R.I.P., L. Neil Smith: Sf writer, best known for libertarian classic The Probability Broach, leaves a lasting legacy of liberty-loving sf adventure

Libertarian science fiction writer L. Neil Smith has died, leaving a legacy of high-spirited libertarian sf adventure and of the Prometheus Award itself.

L. Neil Smith (Creative Commons photo)

Smith, who died at 75 on Aug. 27, 2021 in Fort Collins, Colo., is best known for his explicitly libertarian novel The Probability Broach and its rambunctious alternate-history sequels in his The North American Confederacy series.

During his writing career from the 1970s into the 2010s, Smith wrote 31 books, including 29 novels, and many essays and short stories.

Quite a few of his works were nominated for Prometheus Awards because of their freewheeling adventure, sense of humor, imaginative alternate-reality scenarios and strong libertarian/individualist themes.

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“A beacon of libertarian freedom” – Barry Longyear’s acceptance speech for The Hook, the 2021 Prometheus winner for Best Novel

What is freedom?
How can we achieve it?
How can we defend it?

Veteran sf novelist Barry B. Longyear, winner of the 2021 Prometheus Award for Best Novel, discussed those questions in his acceptance speech, which he delivered Aug. 21 during the Libertarian Futurist Society’s online 2021 Prometheus Awards ceremony.

Here is the transcript of Longyear’s speech, which discusses his 2021 winner, The Hook, Book Five of The War Whisperer:

By Barry B. Longyear

On behalf of The Hook, Book 5 of The War Whisperer, I thank the members of the Libertarian Futurist Society for their Prometheus Award.

The seven volumes of The War Whisperer are, essentially, a fictionalized think-and-do on human freedom: What it is, how it works, how to achieve it, and how to defend it.

The first four volumes, through the eyes of Jerome Track, show what the problems are as well as presenting and absorbing the elements of the solution.

In Book 5: The Hook, is at last that beacon of libertarian freedom and one possible answer to the charge that has, up until now, always led the libertarian argument down paths of compromise or fantasy: How does a society that forbids the initiation of coercive force defend itself against military invasion?

That is the libertarian hook.

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Banning trans fats and “food that tastes good” – F. Paul Wilson’s Hall of Fame acceptance speech for ‘Lipidleggin”

Here is F. Paul Wilson’s acceptance speech for winning the 2021 Prometheus Award for Best Classic Fiction (the Hall of Fame) for his short story “Lipidleggin'”, which he delivered Aug. 21, 2021, during the online ceremony for the 41st annual Prometheus Awards:

By F. Paul Wilson

Many thanks to the members of the Libertarian Futurist Society for this honor.

I’ll be brief.  (“Lipidleggin’” is a short story, after all.)

Back in the 1970s, a national health care system was a major political topic.  (Some things never change, do they?)  So I asked the next question: If the State is paying for your health care, won’t the State demand a say in behaviors that it considers hazardous to your health?  Like, oh, say, banning saturated fats?

So, with tongue planted firmly in cheek, I wrote this little cautionary tale about a day when foods with saturated fats – such as butter and eggs – would be banned by the government.  I mean, I saw how it could happen, but never for a moment did I believe it would happen.  Not in a free country like our good old U.S. of A.

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Watch online the 2021 Prometheus Awards and post-ceremony panel on “SF, Liberty, Alternative Publishing Trends…”

Don’t forget to watch the free online 2021 Prometheus Awards ceremony and LFS-Reason panel Saturday.

This is a rare opportunity to watch one of the annual Prometheus Awards program live, via Zoom. (The free link is posted below.)

Barry B. Longyear, the 2021 Prometheus Best Novel winner (Courtesy of author)

First up will be a relatively short awards ceremony, followed immediately by a panel discussion, with Reason magazine as the media sponsor and two Reason editors as panelists, on “SF, Liberty, Alternative Publishing Trends and the Prometheus Awards.”

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In praise of Ray Bradbury: Let’s continue to read the Prometheus-winning author before the “firemen” come, The Spectator warns

By Michael Grossberg

Ray Bradbury, a soulful romantic and ardent lover of American civil liberties, was one of the most celebrated American writers of the 20th century.

Ray Bradbury in 1975 (Creative Commons license)

Perhaps best known for his dystopian novel Fahrenheit 451, one of the earliest and most deserving works inducted into the Prometheus Hall of Fame, and the many film and TV versions of his stories and novels, Bradbury continues to rank high in the pantheon of the greatest short-story writers and leading golden-age sci-fi/fantasy authors.

Yet, how long might his well-deserved reputation as a storyteller last amid the dismaying anti-liberal and authoritarian worldwide trends of the early 21st century?

A just-published essay in The Spectator, a British weekly magazine on politics, culture and current affairs, asks that worrisome question – while also making a powerful case for Bradbury as an enduring writer and champion of liberty.

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Rising up against universal surveillance and the imperial state: Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.

Here is an Appreciation for Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

In “Sam Hall,” published in 1953 in Astounding Science Fiction, Poul Anderson offers one of the earlier visions of a dystopian possibility based on the computers that had been invented only a few years before: a society with ubiquitous surveillance.

This is our age’s version of the panopticon described by Jeremy Bentham – one not confined to local sites such as prisons, but having an entire nation, or an entire planet, in its view. Anderson’s vision of computer technology is primitive, with a gigantic machine in a central government office that receives and stores information on punched cards. It has no hint of artificial intelligence, or of the ability to interpret voice or vision. But the job he sees it as doing is still the stuff of our nightmares.

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