First contact, social contracts, slavery and freedom: An Appreciation of Ken MacLeod’s Learning the World, the 2006 Best Novel winner

To make clear why past winners deserve recognition as pro-freedom sf/fantasy and how they fit the Prometheus Award, Appreciations of past winners have been written and posted. Here’s the Appreciation for Ken MacLeod’s Learning the Worldthe 2006 Prometheus Best Novel winner:

MacLeod’s inventive first-contact novel explores the politics and uncertainties involved from two perspectives: the natives of the planet and the “alien” (human) visitors.

In some ways modeled on classic Heinlein juveniles and a departure from his other future-Earth-solar-system novels exploring the implications of libertarian and Marxist ideas, Learning the World offers as a primary viewpoint character a teen girl living on an interstellar colony ship about to enter a new solar system.

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Futures in Collision: Firefly’s Divided Society

Actor Nathan Fillion, who played Captain Malcolm “Mal” Reynolds. Creative Commons photo by vagueonthehow. 

By William H. Stoddard

In the decade and a half since Firefly came on the air, it’s emerged as one of the high points of television science fiction, both for its characterization, and for the unusual depth in which its setting is imagined. In fact, that depth helps explain the characterization. The crew and passengers of the Serenity come from different places in a complex world, and their motives and relationships reflect this.

On a first viewing, they’re inevitably two-dimensional, inviting the watcher to see them as dramatic stereotypes. Fitting the description of Firefly as a “space Western,” they often seem like Western stereotypes: the cynical veteran, the glamorous dance-hall girl, the preacher, the naïve city dweller out of his depth. But over the course of the first (and only) season, viewers came to know their backstories, and to see their actions in more depth, in relation to their pasts as well as their presents.
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