Sequels – Prometheus Blog

Sequels, part 10: Like the Prometheus Awards, the Hugo awards often recognize sequels – including many of the same novels and authors

By Michael Grossberg

Within the 46-year history of the Prometheus Awards, 194 of the 505 novels nominated within the Best Novel category have been sequels, as previously reported – and 11 have gone on to win. Yet, the Prometheus Awards are not the only science fiction awards that often recognize sequels.

Quite a few have been honored by the Hugo Awards, voted by members of the World Science Fiction Society and presented annually at Worldcons.

By my count, the Hugos have honored sequels nine times in the Best Novel category. Interestingly, quite a few of those authors also have been recognized in the Prometheus Awards – including Lois McMaster Bujold, Orson Scott Card, C.J. Cherryh and Vernor Vinge. In several cases, both awards have recognized writers for the same works.

This overview of such recognition reminds us of the frequent overlap between the Hugos and the Prometheus awards while shedding light on the popularity and appeal of sequels.

Continue reading Sequels, part 10: Like the Prometheus Awards, the Hugo awards often recognize sequels – including many of the same novels and authors

Sequels, part 9: By the numbers, Prometheus Awards history is full of Best Novel sequels

By Michael Grossberg

Throughout the 46-year history of the Prometheus Award, 505 novels have been nominated for Best Novel.

That’s a surprisingly large number, at least to me – and a cumulative total that I don’t believe has been calculated and reported before, or at least not in many years.

Yet, when I counted them up recently, I was even more surprised by the number of Best Novel nominees that turn out to be sequels. (Quite a few were hard to identify as sequels, by the way, until I researched each title – with some so obscure, and not immediately recognizable as sequels when nominated and read by Prometheus judges and LFS members, because many work fine as stand-alone stories without any obvious indications of previous works.)

Can you guess how many Best Novel nominees have been sequels?

Continue reading Sequels, part 9: By the numbers, Prometheus Awards history is full of Best Novel sequels

The Day Before the Revolution: Ursula K. Le Guin story, a prequel to her Prometheus-winning The Dispossessed, recommended by Reactor Magazine 

By Michael Grossberg

Ursula K. Le Guin’s The Day Before the Revolution has been highlighted and recommended by Reactor Magazine among “five SF stories in which hope survives.”

The story, available in the Le Guin short-story collection The Wind’s Twelve Quarters, should be of interested to LFS members and other freedom-loving SF/fantasy fans because it’s considered a sequel to Le Guin’s classic novel The Dispossessed, an early Prometheus Hall of Fame winner.

“Science fiction has the power to remind us that hope is valuable, and necessary,” James Davis Nicoll wrote in the Reactor column.

That insight, and sentiment, rings true to Prometheus Awards voters and fans. After all, our award in part aims to recognize worthy works of speculative fiction that in many cases do remind us that even amid troubled times and authoritarian societies, better and freer futures remain possible.

Continue reading The Day Before the Revolution: Ursula K. Le Guin story, a prequel to her Prometheus-winning The Dispossessed, recommended by Reactor Magazine 

Sequels, part 8: More Best Novel winners (not sequels) by L. Neil Smith and Ramez Naam that inspired sequels 

By Michael Grossberg

Quite a few Prometheus Award Best Novel winners, while not sequels themselves, have inspired subsequent novels that have received further Prometheus recognition.

L. Neil Smith in the 1980s (Creative Commons license)

Such winners by Sarah Hoyt (Darkship Thieves), Victor Milan (The Cybernetic Samurai) and Dani and Eytan Kollins (The Unincorporated Man) were examined in the previous post of this ongoing series about sequels.

Let’s turn our attention here to Prometheus-winning works by Ramez Naam and L. Neil Smith. Both authors were inspired to write more than one follow-up novel to their initial Prometheus-winning novels.

While Naam framed one complex story for his near-future Nexus trilogy, Smith conceived a variety of zestful and rambunctious stories all linked within his alternate-universe North American Confederacy series.

Continue reading Sequels, part 8: More Best Novel winners (not sequels) by L. Neil Smith and Ramez Naam that inspired sequels 

Sequels, part 7: Sarah Hoyt, Victor Milan and the Kollins brothers all wrote Best Novel winners (not sequels themselves) that inspired solid sequels

By Michael Grossberg

Quite a few good novels have inspired sequels that won a Prometheus Award – 11, by my latest count and all discussed in previous parts of this ongoing series.

Sarah Hoyt, the 2011 Prometheus winner (File photo)

When SF/fantasy authors conceive original stories that imagine fresh worlds and compelling characters for the first time, it’s not surprising that they occasionally choose to return to those worlds and characters for a sequel – especially if the first novel receives wide readership and acclaim.

One such source of recognition is a Prometheus Award – and quite a few Best Novel winners, while not sequels themselves, have inspired sequels that have gone on to further Prometheus recognition at different levels.

Previous posts in this series on sequels have explored two outstanding Prometheus-winning examples of this pattern: Travis Corcoran’s The Powers of the Earth and its sequel Causes of Separation; and Cory Doctorow’s Little Brother and its sequel Homeland. All four novels ended up winning the top Prometheus Award for Best Novel – a rare feat in our award’s 46-year history.

Yet, several other Prometheus-winning authors have accomplished something approaching that feat – including Sarah Hoyt, Victor Milan and the brothers and co-authors Dani and Eytan Kollins.

Continue reading Sequels, part 7: Sarah Hoyt, Victor Milan and the Kollins brothers all wrote Best Novel winners (not sequels themselves) that inspired solid sequels

Sequels, part 6: Vernor Vinge, F. Paul Wilson and two Prometheus-winning sequel novels good enough to spark further sequels

By Michael Grossberg

Quite a few outstanding SF/fantasy novels have inspired sequels that have won a Prometheus Award – 11, by my latest count, and more than I’d remembered or imagined.

In a few especially notable cases, writers have conceived Prometheus-winning novels inspired by previous successes and subsequently inspiring worthy sequels – several of which went on to receive further Prometheus recognition at different levels.

F. Paul Wilson (Creative Commons license)

This blog post will discuss such sequel novels by two of our most widely praised and bestselling authors: Vernor Vinge and F. Paul Wilson.

Perhaps it’s no coincidence, then, that both writers have won multiple Prometheus Awards – including for several entertaining, thought-provoking and mind-expanding works set within the same future history.

Continue reading Sequels, part 6: Vernor Vinge, F. Paul Wilson and two Prometheus-winning sequel novels good enough to spark further sequels

Sequels, part 5: Exploring the broader scope of Prometheus-winning sequel novels within Poul Anderson and Ken MacLeod tetralogies

By Michael Grossberg

When a sequel novel is part of a trilogy or series, it can help broaden the scope of a narrative and its world-building while providing a bigger canvas to explore more characters and subplots in greater depth.

Poul Anderson (Creative Commons license)

Two internationally acclaimed science fiction writers who achieved such goals in Prometheus-winning Best Novel sequels are Poul Anderson and Ken MacLeod.

Previous articles in this series on Prometheus-winning sequel novels explored winners by Daniel Suarez (Critical Mass), Barry Longyear (The Hook), Travis Corcoran (Causes of Separation), Cory Doctorow (Homeland), Jo Walton (Ha’Penny) and Neal Stephenson (The System of the World).

Part 5 will discuss Anderson’s The Stars are Also Fire, the 1995 Best Novel winner, and MacLeod’s The Stone Canal, the 1998 Best Novel winner.

Both sequels are key works in their respective tetralogies.

Continue reading Sequels, part 5: Exploring the broader scope of Prometheus-winning sequel novels within Poul Anderson and Ken MacLeod tetralogies

Ares: An overlooked sequel to L. Neil Smith’s Prometheus-winning Pallas 

By Michael Grossberg

Did you know that a third novel belatedly has been published in the late Prometheus-winning writer L. Neil Smith’s “Ngu Family Saga” series?

The Libertarian Futurist Society recognized the first two novels in that series – Pallas and Ceres – but we didn’t become aware of the third novel, Ares, until recently.

Each of the three novels is set primarily on a different asteroid or dwarf planet in our solar system, but linked together by continuing central characters drawn from the Ngu family of pioneering solar-system settlers.

Continue reading Ares: An overlooked sequel to L. Neil Smith’s Prometheus-winning Pallas 

Sequels, part 4: While few sequels surpass their originals, three Prometheus Best Novel winners by Doctorow, Walton and Stephenson offer rich rewards

By Michael Grossberg

Let’s face it: Most sequels don’t measure up to the originals. Yet, when they meet – or surpass – expectations while offering further satisfactions in their own right, sequels deserve recognition.

While quite a large number of sequel novels have been nominated for a Prometheus Award over the past 46 years, only a fraction have gone on to become Best Novel finalists. Even fewer have won the Prometheus Award for Best Novel – by my count, 10 novels, all worth reading or rereading.

That’s especially impressive, since most novels fall short in various ways, reflecting the iron law of mediocrity. As the great SF short-story writer Theodore Sturgeon put it, in what came to be called Sturgeon’s Law: “90% of everything is crap.”

Beyond the general requirements of solid storytelling, strong characters, propulsive plots and believable settings that apply to all literature, writing a sequel poses additional challenges – especially in finding and delivering the tricky balance between the fondly familiar and the excitingly fresh.

Fans of the original work tend to expect more in a sequel – more of the same pleasures they had in reading the first book, in part. Yet, whether they realize it consciously or not, fans also yearn to broaden their reading experience with new dimensions of narrative, character, setting, world-building and themes.

If you’re a lifelong SF/fantasy fan like me, you want a good novel or sequel to expand your imagination and deepen the intensity of your identification, empathy and emotion while reading it. This blog post will describe three sequel novels by Prometheus-winning writers that in my view fulfill such hopes.

Continue reading Sequels, part 4: While few sequels surpass their originals, three Prometheus Best Novel winners by Doctorow, Walton and Stephenson offer rich rewards

Sequels, part 3: Many have been nominated, but only a select few have won a Prometheus award for Best Novel 

By Michael Grossberg

How often are sequels nominated for Best Novel? And of those, how many go on to become Best Novel finalists? Or winners?

A lot, actually – and more than I initially recalled.

In this ongoing Prometheus Blog analysis of the number of sequels that have won over 46 years in the Best Novel category, I discovered several surprising patterns.

The subject of sequels is timely, with four sequels of the 11 2024 novels nominated this year for Best Novel and two sequel novels going on to become Best Novel finalists.

That sounds like a lot, but it’s not anywhere close to a Prometheus Awards record.

Continue reading Sequels, part 3: Many have been nominated, but only a select few have won a Prometheus award for Best Novel 