Looking back at Prometheus Awards history: What happened at the first awards ceremony in 1979 in Los Angeles – and why it was controversial

Today marks nearly the end of a pivotal year marking the 40th anniversary of the Prometheus Awards, so it’s interesting to take a moment in 2019 and look back at the birth of the awards with the very first Prometheus Awards ceremony in 1979.
First envisioned and launched by sf writer L. Neil Smith, the Prometheus Award was first presented in 1979 in a high-profile ceremony at the year’s biggest Libertarian convention, which attracted several thousand people in Los Angeles.

Writer Robert Anton Wilson announced the winner – F. Paul Wilson’s sf mystery Wheels Within Wheels– after announcing three finalists, including Poul Anderson’s The Avatarand James P. Hogan’s The Genesis Machine.
Here’s a glimpse of how the event was covered in Frontlines, a leading libertarian-movement-news newsletter published by Reason magazine’s foundation:
“The first-ever Prometheus Award was presented for the best libertarian science fiction novel of 1978. The finalists were Poul Anderson’s The Avatar, James P. Hogan’s The Genesis Machine and F. Paul Wilson’s Wheels within Wheels.

“Robert Anton Wilson did the honors, on behalf of the Prometheus Award Committee (an independent group of libertarian sf fans, who contributed the award), presenting the $2,500 in gold to (no relation) F. Paul Wilson. The prize (which has already increased significantly in value) is the largest award for science fiction given anywhere in the world.”

Continue reading Looking back at Prometheus Awards history: What happened at the first awards ceremony in 1979 in Los Angeles – and why it was controversial

An Appreciation of No Award, the 1985 Prometheus Best Novel choice

Our Appreciation series highlights the four-decade history of the Prometheus Awards. Here’s an Appreciation for No Award, the 1985 winner in the Best Novel category.

By William H. Stoddard

When the Libertarian Futurist Society started giving regular awards for Best Novel, ballots mailed to members offered the option of voting for None of the Above.

In 1985, None of the Above won, for the first and – up to now – the only time.

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Literary snobbery at the ‘Paris’ Review – snubbing Johanna Sinisalo’s Prometheus-winning The Core of the Sun

Johanna Sinisalo holds her Prometheus Award. (Photo by Ryan Lackey). 

The Paris Review has a new article up, “How Finland Rebranded Itself as a Literary Country,” which purports to tell the story of how Finnish writers have acquired an international reputation.

But the article’s author, Kalle Oskari Mattila, seems to be determined to make sure that neither the science fiction community nor the Prometheus Award will receive any credit for the growing attention to Finnish writing.

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Reason magazine & Victoria Varga on the LFS fight over Ursula Le Guin’s ‘The Dispossessed’

By Tom Jackson

My Jan. 24 blog post on the death of prominent SF writer Ursula K. LeGuin mentioned that she won our Hall of Fame Award in 1993, for The Dispossessed.

I know now a lot more about the history behind that award, thanks to a new article by Victoria Varga. 

Varga, the former editor of The Prometheus, the newsletter we sent out until we established this blog, explains that the novel came out in 1974 and she nominated it for the Hall of Fame Award in 1983, touching off years of debate. LeGuin appreciated the nominations but privately expressed doubt it would win, although it finally did.

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Freedom in the Future Tense: A Political History of SF

 

By Eric S. Raymond

The history of modern SF is one of five attempted revolutions — one success and four enriching failures. I’m going to offer a look at them from an unusual angle, a political one. This turns out to be a useful perspective because more of the history of SF than one might expect is intertwined with political questions, and SF had an important role in giving birth to at least one distinct political ideology that is alive and important today.

Robert Heinlein (Photo courtesy of the Heinlein Trust)

CAMPBELL AND HEINLEIN

The first and greatest of the revolutions came out of the minds of John Wood Campbell and Robert Heinlein, the editor and the author who invented modern science fiction. The pivotal year was 1937, when John Campbell took over the editorship of Astounding Science Fiction. He published Robert Heinlein’s first story a little over a year later.
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