Prometheus Blog

Orwell’s Prometheus-winning Animal Farm being adapted into an animated film  

One of the best known and most enduring Prometheus Hall of Fame winners for Best Classic Fiction has finally been adapted into an animated film.

Actor-director Andy Serkis has worked for years to bring to the screen a new animated film version of George Orwell’s fable Animal Farm, a Prometheus Hall of Fame inductee for Best Classic Film. Serkis’ film, which has been screened overseas at a film festival, is not yet available to watch in the United States.

Orwell’s cautionary and satirical fable focuses on a group of anthropomorphic farm animals who rebel against their human farmer, hoping to achieve a fully egalitarian society where all the animals are equal. Ultimately, the rebellion is betrayed, with a pig named Napoleon becoming dictator of the farm, which ends up in a far worse state than before.

Continue reading Orwell’s Prometheus-winning Animal Farm being adapted into an animated film  

Why we post articles about references in popular culture to Prometheus-winning classics, from Orwell’s 1984 to Anderson’s “The Emperor’s New Clothes” 

By Michael Grossberg

Not all literary works that win major awards continue to be widely read and influential, years or decades later. Yet, from Orwell’s Nineteen Eighty-Four to Hans Christian Andersen’s “The Emperor’s New Clothes,” those that do are worth noting, for they often reflect important aspects of our era’s intellectual currents and popular culture.

In that context, the number of Prometheus-winning works that commonly are referenced by prominent columnists, essayists and authors continues to be impressive.

Of the more than 100 novels, stories, films and other works of fantastical fiction that have won a Prometheus award for Best Novel or Best Classic Fiction (our Hall of Fame) since the first prize was presented in 1979, more than a dozen are written about frequently in magazines, newspapers, Substack columns, books or referenced in movies, plays and other realms of popular culture.

Among the many Prometheus-winning authors most commonly written about – sometimes with a purely literary focus but more often used as resonant reference points for 21st century commentary – are George Orwell, Ray Bradbury, Kurt Vonnegut, Ayn Rand, J.RR. Tolkien, Neal Stephenson and Hans Christian Andersen.

Continue reading Why we post articles about references in popular culture to Prometheus-winning classics, from Orwell’s 1984 to Anderson’s “The Emperor’s New Clothes” 

The Special Prometheus Award for YA fiction isn’t well-known yet, but that could change with the nomination of Dave Freer’s Storm-Dragon 

By Michael Grossberg

Many publishers and authors may not be aware of the newest category of Special Prometheus Awards, set up to recognize Young Adult (YA) fiction. Even some Libertarian Futurist Society members may be unaware of the award, only added as a possibility a few years ago.

Yet, that could be about to change, with the recent nomination of Dave Freer’s YA novel Storm-Dragon for a Special Award.

Continue reading The Special Prometheus Award for YA fiction isn’t well-known yet, but that could change with the nomination of Dave Freer’s Storm-Dragon 

The newest Prometheus Award: A Special Award for Young Adult fiction – and why it’s important to encourage younger generations to read books

By Michael Grossberg

Did you know that Young Adult novels are eligible for a Special Prometheus Award?

In the broad realm of fantastical fiction, Young-Adult or YA novels have had and continue to have a special and honored place.

Just recall how much of the Golden Age of modern SF was YA books for teenagers or so-called “juvenile fiction” for children or middle-grade readers, including many of Robert Heinlein’s early bestsellers, such as Citizen of the Galaxy or Red Planet, both inducted into the Prometheus Hall of Fame for Best Classic Fiction.

That’s a key reason why the Libertarian Futurist Society decided several years ago to set up a process to begin recognizing eligible and worthy YA novels with a Special Prometheus Award – and why we invite our members, as well as publishers and authors, to bring eligible YA works to our attention.

Continue reading The newest Prometheus Award: A Special Award for Young Adult fiction – and why it’s important to encourage younger generations to read books

What leading libertarian theorist and novelist David Friedman thinks of Lois McMaster Bujold, L. Neil Smith, J. Neil Schulman, Robert Heinlein and other Prometheus-winning authors 

By Michael Grossberg

David Friedman (Creative Commons license)

David Friedman, a guest presenter at the 45th Prometheus Awards show, is a regular reader of science fiction and fantasy – and the prominent economist and leading libertarian theorist has been influenced in his thinking by several Prometheus-winning authors.

So it’s interesting to hear Friedman’s views on a variety of sf/fantasy writers, which he shared in response to questions at the end of the Aug. 30, 2025, awards ceremony.

In addition to Poul Anderson (the 2025 Hall of Fame winner for Orion Shall Rise), Robert Heinlein, Jerry Pournelle and Vernor Vinge (Prometheus-winning writers that Friedman discussed during his main speech), Friedman offered comments and insights on the novels of Prometheus winners Lois McMaster Bujold, L. Neil Smith, J. Neil Schulman, C.J. Cherryh (highlighted in a previous blog), Heinlein and other sf/fantasy writers.

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Why leading economist, libertarian theorist and novelist David Friedman admires Prometheus winner C.J. Cherryh 

By Michael Grossberg

Even after all of the inspiring, thought-provoking and occasionally poignant or amusing speeches by presenters and acceptors, the 45th Prometheus Awards ceremony was worth watching through the very end of its 48 minutes.

David Friedman (Photo provided by Friedman)

During the post-ceremony Q&A discussions of the live Zoom event (recorded and later posted on YouTube), guest Hall of Fame presenter David Friedman offered interesting and revealing comments on a wide variety of science-fiction novelists – including Poul Anderson, the 2025 Hall of Fame winner for his novel Orion Shall Rise; Robert Heinlein, Jerry Pournelle and Vernor Vinge.

A leading economist and libertarian theorist and author of half a dozen non-fiction books, Friedman’s views are worth quoting – especially because he understands the challenges of writing fantastical fiction from his own experience as a Prometheus-nominated writer of three fantasy novels: Harald, Salamander and Brothers.

Here is what Friedman had to say about C.J. Cherryh, among half a dozen sf authors that he commented on in the post-ceremony question period.

Continue reading Why leading economist, libertarian theorist and novelist David Friedman admires Prometheus winner C.J. Cherryh 

Sequels, part 11: Unlike literary sequels, movie sequels and genre films don’t get as much respect at the Oscars, but that may be changing 

By Michael Grossberg

Movie sequels seem to be more common and more popular than ever in the 21st century, often dominating at the box office. Yet, they just don’t get as much respect or awards recognition as literary sequels.

Far fewer sequels have won Academy Awards than have been recognized by science fiction and fantasy’s Hugo and Prometheus awards.

Just consider how few movie sequels have won the Oscar for Best Picture compared to how often sequel novels win a top SF/fantasy award.

Within the 46-year history of the Prometheus Awards, 194 of the 505 novels nominated within the Best Novel category have been sequels – and 11 have gone on to win.

Meanwhile, as recently reported here, nine sequel novels have won the Best Novel category in the 72-year history of the Hugo Awards, voted by members of the World Science Fiction Society and presented annually at the Worldcon.

Yet, in the 97 years that the Academy Awards have been presented, only two movie sequels have won Best Picture: The Godfather Part II and The Lord of the Rings: The Return of the King.

Intriguingly, both movies were key parts of the only trilogies or series to have three films nominated for Best Picture, perhaps partly reflecting the stature and impact of the overall effort.

And perhaps coincidentally, both movies dramatize libertarian and classical-liberal themes about the temptations and abuses of power.

Continue reading Sequels, part 11: Unlike literary sequels, movie sequels and genre films don’t get as much respect at the Oscars, but that may be changing 

Sequels, part 10: Like the Prometheus Awards, the Hugo awards often recognize sequels – including many of the same novels and authors

By Michael Grossberg

Within the 46-year history of the Prometheus Awards, 194 of the 505 novels nominated within the Best Novel category have been sequels, as previously reported – and 11 have gone on to win. Yet, the Prometheus Awards are not the only science fiction awards that often recognize sequels.

Quite a few have been honored by the Hugo Awards, voted by members of the World Science Fiction Society and presented annually at Worldcons.

By my count, the Hugos have honored sequels nine times in the Best Novel category. Interestingly, quite a few of those authors also have been recognized in the Prometheus Awards – including Lois McMaster Bujold, Orson Scott Card, C.J. Cherryh and Vernor Vinge. In several cases, both awards have recognized writers for the same works.

This overview of such recognition reminds us of the frequent overlap between the Hugos and the Prometheus awards while shedding light on the popularity and appeal of sequels.

Continue reading Sequels, part 10: Like the Prometheus Awards, the Hugo awards often recognize sequels – including many of the same novels and authors

Sequels, part 9: By the numbers, Prometheus Awards history is full of Best Novel sequels

By Michael Grossberg

Throughout the 46-year history of the Prometheus Award, 505 novels have been nominated for Best Novel.

That’s a surprisingly large number, at least to me – and a cumulative total that I don’t believe has been calculated and reported before, or at least not in many years.

Yet, when I counted them up recently, I was even more surprised by the number of Best Novel nominees that turn out to be sequels. (Quite a few were hard to identify as sequels, by the way, until I researched each title – with some so obscure, and not immediately recognizable as sequels when nominated and read by Prometheus judges and LFS members, because many work fine as stand-alone stories without any obvious indications of previous works.)

Can you guess how many Best Novel nominees have been sequels?

Continue reading Sequels, part 9: By the numbers, Prometheus Awards history is full of Best Novel sequels

Review: Aldous Huxley’s Brave New World offers still-timely dystopian vision of a collectivist “soft tyranny” denying individuality, history, culture and art 

By Michael Grossberg

Aldous Huxley (Creative Commons license)

British writer-philosopher Aldous Huxley (1894-1963) is best remembered today for writing one of the earliest and most emblematic works of dystopian literature.

His 1932 novel Brave New World continues to be a bestseller and is universally recognized as a modern classic. For example, the Modern Library ranked it number 5 on its list of the 100 Best Novels in English of the 20th century.

Not all dystopian works fit the distinctive focus of the Prometheus Award, but Brave New World more than qualifies – and that’s why I’ve nominated it for the Prometheus Hall of Fame for Best Classic Fiction.

Continue reading Review: Aldous Huxley’s Brave New World offers still-timely dystopian vision of a collectivist “soft tyranny” denying individuality, history, culture and art 