertarians, regard it as one of his best novels.

But for nearly half a century after its original publication in 1966, it inspired no obvious imitators. Now, that’s started to change, with the appearance of multiple novels that explore the idea of a “free Luna” in the near future.

In 2015, Ian McDonald published Luna: New Moon, followed in 2017 by Luna: Wolf Moon; as of the time this is written, a third volume, Luna: Moon Rising is shortly to appear.

In 2017, Travis Corcoran published the first volume of his Aristillus series, The Powers of the Earth, winner of the Prometheus Award for Best Novel, followed in 2018 by Causes of Separation.

Also in 2017, Andy Weir, the author of The Martian, published Artemis. All three novels or series have important elements in common with each other and with Heinlein’s novel — but at the same time, they develop them in significantly different ways.
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Some love for L. Neil Smith at Tor.com

As part of a “bi-weekly series reviewing classic science fiction and fantasy books,” Alan Brown writes an appreciation of The Probability Broach by L. Neil Smith for Tor.com. (Smith won the Prometheus Award for the book in 1982.)

Brown writes, “Smith’s writing voice is witty, snarky, and entertaining, and there is always plenty of action to keep the story moving.”

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What Do You Mean ‘Libertarian’? (and why Tolkien’s trilogy deserved its Prometheus)

A bust of J.R.R. Tolkien in the chapel of Exeter College, Oxford. (Creative Commons photo). 

By William H. Stoddard

The Prometheus Award has been given annually since 1982, and the Hall of Fame Award since 1983. All through the twenty-first century, lists of four to six finalists have been announced for each award. And for much of that time, online comments on the nominations and awards have often questioned their rationale.  There have been comments suggesting that the awards could go to virtually any book, or to winners that have no libertarian content, or indeed are actively opposed to libertarianism.

“Virtually any book” is an exaggeration.
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Review: Sacrifice and survival in the film Avengers: Infinity War

Robert Downey Jr., who portrays Iron Man in the Avengers films (Creative Commons license)

By William H. Stoddard

The films that make up the Marvel Cinematic Universe are an unusual, and possibly unique artistic project: a cinematic series set in a shared fictional universe, one that develops from film to film, with later films referring to earlier.

Of course there have been trilogies and other series of films, but this design not only is at a greater length, but has multiple branches following different groups of characters. There’s a main storyline that began with The Avengers and progressed through Captain America: The Winter Soldier, The Avengers: Age of Ultron, Captain America: Civil War, and The Black Panther, but other films have told different types of stories: a mock epic in Guardians of the Galaxy, a caper film in Ant-Man, and a story of supernatural initiation in Doctor Strange, for example.

The latest film, The Avengers: The Infinity War, attempts to bring these all together into a climactic story—or at least, the first half of one; it ends with a cliffhanger. I went into the theater not sure this film would be worth seeing, and I can see some flaws in it, largely reflecting the vast differences in tone among the earlier films; but the overall result was impressive and moving. And I think this largely reflects the central role of theme in the script.
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Review: J. Neil Schulman’s The Fractal Man brims with humor amid cross-time conspiracies

J. Neil Schulman

By Eric Raymond

The Fractal Man (written by J.Neil Schulman) is a very, very funny book – if you share enough subcultural history with the author to get the in-jokes.

If you don’t – and in particular if you never met Samuel Edward Konkin – the man known as known as “SEKIII” to a generation of libertarians and SF fans before his tragically early death in 2004 – it will still be a whirligig of a cross-timeline edisonade, but some bits might leave you wondering how the author invented such improbabilities. But I knew SEKIII, and if there was ever a man who could make light of having a 50MT nuclear warhead stashed for safekeeping in his apartment, it was him.
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