Harry Turtledove’s Between the Rivers, one of this year’s Prometheus Hall of Fame nominees, is suited to libertarian audiences in somewhat the same way as Neal Stephenson’s Baroque Cycle: It neither portrays a free society, nor proposes a path to creating one, but offers a historical perspective on some of the long established elements of freedom as of their first appearance.
Stephenson’s Baroque Cycle novel The System of the World, the 2005 Prometheus Best Novel winner, is subtle about its fantastic elements (the presence of Enoch Root, also a character in Cryptonomicon, set centuries later, and the strange isotope of gold); Turtledove’s much less so, with active gods monitoring their human worships and wandering about the countryside.
So Stephenson can be read as a secret history, but Turtledove has to be taken as a historical fantasy. But Turtledove makes his historical parallels obvious, in the very title of his book: “Between the Rivers” literally translates the Greek name “Mesopotamia” for the land that was once Sumer, and later Babylonia, and is now Iraq.
