Category: Reviews

The best of the blog: Our 2025 reviews of Prometheus winners, finalists and more


Some of the most important, impactful and lasting articles posted on the Prometheus Blog this year were reviews.

Of the 120 posts published here in 2025, more than 10 percent were reviews – perhaps most notably, the latest review-essays in our ongoing Appreciation series devoted to honoring each year’s Prometheus Awards winners for Best Novel and the Prometheus Hall of Fame for Best Classic Fiction.

That may seem like a relatively small percentage of our posts, but it actually represents a major sustained effort – in terms of both time and thought – by Prometheus judges and other Libertarian Futurist Society members.

Certainly, it takes time and careful attention to write, edit, illustrate and publish the many posts focusing on awards news, LFS progress reports, author’s updates, essays, features and trend pieces about the influence of Prometheus-winning works and their authors on today’s culture and politics.

Yet it generally takes substantially more effort, insight and creativity to write thoughtful reviews of the most significant fiction nominated each year for a Prometheus Award. 

Here are the most noteworthy reviews we published in 2025, along with convenient links allowing you to read or reread any that spark your curiosity or interest:

Continue reading The best of the blog: Our 2025 reviews of Prometheus winners, finalists and more


Why the visionary and darkly satirical film Brazil, co-written by the late great Tom Stoppard, deserves a Prometheus nomination next year

By Michael Grossberg

This seems the right moment to take a fresh look at Brazil, one of the greatest dystopian science fiction visions of our era – and also one of the most libertarian.

Now celebrating its 40th anniversary, the film is one of the most widely seen and arguably among the most enduring works of the avowed libertarian Tom Stoppard, the internationally acclaimed Czech-British playwright and screenwriter who died recently at 88.

Released in 1985, the film was directed by Terry Gilliam and co-written by Gilliam, Stoppard and Charles McKeown.

Continue reading Why the visionary and darkly satirical film Brazil, co-written by the late great Tom Stoppard, deserves a Prometheus nomination next year

Hall of Fame Finalist Review: Adam Roberts’ Salt explores conflicting conceptions of freedom between neighboring anarchist and statist communities


By Michael Grossberg

Freshly exploring utopian and dystopian themes, Salt contrasts an anarchist community and its statist neighbor on a harsh desert planet.

Suspenseful and thought-provoking, Adam Roberts’ science fiction novel illuminates how customs, attitudes and ideologies on both sides spark mutual misunderstandings and accelerating conflicts.

A finalist for the next Prometheus Hall of Fame award for Best Classic Fiction, Robert’s cautionary tale invites us to question our deepest assumptions about freedom.

Continue reading Hall of Fame Finalist Review: Adam Roberts’ Salt explores conflicting conceptions of freedom between neighboring anarchist and statist communities


Review: Harry Turtledove’s Between the Rivers offers historical perspective on long-establish elements of emerging freedom and civilization

By William H. Stoddard

Harry Turtledove’s Between the Rivers, one of this year’s Prometheus Hall of Fame nominees, is suited to libertarian audiences in somewhat the same way as Neal Stephenson’s Baroque Cycle: It neither portrays a free society, nor proposes a path to creating one, but offers a historical perspective on some of the long established elements of freedom as of their first appearance.

Stephenson’s Baroque Cycle novel The System of the World, the 2005 Prometheus Best Novel winner, is subtle about its fantastic elements (the presence of Enoch Root, also a character in Cryptonomicon, set centuries later, and the strange isotope of gold); Turtledove’s much less so, with active gods monitoring their human worships and wandering about the countryside.

So Stephenson can be read as a secret history, but Turtledove has to be taken as a historical fantasy. But Turtledove makes his historical parallels obvious, in the very title of his book: “Between the Rivers” literally translates the Greek name “Mesopotamia” for the land that was once Sumer, and later Babylonia, and is now Iraq.

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Hall of Fame Finalist Review: James Blish’s The Star Dwellers dramatizes core concepts of consent, contract and deal-making that make peace and freedom possible

By Michael Grossberg

Fizzy with ideas and brimming with American idealism, James Blish was widely recognized during the Golden Age of science fiction as a major writer.

One of his best novels, in my view, is The Star Dwellers, first published in 1961 and now nominated for the Prometheus Hall of Fame Award for Best Classic Fiction.

Relatively short at 128 pages in the Avon Books paperback and clearly written as a so-called “SF juvenile” yet still rich with insights, Blish’s novel revolves around a fraught “second contact” between humans and an ancient, extremely advanced alien species.

Highlighted at the story’s center are the closely linked concepts of consent and contract – two of the most fundamental ideas at the foundation of both libertarianism and classical liberalism.

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Why leading libertarian, economist and novelist David Friedman admires the science fiction of Karl K. Gallagher



By Michael Grossberg

Leading libertarian thinker and economist David D. Friedman counts himself a fan of science-fiction writer Karl K. Gallagher.

David Friedman (Photo provided by Friedman)

In a fascinating question and answer session at the end of the 45th Prometheus Awards ceremony, Friedman singled out just a few science fiction authors for praise – including Vernor Vinge, Robert Heinlein, C.J. Cherryh, Lois McMaster Bujold and Gallagher.

Karl K. Gallagher (2024 photo courtesy of Gallagher)

Gallagher’s novels are “well-written and interesting,” said Friedman, himself a Prometheus-nominated fantasy novelist.

Friedman, nominated for Harald, also has written Salamander, which he views as his favorite and best-written novel, and Brothers, a sequel to Harald.

Continue reading Why leading libertarian, economist and novelist David Friedman admires the science fiction of Karl K. Gallagher



Review: Harry Turtledove’s Prometheus-nominated Powerless critiques communism and blind obedience to authority

By Max More

Powerless, one of six novels nominated so far for the next Prometheus Award for Best Novel, is the first novel I have read by Harry Turtledove. I chose to read it because of its anti-authoritarian message.

The structure and function of this alternate reality – in which communism has taken over the United States (and apparently much or all of the world) – seemed familiar and frighteningly plausible to me based on my study of the years under Lenin and Stalin.

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Sequels, part 11: Unlike literary sequels, movie sequels and genre films don’t get as much respect at the Oscars, but that may be changing


By Michael Grossberg

Movie sequels seem to be more common and more popular than ever in the 21st century, often dominating at the box office. Yet, they just don’t get as much respect or awards recognition as literary sequels.

Far fewer sequels have won Academy Awards than have been recognized by science fiction and fantasy’s Hugo and Prometheus awards.

Just consider how few movie sequels have won the Oscar for Best Picture compared to how often sequel novels win a top SF/fantasy award.

Within the 46-year history of the Prometheus Awards, 194 of the 505 novels nominated within the Best Novel category have been sequels – and 11 have gone on to win.

Meanwhile, as recently reported here, nine sequel novels have won the Best Novel category in the 72-year history of the Hugo Awards, voted by members of the World Science Fiction Society and presented annually at the Worldcon.

Yet, in the 97 years that the Academy Awards have been presented, only two movie sequels have won Best Picture: The Godfather Part II and The Lord of the Rings: The Return of the King.

Intriguingly, both movies were key parts of the only trilogies or series to have three films nominated for Best Picture, perhaps partly reflecting the stature and impact of the overall effort.

And perhaps coincidentally, both movies dramatize libertarian and classical-liberal themes about the temptations and abuses of power.

Continue reading Sequels, part 11: Unlike literary sequels, movie sequels and genre films don’t get as much respect at the Oscars, but that may be changing


Hall of Fame Finalist Review: Aldous Huxley’s Brave New World offers still-timely dystopian vision of a collectivist “soft tyranny” denying individuality, history, culture and art


By Michael Grossberg

Aldous Huxley (Creative Commons license)

British writer-philosopher Aldous Huxley (1894-1963) is best remembered today for writing one of the earliest and most emblematic works of dystopian literature.

His 1932 novel Brave New World continues to be a bestseller and is universally recognized as a modern classic. For example, the Modern Library ranked it number 5 on its list of the 100 Best Novels in English of the 20th century.

Not all dystopian works fit the distinctive focus of the Prometheus Award, but Brave New World more than qualifies – and that’s why I’ve nominated it for the Prometheus Hall of Fame for Best Classic Fiction.

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Masterful social-scientific world-building in clash of cultures, including a libertarian society: An appreciation of Poul Anderson’s Orion Shall Rise, the 2025 Prometheus Hall of Fame winner


By William H. Stoddard

One of the things Poul Anderson was known for throughout his literary career was world-building. Much of this was planetary design, based on the natural sciences, in which he started out with stellar type, planetary mass, orbital radius, and elemental abundances and worked out the geology, meteorology, and biology of a world.

Poul Anderson (Creative Commons license)

Anderson was certainly one of the masters of this, up there with Hal Clement and Vernor Vinge. But he put equal effort into social scientific worldbuilding, creating economies, polities, and cultures, and developing plots for his stories from the conflicts they gave rise to. Orion Shall Rise, winner of the 2025 Prometheus Hall of Fame for Best Classic Fiction, is a nearly pure example of social scientific world-building, set not in a distant solar system but on a future Earth.

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