Sequels, part 7: Sarah Hoyt, Victor Milan and the Kollins brothers all wrote Best Novel winners (not sequels themselves) that inspired solid sequels

By Michael Grossberg

Quite a few good novels have inspired sequels that won a Prometheus Award – 11, by my latest count and all discussed in previous parts of this ongoing series.

Sarah Hoyt, the 2011 Prometheus winner (File photo)

When SF/fantasy authors conceive original stories that imagine fresh worlds and compelling characters for the first time, it’s not surprising that they occasionally choose to return to those worlds and characters for a sequel – especially if the first novel receives wide readership and acclaim.

Victor Milan

One such source of recognition is a Prometheus Award – and quite a few Best Novel winners, while not sequels themselves, have inspired sequels that have gone on to further Prometheus recognition at different levels.

Dani Kollin (File photo)

Previous posts in this series on sequels have explored two outstanding Prometheus-winning examples of this pattern: Travis Corcoran’s The Powers of the Earth and its sequel Causes of Separation; and Cory Doctorow’s Little Brother and its sequel Homeland. All four novels ended up winning the top Prometheus Award for Best Novel – a rare feat in our award’s 46-year history.

Yet, several other Prometheus-winning authors have accomplished something approaching that feat – including Sarah Hoyt, Victor Milan and the brothers and co-authors Dani and Eytan Kollins.

Continue reading Sequels, part 7: Sarah Hoyt, Victor Milan and the Kollins brothers all wrote Best Novel winners (not sequels themselves) that inspired solid sequels

Sequels, part 6: Vernor Vinge, F. Paul Wilson and two Prometheus-winning sequel novels good enough to spark further sequels

By Michael Grossberg

Quite a few outstanding SF/fantasy novels have inspired sequels that have won a Prometheus Award – 11, by my latest count, and more than I’d remembered or imagined.

Vernor Vinge at an SF con (File photo)

In a few especially notable cases, writers have conceived Prometheus-winning novels inspired by previous successes and subsequently inspiring worthy sequels – several of which went on to receive further Prometheus recognition at different levels.

F. Paul Wilson (Creative Commons license)

This blog post will discuss such sequel novels by two of our most widely praised and bestselling authors: Vernor Vinge and F. Paul Wilson.

Perhaps it’s no coincidence, then, that both writers have won multiple Prometheus Awards – including for several entertaining, thought-provoking and mind-expanding works set within the same future history.

Continue reading Sequels, part 6: Vernor Vinge, F. Paul Wilson and two Prometheus-winning sequel novels good enough to spark further sequels

Sequels, part 5: Exploring the broader scope of Prometheus-winning sequel novels within Poul Anderson and Ken MacLeod tetralogies

By Michael Grossberg

When a sequel novel is part of a trilogy or series, it can help broaden the scope of a narrative and its world-building while providing a bigger canvas to explore more characters and subplots in greater depth.

Poul Anderson (Creative Commons license)
Ken MacLeod (Creative Commons photo)

Two internationally acclaimed science fiction writers who achieved such goals in Prometheus-winning Best Novel sequels are Poul Anderson and Ken MacLeod.

Previous articles in this series on Prometheus-winning sequel novels explored winners by Daniel Suarez (Critical Mass), Barry Longyear (The Hook), Travis Corcoran (Causes of Separation), Cory Doctorow (Homeland), Jo Walton (Ha’Penny) and Neal Stephenson (The System of the World).

Part 5 will discuss Anderson’s The Stars are Also Fire, the 1995 Best Novel winner, and MacLeod’s The Stone Canal, the 1998 Best Novel winner.

Both sequels are key works in their respective tetralogies.

Continue reading Sequels, part 5: Exploring the broader scope of Prometheus-winning sequel novels within Poul Anderson and Ken MacLeod tetralogies

Ares: An overlooked sequel to L. Neil Smith’s Prometheus-winning Pallas


By Michael Grossberg

Did you know that a third novel belatedly has been published in the late Prometheus-winning writer L. Neil Smith’s “Ngu Family Saga” series?

The Libertarian Futurist Society recognized the first two novels in that series – Pallas and Ceres – but we didn’t become aware of the third novel, Ares, until recently.

Each of the three novels is set primarily on a different asteroid or dwarf planet in our solar system, but linked together by continuing central characters drawn from the Ngu family of pioneering solar-system settlers.

Continue reading Ares: An overlooked sequel to L. Neil Smith’s Prometheus-winning Pallas


Remembering five-time Prometheus winner L. Neil Smith on his birthday


By Michael Grossberg

A zest for life, a sense of humor, a taste for rollicking adventure, curiosity, mystery, imagination, ingeniously varied aliens, heroic and villainous humans, a passion for justice, individual rights and other libertarian themes mark the novels and legacy of L. Neil Smith.

L. Neil Smith in the 1980s (Creative Commons license)

Smith was born May 12, 1946, and died at 75 in 2021 at his longtime home in Fort Collins, Colorado. Arguably one of the most significant libertarian novelists of the past generation or so, Neil was a writer that libertarian SF fans should remember (and consider rereading) on his birthday.

For one thing, Smith is one of only a handful of writers (most notably, along with Robert Heinlein, Poul Anderson, Vernor Vinge and F. Paul Wilson) to win five Prometheus Awards – or more.

Continue reading Remembering five-time Prometheus winner L. Neil Smith on his birthday


Sequels, part 4: While few sequels surpass their originals, three Prometheus Best Novel winners by Doctorow, Walton and Stephenson offer rich rewards

By Michael Grossberg

Let’s face it: Most sequels don’t measure up to the originals. Yet, when they meet – or surpass – expectations while offering further satisfactions in their own right, sequels deserve recognition.

While quite a large number of sequel novels have been nominated for a Prometheus Award over the past 46 years, only a fraction have gone on to become Best Novel finalists. Even fewer have won the Prometheus Award for Best Novel – by my count, 10 novels, all worth reading or rereading.

That’s especially impressive, since most novels fall short in various ways, reflecting the iron law of mediocrity. As the great SF short-story writer Theodore Sturgeon put it, in what came to be called Sturgeon’s Law: “90% of everything is crap.”

Beyond the general requirements of solid storytelling, strong characters, propulsive plots and believable settings that apply to all literature, writing a sequel poses additional challenges – especially in finding and delivering the tricky balance between the fondly familiar and the excitingly fresh.

Fans of the original work tend to expect more in a sequel – more of the same pleasures they had in reading the first book, in part. Yet, whether they realize it consciously or not, fans also yearn to broaden their reading experience with new dimensions of narrative, character, setting, world-building and themes.

If you’re a lifelong SF/fantasy fan like me, you want a good novel or sequel to expand your imagination and deepen the intensity of your identification, empathy and emotion while reading it. This blog post will describe three sequel novels by Prometheus-winning writers that in my view fulfill such hopes.

Continue reading Sequels, part 4: While few sequels surpass their originals, three Prometheus Best Novel winners by Doctorow, Walton and Stephenson offer rich rewards

The Best Novel finalists range from exciting visions of humanity’s challenging possible futures in space to cautionary dystopian tales on Earth

By Michael Grossberg

This year’s five Prometheus Best Novel finalists plausibly imagine everything from dystopian Earth scenarios sparked by authoritarian true-believer cults to more positive but challenging interstellar futures for humanity.

C.J. Cherryh, left, and Jane Fancher (Photo courtesy of Jane Fancher)

Works published in 2024 by C.J. Cherryh & Jane S. Fancher, Michael Flynn, Danny King, Wil McCarthy and Lionel Shriver will be competing for the 45th Prometheus Award for Best Novel.

Two-time Prometheus winner Michael Flynn (File photo)

First presented in 1979, the Prometheus Awards have recognized hundreds of authors and a dizzying variety of works. This year’s slate of finalists embrace the old and the new.

Of these authors, British writer Danny King is new to our award, being recognized for the first time as a Best Novel finalist.

British writer Danny King (Creative Commons license)

Lionel Shriver, a Portugal-based American writer who’s lived in Nairobi, Bangkok, Belfast and London, is being recognized for the third time as a Best Novel finalist.

Author Lionel Shriver in 2006 Photo: Walnut Whippet, Creative Commons license

Wil McCarthy, and writing partners Cherryh and Fancher, each previously won a Prometheus Award, while Flynn (1947-2023) is a two-time previous Best Novel winner being recognized posthumously for what may be his last work.

Novelist Wil McCarthy (Photo courtesy of Baen Books)

In brief, here are this year’s Best Novel finalists, in alphabetical order by author:
* Alliance Unbound, by C.J Cherryh and Jane S. Fancher (DAW)
* In the Belly of the Whale, by Michael Flynn (CAEZIK SF & Fantasy)
* Cancelled: The Shape of Things to Come, by Danny King (Annie Mosse Press)
* Beggar’s Sky, by Wil McCarthy (Baen Books)
* Mania, by Lionel Shriver (HarperCollins Publishers)

Continue reading The Best Novel finalists range from exciting visions of humanity’s challenging possible futures in space to cautionary dystopian tales on Earth

Storm-Dragon: Prometheus Best Novel winner Dave Freer publishes new action-adventure-SF novel in Heinlein-juvenile tradition

By Michael Grossberg

An illustration in Dave Freer’s novel Storm-Dragon (Image provided by author

Prometheus winner Dave Freer has a new novel coming out soon.

Storm-Dragon, to be published April 11, 2025, by Raconteur Press, is a relatively short novel (with illustrations) geared toward a young-adult audience – and especially targeted at boys and teenagers.

“It is my attempt at writing a Heinlein “Juvie” – a book aimed specifically at teen boys (not their scene) to get them interested in sf,” Freer said in an email from his home base Down Under in the Australian state of Tasmania.

Continue reading Storm-Dragon: Prometheus Best Novel winner Dave Freer publishes new action-adventure-SF novel in Heinlein-juvenile tradition

Forster, Bradbury, Heinlein, Le Guin, Vonnegut stories ranked among the 26 best SF stories by New Scientist


By Michael Grossberg

Several Prometheus-recognized authors are included on New Scientist’s intriguing list of the 26 best science fiction/fantasy stories of all time.

Ray Bradbury (Creative Commons license)

E.M. Forster’s “The Machine Stops” is the only story on the magazine’s list previously inducted into the Libertarian Futurist Society’s Prometheus Hall of Fame. Yet, several other enduring and Prometheus-winning authors have classic stories on the magazine’s list – just not the ones our award has recognized.

Among them: Ray Bradbury, Robert Heinlein, Ursula K. Le Guin and Kurt Vonnegut.

It’s interesting to see which of their stories are recognized by the magazine, and why.

Continue reading Forster, Bradbury, Heinlein, Le Guin, Vonnegut stories ranked among the 26 best SF stories by New Scientist


David Friedman: Why isn’t one of the leading libertarian theorists better known as a fantasy novelist?


By Michael Grossberg

Most economists, legal experts, academics and libertarian theorists focus on the real world, not fantasy or science fiction.

Yet, David Friedman, the free-market economist, retired professor, physicist and legal scholar who’s written a variety of wide-ranging nonfiction books and textbooks, is also a lifelong science fiction fan and acclaimed fantasy author.

Friedman, who recently agreed to speak as a presenter in August at the 45th annual Prometheus Awards ceremony, probably should be better known – and more widely read – as a fantasy novelist within the broad and overlapping circles of SF/fantasy fans and Libertarian Futurist Society members.

Continue reading David Friedman: Why isn’t one of the leading libertarian theorists better known as a fantasy novelist?