Authoritarian imperialism vs. free-market anarchy in an interstellar future: An Appreciation of James P. Hogan’s Voyage From Yesteryear, the 1983 Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fits the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our Appreciation for James P. Hogan’s Voyage to Yesteryear, the 1983 Prometheus winner for Best Novel:

By Michael Grossberg

Two human civilizations, long separated across light years, confront significant philosophical and political differences when they make renewed contact decades after a World War III devastated the Earth and led to the rise of widespread authoritarian governments there.

When the Earth’s three superpower governments engage in a space race to renew contact with the lost colony on Chiron in the Alpha Centauri system colony’s descendants, the Americans arrive first with an authoritarian goal of invasion and domination.

Meanwhile, the Chiron colonists – sent from Earth generations before in a ship with babies raised by robots in order to start fresh and avoid the bad habits and prejudices of Earth – have developed a radically free libertarian society founded on the belief that each individual has the right to life, liberty and the pursuit of happiness.
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Rambunctious adventure in an alternate-history multiverse: An Appreciation of L. Neil Smith’s The Probability Broach, the 1982 Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fits the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our appreciation for L. Neil Smith’s The Probability Broach, the 1982 Prometheus Award winner for Best Novel:

By Michael Grossberg

Rollicking and fun-loving, L. Neil Smith’s The Probability Broach was one of the most influential books of the Libertarian movement as its ideas were spreading in the early 1980s.

Smith’s imaginative sci-fi multiverse adventure imagines alternate time lines accessible through the probability broach, a portal to many worlds.

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Interview: LFS founder Michael Grossberg on how he became a writer, critic, sf fan & helped save the Prometheus Awards

 

Michael Grossberg, 2016 Photo courtesy of M.G.

Note: In this wide-ranging autobiographical interview, Grossberg shares his encounters, conversations and/or connections with Timothy Leary, George R.R. Martin, L. Neil Smith, Bruce Sterling, David Brin, Sissy Spacek, Gore Vidal, Ray Bradbury, Roy Rogers, Jeffrey Rogers Hummel, Roberto Rossellini, Nicholas Ray, Marianne Williamson, Susan Sontag, Roy Childs Jr., James Hogan and Robert Heinlein, among others.

TOM JACKSON: Could you tell us about yourself, including how you became a writer and arts critic?
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Interview: L. Neil Smith on his work, the Prometheus Award and his influences

L. Neil Smith in June 2019. (Photo courtesy L. Neil Smith).

L. Neil Smith is a libertarian activist and pundit, a musician, the founder of the Prometheus Award, a firearms enthusiast and a longtime Colorado resident. (Born in Denver, he grew up all over as an Air Force brat but eventually returned to Colorado for good.)

But he’s perhaps best known as a prolific science fiction writer, who often incorporates libertarian ideas into his novels, which usually have plenty of action and humor. He has written more than 35 books, including many science fiction novels, but also graphic novels, a vampire novel and political/philosophical commentary.

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L. Neil Smith news roundup

Science fiction writer L. Neil Smith is staying busy with a bunch of writing projects. Ares, the latest book of his Ngu Family Saga, will be out soon from Smith’s publisher, Arc Manor.  Smith’s Only the Young Die Good, the sequel to his 2011 vampire novel, Sweeter Than Wine, also will be out before too long, and Smith has begun work on the next Ngu novel, Rosalie’s World. 

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Tor.com looks at the Prometheus Award on its 40th anniversary

James Davis Nicoll, a recent nominee for the Hugo Award for Best Fan Writer, writes about “40 Years of the Prometheus Award,” for Tor.com.  He concludes that “following this particular award can be rewarding for readers of all stripes. Probably not every work above will be to your taste, but certainly some will be.”

The comments, including back and forth between Nicoll and readers, also are interesting.
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Some love for L. Neil Smith at Tor.com

As part of a “bi-weekly series reviewing classic science fiction and fantasy books,” Alan Brown writes an appreciation of The Probability Broach by L. Neil Smith for Tor.com. (Smith won the Prometheus Award for the book in 1982.)

Brown writes, “Smith’s writing voice is witty, snarky, and entertaining, and there is always plenty of action to keep the story moving.”

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Review: Unusual aliens, libertarian ethics accent L. Neil Smith’s Blade of p’Na

By Tom Jackson

book coverI’ll start my review with a confession. Even though I honor L. Neil Smith for creating the Prometheus Award, and I devote a great deal of time and energy trying to help the award continue, I don’t always love his work.

I enjoyed The Forge of the Elders (the 2011 Prometheus Award-winner for Best Novel) but I didn’t care for Pallas or Ceres very much. Smith the angry libertarian polemicist does little for me, either in the Ngu Family Saga or on Facebook.
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Freedom in the Future Tense: A Political History of SF

 

By Eric S. Raymond

The history of modern SF is one of five attempted revolutions — one success and four enriching failures. I’m going to offer a look at them from an unusual angle, a political one. This turns out to be a useful perspective because more of the history of SF than one might expect is intertwined with political questions, and SF had an important role in giving birth to at least one distinct political ideology that is alive and important today.

Robert Heinlein (Photo courtesy of the Heinlein Trust)

CAMPBELL AND HEINLEIN

The first and greatest of the revolutions came out of the minds of John Wood Campbell and Robert Heinlein, the editor and the author who invented modern science fiction. The pivotal year was 1937, when John Campbell took over the editorship of Astounding Science Fiction. He published Robert Heinlein’s first story a little over a year later.
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