Review: Aldous Huxley’s Brave New World offers still-timely dystopian vision of a collectivist “soft tyranny” denying individuality, history, culture and art


By Michael Grossberg

Aldous Huxley (Creative Commons license)

British writer-philosopher Aldous Huxley (1894-1963) is best remembered today for writing one of the earliest and most emblematic works of dystopian literature.

His 1932 novel Brave New World continues to be a bestseller and is universally recognized as a modern classic. For example, the Modern Library ranked it number 5 on its list of the 100 Best Novels in English of the 20th century.

Not all dystopian works fit the distinctive focus of the Prometheus Award, but Brave New World more than qualifies – and that’s why I’ve nominated it for the Prometheus Hall of Fame for Best Classic Fiction.

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An epic social novel about conflicts and threats to liberty on a multi-generation interstellar colony ship: An Appreciation of Michael Flynn’s In the Belly of the Whale, the 2025 Best Novel winner

By Michael Grossberg

In the Belly of the Whale, the 2025 Prometheus winner for Best Novel, was Michael Flynn’s last, posthumous novel and one of his richest and most resonant.

Exploring the complex lives, jobs, relationships, challenges and conflicts aboard a large colony ship two centuries into a projected eight-century voyage to Tau Ceti, the epic 472-page novel takes some time to fully introduce its large cast of characters among 40,000 people who live in the hollowed-out asteroid ship dubbed The Whale.

Yet, patience is amply rewarded with Flynn’s plausible and intricate world-building, deep insights into social psychology and wise grasp of human nature. 

In the Belly of the Whale, Flynn’s 14th and final novel, builds dramatic intensity coupled with rich and revelatory insights that freshen this seemingly familiar SF subgenre of the long colony-ship voyage. Flynn raises deeper questions than most SF writers, scientists or space-colonization enthusiasts have considered about the prospects and costs of such generations-long voyages.

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A libertarian lunar revolution in the making in James Bacon’s novel Dust Mites: The Siege of Airlock Three.


By Michael Grossberg

Imagine human colonies on the moon, restless and on the precipice of a revolution against increasingly intrusive Earth authorities.

Robert Heinlein famously imagined such a scenario in The Moon is a Harsh Mistress, one of his four Hugo Awardwinning novels and one of the first two works inducted in 1983 into the Prometheus Hall of Fame for Best Classic Fiction.

So did Travis Corcoran, the only author to win back-to-back Prometheus awards for Best Novel for The Powers of the Earth (in 2018) and its sequel Causes of Separation (in 2019.)

Yet, the lunar-revolution scenario mentioned above also describes Dust Mites: The Siege of Airlock Three, James Bacon’s 2022 SF novel.

Continue reading A libertarian lunar revolution in the making in James Bacon’s novel Dust Mites: The Siege of Airlock Three.


The Day Before the Revolution: Ursula K. Le Guin story, a prequel to her Prometheus-winning The Dispossessed, recommended by Reactor Magazine


By Michael Grossberg

Ursula K. Le Guin’s The Day Before the Revolution has been highlighted and recommended by Reactor Magazine among “five SF stories in which hope survives.”

The story, available in the Le Guin short-story collection The Wind’s Twelve Quarters, should be of interested to LFS members and other freedom-loving SF/fantasy fans because it’s considered a sequel to Le Guin’s classic novel The Dispossessed, an early Prometheus Hall of Fame winner.

“Science fiction has the power to remind us that hope is valuable, and necessary,” James Davis Nicoll wrote in the Reactor column.

That insight, and sentiment, rings true to Prometheus Awards voters and fans. After all, our award in part aims to recognize worthy works of speculative fiction that in many cases do remind us that even amid troubled times and authoritarian societies, better and freer futures remain possible.

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Apple TV’s entertaining adaptation of Wells’ Murderbot stories reflects their libertarian themes of free will, anti-slavery and bodily autonomy

By Michael Grossberg

It’s not that often that a Prometheus-award-recognized novel or story is adapted to the large or small screen.

So it’s newsworthy, as well as something of a relief, to report that the Apple TV+ new streaming series of Murderbot is pretty entertaining.

Martha Wells’ Murderbot stories and novels have won Hugo, Nebula and Locus awards, and have been nominated for the Prometheus Award, where her first set of novellas was recognized as a Best Novel finalist. So hopes were high for the TV series, which began streaming in May.

Based on the suspenseful and intelligent half-hour episodes of its first season, Apple TV’s series seems faithful to Well’s acclaimed series of novellas and novels about a rogue security robot who secretly gains free will.

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Best Novel finalist review: Cherryh and Fancher’s Alliance Unbound dramatizes the crucial fact of scarcity as merchant ships pursue voluntary trade amid authoritarian threats


By William H. Stoddard

Alliance Unbound is the sequel to Alliance Rising, which won the Prometheus Award for Best Novel in 2020. It appears that this may be the second volume of a trilogy, as the final pages leave important issues unresolved.

Taken together, these novels form a prequel to Cherryh’s Alliance/Union series, one of the larger future histories in the past few decades. (It began in 1981 with Downbelow Station, which won her first Hugo Award for best novel.)

The crucial fact driving its events is scarcity. 

There are only three planets with biospheres: Earth, Pell’s World, and Cyteen. Orbital habitats in other solar systems — notably Alpha Station, located at Barnard’s Star, where Alliance Rising was set — are ultimately dependent for supplies, especially biomass, on those three systems; Alliance Rising’s plot turned on Earth’s starving Alpha Station of resources to advance its own goals, and a key point in Alliance Unbound is the discovery of nearly priceless Earth goods on Downbelow Station, which orbits Pell’s World.

Cherryh and Fancher’s characters are well aware of such issues of scarcity and value, being interstellar merchants who spend their lives going from solar system to solar system, with holds full of high-value cargo and computer memories full of equally valuable data.

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Review: Alastair Reynolds’ Machine Vendetta blends space opera and a police procedural with kaleidoscopic world-building that explores liberty and diversity


By Michael Grossberg

A hidden threat to humanity’s independence and very existence energizes Machine Vendetta, one of 11 2024 novels nominated for the next Prometheus Award for Best Novel.

Both an epic space opera and a detective-driven murder mystery, the Orbit US novel by British author Alastair Reynolds is of additional interest to freedom-loving SF fans because of the intriguing implications of its quasi-libertarian world-building.

A deft SF police procedural with a twisty plot and credible characters who have legitimate reasons to mistrust central authorities, Machine Vendetta gradually expands into a wider drama about a desperate struggle to preserve humanity’s freedom.

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Best Novel finalist review: Danny King’s Cancelled envisions true-believer excesses of a dystopian New Britannia

By Steve Gaalema and Michael Grossberg

Oh, what a brave new world Danny King charts in Cancelled – now a Best Novel finalist.

Framed initially as a visionary utopia that fully embraces love, inclusion, social justice, and a triumphant institutionalization of progressive-left politics maybe not that far beyond current norms, this New Britannia initially might seem appealing.

Yet, cracks inevitably appear in the facade, as hidden realities are revealed in this gripping SF-enhanced dystopian fable, one of 11 2024 novels nominated for the next Prometheus Award for Best Novel.

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Review: Stuart Turton’s The Last Murder at the End of the World offers post-apocalyptic mystery about dangers of absolute power and misconceived utopianism

By Michael Grossberg and Charlie Morrison

A genre-smashing, bestselling and award-winning novelist, Stuart Turton is widely hailed for his speculative tales of mystery, imagination and human complexity.

The Last Murder at the End of the World, one of 11 Prometheus Best Novel nominees from 2024 and the first work by Turton recognized by our awards, offers the satisfactions of several types of works in one strange but compelling hybrid.

It’s an ingenious murder mystery, an imaginative work of science fiction/fantasy, a suspenseful story of survival, a cautionary dystopian tale, a haunting memory piece and a gripping drama.

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Best Novel finalist review: Lionel Shriver’s Mania offers cautionary tale about an alternate America denying differences in intelligence


By Michael Grossberg

Lionel Shriver, arguably the world’s greatest living libertarian novelist, has found another timely subject worthy of her illuminating insight and piercing wit.

Living up to her iconoclastic reputation, the British-American novelist finds satirical, intensely dramatic and gut-wrenchingly personal dimensions to bring to life in Mania.

The cautionary fable depicts a slightly different but recognizable contemporary world where good intentions have gone terribly astray.

Set in the recent past and present but in a wryly revealing alternate history, Mania portrays an America taken over by a new ideology: the Mental Parity movement.

Warning: Any resemblances to any cultlike trends or movements of today or just yesterday are purely intentional.

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