Prometheus finalist author Devon Eriksen releases audiobook of Theft of Fire (but what about the sequel?)

Theft of Fire, a 2024 Prometheus Best Novel finalist, is now available as an audiobook.

Author Devon Eriksen has announced the belated recording and availability of the audiobook, which is available on Apple Books, Google Play and Kobo.

Billed as the first novel in Eriksen’s Orbital Space series and blending hard SF, romance, mystery, suspense and even comedy, Theft of Fire offers a Heinleinesque space opera portraying a free-frontier space culture where big risks can lead to big rewards.

“Was it easy? No. Was it cheap? Also no. But thanks to the support of Kickstarter backers, the Theft of Fire: Orbital Space #1 audiobook exists, and I am so delighted to announce it now,” publicist Christine Eriksen wrote in a blog update on Eriksen’s website, devoneriksen.com

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The Prometheus Young Adult Honor Roll: A reading and holiday gift guide for parents, teenagers and children


By Michael Grossberg

When Libertarian Futurist Society leaders added Young Adult (YA) fiction as an additional category of pro-freedom fantastical fiction that might be recognized with a Special Prometheus Award, quite a few worthy YA works already had won a Prometheus Award.

That’s why the LFS also set up a Prometheus Award Young Adult Honor Roll at the same time – a list that parents, grandparents and others should be aware of when choosing presents for the holidays or birthdays.

After all, what better present for a child or teenager than a good book?

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Review: James Blish’s The Star Dwellers dramatizes core concepts of consent, contract and deal-making that make peace and freedom possible

By Michael Grossberg

Fizzy with ideas and brimming with American idealism, James Blish was widely recognized during the Golden Age of science fiction as a major writer.

One of his best novels, in my view, is The Star Dwellers, first published in 1961 and now nominated for the Prometheus Hall of Fame Award for Best Classic Fiction.

Relatively short at 128 pages in the Avon Books paperback and clearly written as a so-called “SF juvenile” yet still rich with insights, Blish’s novel revolves around a fraught “second contact” between humans and an ancient, extremely advanced alien species.

Highlighted at the story’s center are the closely linked concepts of consent and contract – two of the most fundamental ideas at the foundation of both libertarianism and classical liberalism.

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The Special Prometheus Award for YA fiction isn’t well-known yet, but that could change with the nomination of Dave Freer’s Storm-Dragon


By Michael Grossberg

Many publishers and authors may not be aware of the newest category of Special Prometheus Awards, set up to recognize Young Adult (YA) fiction. Even some Libertarian Futurist Society members may be unaware of the award, only added as a possibility a few years ago.

Yet, that could be about to change, with the recent nomination of Dave Freer’s YA novel Storm-Dragon for a Special Award.

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The newest Prometheus Award: A Special Award for Young Adult fiction – and why it’s important to encourage younger generations to read books

By Michael Grossberg

Did you know that Young Adult novels are eligible for a Special Prometheus Award?

In the broad realm of fantastical fiction, Young-Adult or YA novels have had and continue to have a special and honored place.

Just recall how much of the Golden Age of modern SF was YA books for teenagers or so-called “juvenile fiction” for children or middle-grade readers, including many of Robert Heinlein’s early bestsellers, such as Citizen of the Galaxy or Red Planet, both inducted into the Prometheus Hall of Fame for Best Classic Fiction.

That’s a key reason why the Libertarian Futurist Society decided several years ago to set up a process to begin recognizing eligible and worthy YA novels with a Special Prometheus Award – and why we invite our members, as well as publishers and authors, to bring eligible YA works to our attention.

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Sequels, part 11: Unlike literary sequels, movie sequels and genre films don’t get as much respect at the Oscars, but that may be changing


By Michael Grossberg

Movie sequels seem to be more common and more popular than ever in the 21st century, often dominating at the box office. Yet, they just don’t get as much respect or awards recognition as literary sequels.

Far fewer sequels have won Academy Awards than have been recognized by science fiction and fantasy’s Hugo and Prometheus awards.

Just consider how few movie sequels have won the Oscar for Best Picture compared to how often sequel novels win a top SF/fantasy award.

Within the 46-year history of the Prometheus Awards, 194 of the 505 novels nominated within the Best Novel category have been sequels – and 11 have gone on to win.

Meanwhile, as recently reported here, nine sequel novels have won the Best Novel category in the 72-year history of the Hugo Awards, voted by members of the World Science Fiction Society and presented annually at the Worldcon.

Yet, in the 97 years that the Academy Awards have been presented, only two movie sequels have won Best Picture: The Godfather Part II and The Lord of the Rings: The Return of the King.

Intriguingly, both movies were key parts of the only trilogies or series to have three films nominated for Best Picture, perhaps partly reflecting the stature and impact of the overall effort.

And perhaps coincidentally, both movies dramatize libertarian and classical-liberal themes about the temptations and abuses of power.

Continue reading Sequels, part 11: Unlike literary sequels, movie sequels and genre films don’t get as much respect at the Oscars, but that may be changing


Sequels, part 10: Like the Prometheus Awards, the Hugo awards often recognize sequels – including many of the same novels and authors

By Michael Grossberg

Within the 46-year history of the Prometheus Awards, 194 of the 505 novels nominated within the Best Novel category have been sequels, as previously reported – and 11 have gone on to win. Yet, the Prometheus Awards are not the only science fiction awards that often recognize sequels.

Quite a few have been honored by the Hugo Awards, voted by members of the World Science Fiction Society and presented annually at Worldcons.

By my count, the Hugos have honored sequels nine times in the Best Novel category. Interestingly, quite a few of those authors also have been recognized in the Prometheus Awards – including Lois McMaster Bujold, Orson Scott Card, C.J. Cherryh and Vernor Vinge. In several cases, both awards have recognized writers for the same works.

This overview of such recognition reminds us of the frequent overlap between the Hugos and the Prometheus awards while shedding light on the popularity and appeal of sequels.

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Sequels, part 9: By the numbers, Prometheus Awards history is full of Best Novel sequels

By Michael Grossberg

Throughout the 46-year history of the Prometheus Award, 505 novels have been nominated for Best Novel.

That’s a surprisingly large number, at least to me – and a cumulative total that I don’t believe has been calculated and reported before, or at least not in many years.

Yet, when I counted them up recently, I was even more surprised by the number of Best Novel nominees that turn out to be sequels. (Quite a few were hard to identify as sequels, by the way, until I researched each title – with some so obscure, and not immediately recognizable as sequels when nominated and read by Prometheus judges and LFS members, because many work fine as stand-alone stories without any obvious indications of previous works.)

Can you guess how many Best Novel nominees have been sequels?

Continue reading Sequels, part 9: By the numbers, Prometheus Awards history is full of Best Novel sequels

Masterful social-scientific world-building in clash of cultures, including a libertarian society: An appreciation of Poul Anderson’s Orion Shall Rise, the 2025 Prometheus Hall of Fame winner


By William H. Stoddard

One of the things Poul Anderson was known for throughout his literary career was world-building. Much of this was planetary design, based on the natural sciences, in which he started out with stellar type, planetary mass, orbital radius, and elemental abundances and worked out the geology, meteorology, and biology of a world.

Poul Anderson (Creative Commons license)

Anderson was certainly one of the masters of this, up there with Hal Clement and Vernor Vinge. But he put equal effort into social scientific worldbuilding, creating economies, polities, and cultures, and developing plots for his stories from the conflicts they gave rise to. Orion Shall Rise, winner of the 2025 Prometheus Hall of Fame for Best Classic Fiction, is a nearly pure example of social scientific world-building, set not in a distant solar system but on a future Earth.

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An epic social novel about conflicts and threats to liberty on a multi-generation interstellar colony ship: An Appreciation of Michael Flynn’s In the Belly of the Whale, the 2025 Best Novel winner

By Michael Grossberg

In the Belly of the Whale, the 2025 Prometheus winner for Best Novel, was Michael Flynn’s last, posthumous novel and one of his richest and most resonant.

Exploring the complex lives, jobs, relationships, challenges and conflicts aboard a large colony ship two centuries into a projected eight-century voyage to Tau Ceti, the epic 472-page novel takes some time to fully introduce its large cast of characters among 40,000 people who live in the hollowed-out asteroid ship dubbed The Whale.

Yet, patience is amply rewarded with Flynn’s plausible and intricate world-building, deep insights into social psychology and wise grasp of human nature. 

In the Belly of the Whale, Flynn’s 14th and final novel, builds dramatic intensity coupled with rich and revelatory insights that freshen this seemingly familiar SF subgenre of the long colony-ship voyage. Flynn raises deeper questions than most SF writers, scientists or space-colonization enthusiasts have considered about the prospects and costs of such generations-long voyages.

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